THE ARTS AND THEIR CHANGING SOCIAL FUNCTION

2006 ◽  
Vol 96 (2) ◽  
pp. 653-658
Author(s):  
Roy Sieber
Keyword(s):  

The work of scholars and practitioners working in the field of peacebuilding and social transformation is equally art and craft. The arts have a social function that goes beyond its aesthetic nature as they have historically served as powerful tools for social transformation. These are acts of creation that are the results of rigor and intention. This chapter offers a discussion on how communities in Medellin have used the arts as tools for creating moments of creativity that have led to social transformation. To make sense of this, the authors use Lederach's suggestion to center simplicity when thinking about peacebuilding initiatives, as well as his use of Haiku as an analogy to how we, as scholars and practitioners of peacebuilding and social transformation, should approach our work.


PMLA ◽  
1962 ◽  
Vol 77 (4-Part1) ◽  
pp. 364-372 ◽  
Author(s):  
W. T. H. Jackson

Although the thinkers of the Middle Ages il did not develop any theories about the function of the artist which can be compared with those of Plato or the Romantics, they had definite views on art and its relation to society. Art in its broadest sense had for them an ethical and social function which inevitably became part of the grand design of the universe. None of the great writers of romance is without consciousness of this function. In the creation of the Arthurian romance in particular they were fully aware of their responsibilities, but they interpreted them in differing ways. It seems to me that Gottfried von Strassburg realizes most fully the intellectual aspects of his responsibility and takes most note of the esthetic theories which justified the arts, and in particular music, as beneficial for Christian men and women and as leading towards that harmony of the spirit with the eternal which was regarded as the highest good.


Author(s):  
Cecil E. Hall

The visualization of organic macromolecules such as proteins, nucleic acids, viruses and virus components has reached its high degree of effectiveness owing to refinements and reliability of instruments and to the invention of methods for enhancing the structure of these materials within the electron image. The latter techniques have been most important because what can be seen depends upon the molecular and atomic character of the object as modified which is rarely evident in the pristine material. Structure may thus be displayed by the arts of positive and negative staining, shadow casting, replication and other techniques. Enhancement of contrast, which delineates bounds of isolated macromolecules has been effected progressively over the years as illustrated in Figs. 1, 2, 3 and 4 by these methods. We now look to the future wondering what other visions are waiting to be seen. The instrument designers will need to exact from the arts of fabrication the performance that theory has prescribed as well as methods for phase and interference contrast with explorations of the potentialities of very high and very low voltages. Chemistry must play an increasingly important part in future progress by providing specific stain molecules of high visibility, substrates of vanishing “noise” level and means for preservation of molecular structures that usually exist in a solvated condition.


1995 ◽  
Vol 40 (4) ◽  
pp. 383-383
Author(s):  
Terri Gullickson
Keyword(s):  

PsycCRITIQUES ◽  
2007 ◽  
Vol 52 (31) ◽  
Author(s):  
Paul J. Silvia
Keyword(s):  

2002 ◽  
Author(s):  
David Hargrove ◽  
Nancy S. Elman
Keyword(s):  

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