scholarly journals Gross Anatomical Studies on the Hind Limb of the West African Giraffe (Giraffa camelopardalis peralta)

2021 ◽  
Vol 2021 ◽  
pp. 1-6
Author(s):  
Kenechukwu T. Onwuama ◽  
Sulaiman O. Salami ◽  
Esther S. Kigir ◽  
Alhaji Z. Jaji

This study on the gross anatomy of the West African giraffe’s hind limb was aimed at investigating the unique morphological features and number of bones making up this region of the skeleton. Two (2) adults obtained as carcasses at different times after postmortem examination were prepared to extract the bones via cold water maceration for use in the study. The appearance of the ossa coxarum and its features presented similarities to that of the horse. However, differences were evident in the convex cranial border of the ilium, small less prominent coxal tuber, and wider interval between the opposite sacral tuber and an oval obturator foramen. Common features reported in most species such as the gluteal line and psoas tubercle were absent. The long femur presented proximally; the greater trochanter connected obliquely via the trochanteric crest to the lesser trochanter. The supracondyloid fossa, obliquely directed medial condyle, and trochlea with two unequal ridges were presented distally. The fibula was absent while the tibia was typical of ruminant presentation with one popliteal line and no muscular lines on its caudal surface. The five (5) tarsals were arranged three proximally and two distally. One (1) metatarsal (3rd and 4th fused) presented two condyles that anchor two (2) digits with 3 phalanges and 3 sesamoid bones each. The total number of bones making up the hind limb was accounted to be 45. In conclusion, this study has provided a baseline data for further biological, archeological, and comparative anatomical studies.

2021 ◽  
Vol 14 (1) ◽  
pp. 13-23
Author(s):  
Kenechukwu Onwuama ◽  
Esther Kigir ◽  
Alhaji Jaji ◽  
Sulaiman Salami

2020 ◽  
Vol 28 (Supplement) ◽  
pp. 86-109
Author(s):  
Kehinde Ibrahim

The judgments of the ECOWAS Court, which are final and immediately binding, are vital for the realisation of ECOWAS aims and objectives. The enforcement of its judgments is particularly important in the case of individuals whose enjoyment of fundamental human rights, as guaranteed under the ECOWAS Community laws, is dependent on effective enforcement. Yet, an existential puzzling paradox emanates through a poor record in the implementation of the ECOWAS Court's judgments. This problem, which is not limited to the West African region deserves scrutiny and concrete proposals. Legal and political considerations surface in assessing the existence of this paradox, and despite the lack of a consistent political will, to implement the decisions of ECOWAS Court relevant judicial actors have roles to play. National courts could take a bolder approach in complementing the work of the ECOWAS Court. The ECOWAS Court itself could put in place concrete mechanisms and adopt certain practices to address this poor record of non-implementation. It is yet to be seen how substantive mechanisms would work in practice.


Author(s):  
Daniel Bailey ◽  
Jane Shallcross ◽  
Christopher H. Logue ◽  
Simon A. Weller ◽  
Liz Evans ◽  
...  

2018 ◽  
Vol 25 (2) ◽  
pp. 97 ◽  
Author(s):  
Lotanna M. Nneji ◽  
Adeniyi C. Adeola ◽  
Fang Yan ◽  
Agboola O. Okeyoyin ◽  
Ojo C. Oladipo ◽  
...  
Keyword(s):  

BMJ ◽  
1904 ◽  
Vol 1 (2257) ◽  
pp. 806-807
Author(s):  
G. R. Hall
Keyword(s):  

1978 ◽  
Vol 9 (2) ◽  
Author(s):  
A. ARNONE ◽  
L. CAMARDA ◽  
L. MERLINI ◽  
G. NASINI ◽  
D. A. H. TAYLOR
Keyword(s):  

Religions ◽  
2021 ◽  
Vol 12 (3) ◽  
pp. 172
Author(s):  
Alan West-Durán

The article draws on the Kongo term mpambu nzila of crossroads, that equally signifies altar, to discuss the paintings and drawings of Cuban-born artist José Bedia. He is a practitioner of Palo Briyumba, a syncretic Afro-Cuban religion that combines Kongo religious beliefs, Regla de Ocha, Spiritism, and Catholicism. The article examines six works by the artist from 1984 to 1999 and how Bedia represents Palo in his art. Additionally, the centrality of the nganga (a cauldron that paleros use to work for and protect them) is discussed historically, philosophically, and religiously as a physical and spiritual embodiment of the crossroads. Bedia’s work is also analyzed using the Sankofa bird as metaphor (of flying forward and looking back) and as an example of the West African notion of coolness. The article also examines Palo as a de-colonial way of knowing and ends with the crossroads through the example of Lucero Mundo (Elegguá).


Sign in / Sign up

Export Citation Format

Share Document