Imbalance and Reconstruction: The Philosophical Implication and Realistic Enlightenment of Ecological View Education

Author(s):  
Ziteng Shi
PsycCRITIQUES ◽  
2005 ◽  
Vol 50 (28) ◽  
Author(s):  
Joanne Tortorici Luna

2020 ◽  
Vol 6 (2) ◽  
pp. 95-113
Author(s):  
Fabian Muniesa ◽  
Liliana Doganova

The future is persistently considered in the sociology of finance from two divergent, problematic angles. The first approach consists in supplementing financial reasoning with an acknowledgement of the expectations that are needed in order to cope with an uncertain future and justify the viability of investment decisions. The second approach, often labelled critical, sees on the contrary in the logic of finance a negation of the future and an exacerbation of the valuation of the present. This is an impasse the response to which resides, we suggest, in considering the language of future value, which is indeed inherent to a financial view on things, as a political technology. We develop this argument through an examination of significant episodes in the history of financial reasoning on future value. We explore a main philosophical implication which consists in suggesting that the medium of temporality, understood in the dominant sense of a temporal progression inside which projects and expectations unfold, is not a condition for but rather a consequence of the idea of financial valuation.


2001 ◽  
Vol 7 (3) ◽  
pp. 141-146
Author(s):  
Stan Rowe
Keyword(s):  

2011 ◽  
Vol 16 (2) ◽  
pp. 166-175 ◽  
Author(s):  
Michael Gurevich ◽  
A. Cavan Fyans

This article adopts an ecological view of digital musical interactions, considering first the relationship between performers and digital systems, and then spectators’ perception of these interactions. We provide evidence that the relationships between performers and digital music systems are not necessarily instrumental in the same was as they are with acoustic systems, and nor should they always strive to be. Furthermore, we report results of a study indicating that spectators may not perceive such interactions in the same way as performances with acoustic musical instruments. We present implications for the design of digital musical interactions, suggesting that designers should embrace the reality that digital systems are malleable and dynamic, and may engage performers and spectators in different modalities, sometimes simultaneously.


2015 ◽  
Vol 15 (1) ◽  
pp. 55-70 ◽  
Author(s):  
Shu-Shing Lee ◽  
David Hung ◽  
Laik Woon Teh

Author(s):  
Val H. Smith ◽  
Tyrees P. Jones ◽  
Marilyn S. Smith

1973 ◽  
Vol 81 (2) ◽  
pp. 115-126 ◽  
Author(s):  
Bernard Mausner

2020 ◽  
Vol 179 ◽  
pp. 02090
Author(s):  
Lulu Chai ◽  
Xiang Wang ◽  
Zixuan Chen

In recent years, the problems of environmental pollution and resource shortage have increased year by year, and the topic of sustainable development has aroused widespread concern. The simple sustainable ideas in Chinese traditional culture have made important contributions to the harmonious coexistence between people and nature in ancient China. By analyzing China’s simple sustainable ideas, the author discovered the holistic view in the idea of ‘Nature and Humanity’, the frugal view of the ‘Using wisely’ idea, the concept of benevolence in the thought of ‘love of all people and all things’, the ecological view in the thought of ‘things are not endless’ and the view of life in the thought of ‘Taoism follows nature’, these five perspectives provide systematic sustainable ideas for modern furniture. This article will analyze these five ideas, combined with the development of contemporary society and the development of modern sustainable ideas, looking back on the current status of modern furniture design, so as to explore the specific application of modern furniture design under the simple sustainable ideas and provide new ideas for the sustainable design of modern furniture.


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