THUR 052 Epilepsy in the land of ice and fire

2018 ◽  
Vol 89 (10) ◽  
pp. A6.2-A6
Author(s):  
Wojtowicz Alex L ◽  
Thomas Rhys H

BackgroundEpilepsy is often explained through allegory; from magical thinking to misfiring neurons. It is important to appreciate pervasive media portrayals which influence lay attitudes toward epilepsy. George R. R. Martin’s series of fantasy novels A Song of Ice and Fire, and the HBO television adaptation A Game of Thrones, introduce characters with ‘mundane’ and ‘mystical’ epilepsy to millions. Cases are presented to highlight these varying portrayals.CasesRA, 8 years old, has ‘shaking sickness’. Triggered by stress, his hands ‘shake’ with subsequent involvement of all limbs. He loses consciousness, is incontinent of urine, and demonstrates post-ictal confusion. He is enmeshed with his mother and his condition is viewed as a manifestation of his unsuitability to rule.BS fell at 9 years old, resulting in a coma. Subsequently he remains paraplegic with dialeptic episodes. During absences, he can ‘possess’ animals or people, and experiences impossible hallucinations. These abilities are portrayed as empowering for a boy who suffers heavy stigma against physical disability.ConclusionFans will probably not adopt ‘magical’ views but may internalise stigma weighed against characters with both ‘mundane’ and ‘magical’ epilepsy. Due to the large audience, clinicians working with epilepsy patients might benefit from awareness of these portrayals.

2021 ◽  
Author(s):  
Nataliia Glinka ◽  
Yuliia Zaichenko ◽  
Anastasiia Machulianska

The paper is focused on stylistic features of English fantasy texts. The research materials include four fantasy novels written by British and American authors of the late 20th century: Jordan’s The Eye of the World, Martin’s A Game of Thrones, Rowling’s Harry Potter and the Philosopher’s Stone, and Harry Potter and the Chamber of Secrets. The research question of the study lies in need to systematize expressive means and stylistic devices used in the texts and distinguish the common stylistic features of English fantasy texts. To do this, the researchers implement the notion of a stylistic portrait of English fantasy text, and the main aim of the paper is to provide its definition and description. The study employed the complex of linguistic research methods, including analysis and generalization of theoretical sources, contextual analysis and the elements of quantitative analysis of linguistic units used in the texts. Based on three essential aspects of a stylistic portrait, the paper shows that the English fantasy texts are characterized by the dominance of expressive means and stylistic devices at the syntactic level of language. In addition, the researchers identified the most productive stylistically marked linguistic units at each level of language correlated with the semantic field within which they functioned, and studied connotative dominants in these texts.


Author(s):  
Oleg Kil'dyushov

The paper is a review of a number of writings in the humanities and in social science devoted to George Martin’s series of epic fantasy novels A Song of Ice and Fire, and the television-serial drama Game of Thrones. At the beginning, we analyze the researchers’ most heuristically-fruitful intellectual reactions to Game of Thrones, that is, specific products such as texts that may be of interest to social theory. The main part of the article considers the institutional and discursive order of George Martin’s saga through the research lens of the classics of modern social theory, such as Niccolo Machiavelli, Thomas Hobbes, and Max Weber. The paper then briefly touches upon the religious situation in Westeros, whose system of values and norms is paradoxically characterized by both post-secularism and a surge of religious fundamentalism. As a next step, it analyzes the political theology in the Game of Thrones, which is considered within the perspective of a transcendental legitimization of politics as proposed by Carl Schmitt. In conclusion, the paper considers Westeros’ cognitive landscape which consists of various competing epistemic sets (maesters, septons, white walkers, etc.), and structurally reproduces the situation in the societies of late modernity.


2021 ◽  
Vol 12 (3) ◽  
pp. 294-307
Author(s):  
Nataliia Glinka ◽  
Yuliia Zaichenko ◽  
Anastasiia Machulianska

The paper is focused on stylistic features of English fantasy texts. The research materials include four fantasy novels written by British and American authors of the late 20th century: Jordan’s The Eye of the World, Martin’s A Game of Thrones, Rowling’s Harry Potter and the Philosopher’s Stone, and Harry Potter and the Chamber of Secrets. The research question of the study lies in need to systematize expressive means and stylistic devices used in the texts and distinguish the common stylistic features of English fantasy texts. To do this, the researchers implement the notion of a stylistic portrait of English fantasy text, and the main aim of the paper is to provide its definition and description. The study employed the complex of linguistic research methods, including analysis and generalization of theoretical sources, contextual analysis and the elements of quantitative analysis of linguistic units used in the texts. Based on three essential aspects of a stylistic portrait, the paper shows that the English fantasy texts are characterized by the dominance of expressive means and stylistic devices at the syntactic level of language. In addition, the researchers identified the most productive stylistically marked linguistic units at each level of language correlated with the semantic field within which they functioned, and studied connotative dominants in these texts.


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