scholarly journals Cangjie's Poetry

2021 ◽  
Vol 4 (2) ◽  
pp. 1-9
Author(s):  
Weidi Zhang ◽  
Donghao Ren ◽  
George Legrady
Keyword(s):  
Intelligent System ◽  
Human Perception ◽  
Special Edition ◽  
Interactive Art ◽  
Symbolic System ◽  
Artificial Intelligent ◽  
Art Installation ◽  
Global Pandemic ◽  
Conceptual Background ◽  
Presentation Formats

This paper describes the conceptual background, artificial intelligent system design, and visualization strategies of an interactive art experience: Cangjie's Poetry. This artwork provides a conceptual response to the human-machine reality in the context of language, symbols, and semantic meanings. In the Cangjie's Poetry art installation, the intelligent system (Cangjie) constantly observes surroundings through the lens of a camera, writes poetry using its symbolic system based on its interpretation, and explains the evolving poem in natural language to audiences in real time. Due to the global pandemic of COVID-19, multiple presentation formats of this work were developed, which include in-person installation, virtual installation, and a special edition with pre-rendered video. This work prioritizes ambiguity and tension between machinic vision and human perception, the actual and the virtual, past and present.

Cacophonic Choir: An Interactive Art Installation Embodying the Voices of Sexual Assault Survivors

Leonardo ◽  
2020 ◽  
Vol 53 (4) ◽  
pp. 446-450
Author(s):  
Şölen Kıratlı ◽  
Hannah E. Wolfe ◽  
Alex Bundy
Keyword(s):  
Sexual Assault ◽  
Mass Media ◽  
Personal Account ◽  
Interactive Art ◽  
Sexual Assault Survivors ◽  
Art Installation ◽  
Design And Implementation ◽  
Conceptual Background ◽  
Sexual Assault Survivor ◽  
Assault Survivors

This paper describes the conceptual background, design and implementation of an interactive art installation, Cacophonic Choir, that aims to bring attention to the firsthand stories of sexual assault survivors. Cacophonic Choir addresses the ways in which their experiences are distorted by digital and mass media, and how these distortions may affect survivors. The installation comprises multiple agents, distributed in space, that are heard from afar as an incoherent cloud of murmurs. Each agent responds to a visitor's proximity by becoming more visually bright, semantically coherent and sonically clear, revealing a different personal account of a sexual assault survivor.

The VideoMob Interactive Art Installation Connecting Strangers through Inclusive Digital Crowds

2015 ◽  
Vol 5 (2) ◽  
pp. 1-31 ◽  
Author(s):  
Emily Grenader ◽  
Danilo Gasques Rodrigues ◽  
Fernando Nos ◽  
Nadir Weibel
Keyword(s):  
Interactive Art ◽  
Art Installation

scholarly journals The imaginary worlds of sustainability: observations from an interactive art installation

2017 ◽  
Vol 22 (2) ◽  
Author(s):  
Roy Bendor ◽  
David Maggs ◽  
Rachel Peake ◽  
John Robinson ◽  
Steve Williams
Keyword(s):  
Interactive Art ◽  
Art Installation

scholarly journals FeelOpo

2018 ◽  
Vol 9 (2) ◽  
pp. 52-62
Author(s):  
Isabel Carvalho ◽  
José Bidarra ◽  
Carla Porto
Keyword(s):  
Cultural Identity ◽  
Interactive Art ◽  
Interactive Installation ◽  
Art Installation ◽  
The North ◽  
Intangible Heritage ◽  
Identity Based ◽  
Different Levels

FeelOpo is an interactive art installation that allows contact with fragments of the immaterial heritage of the Oporto City in the North of Portugal. Through location-based storytelling of the living city, this interactive installation allows visitors to explore, at different levels, several typical characteristics of this city, addressing aspects of cultural identity based on contrasting images and videos. The visitors feel and explore visual stories of the live city, through a process of appropriation and articulation of these narratives, generating an expansion of this intangible heritage.

Resisting Surveillance: Identity and Implantable Microchips

Leonardo ◽  
2004 ◽  
Vol 37 (3) ◽  
pp. 210-214 ◽  
Author(s):  
Nancy Nisbet
Keyword(s):  
Radio Frequency Identification ◽  
Sense Of Self ◽  
Computer Usage ◽  
Human Tracking ◽  
Interactive Art ◽  
Personal Privacy ◽  
Art Installation ◽  
Frequency Identification ◽  
Single Identity ◽  
Future Project

Surveillance technologies and centralized databases are threatening personal privacy and freedom. Radio Frequency Identification (RFID) microchip technology is one of several potential human tracking and authentication systems. The author's interactive art installation Pop! Goes the Weaselaims to explore opportunities for resisting surveillance by altering underlying assumptions concerning identity. Viewers are encouraged to experiment with resistance by avoiding access control, intervening in the database and subverting notions of a stable or single identity. The author is planning a future project to develop an interface between the author's two implanted microchips and her computer in order to track her computer usage as it relates to her technology-induced shifting sense of self.

Silent Room: A (non)sensory interactive art installation

2016 ◽  
Vol 140 (4) ◽  
pp. 3294-3294
Author(s):  
Matthew C. Zeh ◽  
Fiona Cheung ◽  
Simon Heijdens ◽  
Preston S. Wilson
Keyword(s):  
Interactive Art ◽  
Art Installation
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