Architectural Acoustics: How does that building sound?

2021 ◽  
Vol 150 (4) ◽  
pp. A134-A134
Author(s):  
Ana M. Jaramillo
Buildings ◽  
2021 ◽  
Vol 11 (6) ◽  
pp. 235
Author(s):  
Joanna Jablonska ◽  
Roman Czajka

Contemporary architectural and urban planning aims at optimal development of the environment, including in terms of acoustics. As such, support with computer-aided design (CAD) tools is, nowadays, obligatory. The authors present investigation outcomes of three different CAD and computing methods extracted for the study. The scope covers different scales of considerations from architectural acoustics to the urban level, which relates to the standard architect’s commissions field. The described approaches are applicable for both academics and professionals in the broadly understood building industry There were analysed and synthesized experiences from the use of two-dimensional and three-dimensional simulations, computing based on standardized formulas, and an acoustic meter (here: the SVAN 979 for RT60, LAeq measurement). The article concludes with an assessment, which shows possible uses of methods and confirmations of their usability.


1971 ◽  
Vol 93 (3) ◽  
pp. 775-781 ◽  
Author(s):  
M. J. Crocker ◽  
M. C. Battacharya ◽  
A. J. Price

The transmission of sound and vibration through structures is of interest in many noise control problems, including architectural acoustics, sound transmission through aircraft, spacecraft and ships, and the transmission of noise through machinery and engine enclosures. Statistical energy analysis provides a simple and accurate method of approaching these problems. In this paper, theory is examined for the transmission of acoustic energy through single panels, independent double panels, and double panels connected with tie beams. In the single panel case, the theoretical model consists of three linearly coupled oscillators; room-panel-room. The independent double panel case consists of five oscillators; room-panel-cavity-panel-room. In the connected double panel case, the tie beams must be accounted for as the sixth oscillator. A coupling loss factor is determined for the ties by considering the transmission of longitudinal waves, bending waves, and lateral shear waves in the ties. Both resonant and nonresonant transmission are included in the theory. It is shown that for a single panel, the experimental sound transmission loss, panel radiation resistance, and vibration amplitude are all well predicted by the theory. The experimental sound transmission loss is also well predicted in the independent double panel and coupled double panel cases.


2021 ◽  
Vol 150 (4) ◽  
pp. A93-A93
Author(s):  
Michael Vorlaender ◽  
Lukas Aspoeck

Author(s):  
DAVIDE BONSI

In the history of theatre buildings, the Teatro Olimpico in Vicenza by Andrea Palladio is often regarded as the archetype of the evolution of spaces for drama and music in modern European culture. Even within the specific subject of architectural acoustics, the Olympic Theatre represents a sort of symbolic beginning of a new era, since the main idea which led to its realisation, that is, the transformation of the Greco-Roman theatre into a closed volume, started to pose problems that had previously been unknown or neglected due to the completely different sound-propagation processes experienced in the open-air theatres of antiquity. This chapter focuses on the recent campaign of acoustic measurements carried out by the author in the Teatro Olimpico. Among the results discussed are the long reverberation time and low clarity, which make the hall more suitable for music than speech.


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