scholarly journals The Golden Ratio and Fibonacci Numbers

10.1142/3595 ◽  
1997 ◽  
Author(s):  
Richard A Dunlap
2020 ◽  
Vol 1 (3) ◽  
pp. 112-122
Author(s):  
Agung Prabowo

Fibonacci numbers, Lucas numbers and Mulatu numbers are built in the same method. The three numbers differ in the first term, while the second term is entirely the same. The next terms are the sum of two successive terms. In this article, generalizations of Fibonacci, Lucas and Mulatu (GFLM) numbers are built which are generalizations of the three types of numbers. The Binet formula is then built for the GFLM numbers, and determines the golden ratio, silver ratio and Bronze ratio of the GFLM numbers. This article also presents generalizations of these three types of ratios, called Metallic ratios. In the last part we state the Metallic ratio in the form of continued fraction and nested radicals.


Author(s):  
Jan C. A. Boeyens

The discovery of material periodicity must rank as one of the major achievements of mankind. It reveals an ordered reality despite the gloomy pronouncements of quantum philosophers. Periodicity only appears in closed systems with well-defined boundary conditions. This condition excludes an infinite Euclidean universe and all forms of a chaotic multiverse. Manifestations of cosmic order were observed and misinterpreted by the ancients as divine regulation of terrestrial events, dictated by celestial intervention. Analysis of observed patterns developed into the ancient sciences of astrology, alchemy and numerology, which appeared to magically predict the effects of the macrocosm on the microcosm. The sciences of astronomy and chemistry have by now managed to outgrow the magic connotation, but number theory remains suspect as a scientific pursuit. The relationship between Fibonacci numbers and cosmic self-similarity is constantly being confused with spurious claims of religious and mystic codes, imagined to be revealed through the golden ratio in the architecture of the Great Pyramid and other structures such as the Temple of Luxor. The terminology which is shared by number theory and numerology, such as perfect number, magic number, tetrahedral number and many more, contributes to the confusion. It is not immediately obvious that number theory does not treat 3 as a sacred number, 13 as unlucky and 666 as an apocalyptic threat. The relationship of physical systems to numbers is no more mysterious nor less potent than to differential calculus. Like a differential equation, number theory does not dictate, but only describes physical behavior. The way in which number theory describes the periodicity of matter, atomic structure, superconductivity, electronegativity, bond order, and covalent interaction was summarized in a recent volume. The following brief summary of these results is augmented here by a discussion of atomic and molecular polarizabilities, as derived by number theory, and in all cases specified in relation to the grand periodic function that embodies self-similarity over all space-time.


Mathematics ◽  
2021 ◽  
Vol 9 (4) ◽  
pp. 426
Author(s):  
Noah Giansiracusa

There is a family of vector bundles over the moduli space of stable curves that, while first appearing in theoretical physics, has been an active topic of study for algebraic geometers since the 1990s. By computing the rank of the exceptional Lie algebra g2 case of these bundles in three different ways, a family of summation formulas for Fibonacci numbers in terms of the golden ratio is derived.


2009 ◽  
Vol 3 (1) ◽  
pp. 120-122 ◽  
Author(s):  
Saeid Alikhani ◽  
Yee-Hock Peng

In this note, we investigate ?n , where ?=1+2?5 is the golden ratio as chromatic roots. Using some properties of Fibonacci numbers, we prove that ? n (n ? N), cannot be roots of any chromatic polynomial.


New Sound ◽  
2017 ◽  
pp. 70-90
Author(s):  
Rima Povilionienè

In the sphere of musical research, the intersection of two seemingly very different subject areas-music and mathematics is in essence related to one of the trends of music-attributing the theory of music to science, to the sphere of mathematica. It is regarded the longest-lasting interdisciplinary dialogue. The implication of numerical proportions and number sequences in the music composition of different epochs is closely related to this sphere. A significant role in creating music was attributed to the so-called infinite Fibonacci sequence. Perhaps the most important feature of the Fibonacci numbers, which attracted the attention of thinkers and creators of different epochs, is the fact that by means of the ratio between them it is possible to come maximally close to the Golden Ratio formula, which expresses the laws of nature. On a practical plane, often the climax, the most important part of any composition, matches the point of the Golden Ratio; groups of notes, rhythm, choice of tone pitches, a grouping of measures, time signature, as well as proportions between a musical composition's parts may be regulated according to Fibonacci principles. The article presents three analytical cases-Chopin's piano prelude, Bourgeois' composition for organ, and Reich's minimalistic piece, attempting to render music composition structure to the logic of Fibonacci numbers.


Author(s):  
Carlo Sanna

Let [Formula: see text] be the sequence of Fibonacci numbers. Guy and Matiyasevich proved that [Formula: see text] where [Formula: see text] is the least common multiple and [Formula: see text] is the golden ratio. We prove that for every periodic sequence [Formula: see text] in [Formula: see text] there exists an effectively computable rational number [Formula: see text] such that [Formula: see text] Moreover, we show that if [Formula: see text] is a sequence of independent uniformly distributed random variables in [Formula: see text] then [Formula: see text] where [Formula: see text] is the dilogarithm function.


2008 ◽  
Vol 92 (523) ◽  
pp. 14-21
Author(s):  
H. Brian Griffiths

A friendly engineer recently sent me a version of Figure 1 below, and asked me to explain the connection between it and the well-known Fibonacci Problem (FP) about calculating a population of rabbits. He knew that Figure 1 was related to the ‘Divine Proportion’ or ‘Golden Ratio’ ϕ ( = ½(√5 - l), which also occurs in the solution to FP, and wondered how such different problems could be related by such a number. (He unfortunately regarded ϕ as 0.618 exactly, thus missing a lot of stuff to arouse curiosity.) I knew of various references that I could recommend, but none covered all the things my engineer mentioned, so I constructed the following mathematical development, leaving the relations with biology and architecture to be explained in the books referenced later, see for example [1]. A matrix approach is used here, and may be new to those readers of the Gazette who may be quite familiar with the other material.


1997 ◽  
Vol 90 (5) ◽  
pp. 386-389
Author(s):  
Angelo S. DiDomenico

Involving students in open exploration and a search for patterns and relations is a very exciting and rewarding experience. These activities promote stimulating discussions, the application of known skills and relations to unfamiliar settings, and the development of what the NCTM's Curriculum and Evaluation Standards for School Mathematics (1989) has called “mathematical power”—the ability to probe and connect and to reason both inductively and deductively. Involvement of this kind can also lead to findings that capture the imagination and that foster a lasting interest in mathematics and an appreciation for its beauty.


2020 ◽  
Author(s):  
Feng Qi

In the paper, by virtue of the Faa di Bruno formula and several properties of the Bell polynomials of the second kind, the author computes higher order derivatives of the generating function of convolved Fibonacci numbers and, consequently, derives three closed forms for convolved Fibonacci numbers in terms of the falling and rising factorials, the Lah numbers, the signed Stirling numbers of the first kind, and the golden ratio.


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