scholarly journals Grotteschi e Rabeschi: a hipotipose do horror em Gabriele D'Annunzio

Literartes ◽  
2021 ◽  
Vol 1 (15) ◽  
pp. 66-87
Author(s):  
Julia Ferreira Lobão Diniz
Keyword(s):  
Gabriele D'annunzio

Investigação da poética de Gabriele D’Annunzio, com ênfase em sua fase jornalística e na obra Grotteschi e Rabeschi, à procura de traços da literatura de horror. O objetivo deste artigo concentra-se em elucidar as hipotiposes, isto é, as descrições vívidas de horror presentes nas produções que precedem as obras canônicas de D’Annunzio e que imortalizariam o autor como um poeta decadentista obcecado pela beleza e pelo prazer, desvinculando-o, terminantemente, de criações que remetessem ao profano, ao terrífico e ao insólito.    

L'eredità di Ovidio in Giovanni Pascoli e Gabriele d'Annunzio

2019 ◽  
Author(s):  
Maria Belponer
Keyword(s):  
Gabriele D'annunzio ◽  
The Creation

The contribution analyses the influence of the Ovidian work, especially the Metamorphoses, on Giovanni Pascoli and Gabriele d’Annunzio, emphasising how the ancient poet is understood in different ways. In the diversity of interpretation and reformulation of the myths of the Latin poet, both Pascoli and d’Annunzio come to the creation of narratives and figures that reflect central aspects of their poetic world, often far from the original inspiration.

Phantasien von Herrenreitern und Principes – oder Soldatischer Habitus als Kompensationstrategie gegenüber den Erfahrungshorizonten der Moderne? Rudolf G. Binding und Gabriele D’Annunzio

2017 ◽  
Vol 40 (1) ◽  
pp. 53-72
Author(s):  
Torsten Voß
Keyword(s):  
Gabriele D'annunzio ◽  
Weimarer Republik ◽  
Klaus Mann

Im Jahr 1933 bezeichnet der im Pariser Exil lebende Klaus Mann seinen konservativen und in der Weimarer Republik recht erfolgreichen Dichterkollegen Rudolf Georg Binding als ,,Herrenreiter Binding“ bzw. als ,,the literary von Papen“.1 Abgesehen davon, dass die Assoziation mit dem damaligen Vizekanzler Franz von Papen, welcher auch als Steigbügelhalter Hitlers in die Geschichte einging, auf Bindings Engagement in der Reichsschrifttumskammer und sein Kokettieren mit der NS-Bewegung verweist, berühren Klaus Manns spitze Attitüden zwischen den Zeilen nicht nur die problematische politische Haltung des Autors, sondern berühren auch implizit ein wesentliches Motiv seiner Werke und Segmente von Bindings Selbstverständnis und Selbstinszenierung. Mit dem Herrenreiter-Klischee parodiert Mann einen elitären Nimbus, nämlich die militärische Männlichkeit und damit einen viril-selbstherrlichen Habitus, welcher auf Abgrenzung ausgerichtet ist und sich durch große Teile von Bindings dichterischen und autobiographischen Texten zieht.

scholarly journals Il Vate e il suo doppio ironico

2020 ◽  
Author(s):  
Maurizio Giani
Keyword(s):  
Cultural Context ◽  
Detailed Comparison ◽  
Gabriele D'annunzio ◽  
Hugo Von Hofmannsthal ◽  
Stefan George ◽  
Heinrich Mann ◽  
Xix Century

In Germany, beginning from the last decade of XIX century, the fame of Gabriele d’Annunzio grew increasingly thanks to a continue flow of translations, which made him one of the most celebrated writers of the Jahrhundertwende in the country of Goethe. Among the German admirers of the ‘Vate’ there were poets and novelists such as Stefan George, Hugo von Hofmannsthal and Heinrich Mann. On the contrary, Thomas Mann’s appreciation of d’Annunzio was problematic: he disliked his aestheticism, his superficial Nietzschean Übermensch cult and moreover his far too refined, turgidly baroque prose. Nevertheless, he read attentively his colleague’s narratives – albeit using German translations, unlikely George and his senior brother Heinrich –, and undoubtedly made allusions – often in a deeply ironical sense – to d’Annunzio’s Triumph of Death in his novel Tristan. This essay reconstructs the cultural context of the relation between Mann and d’Annunzio, and offers a detailed comparison of selected passages and/or fragments from both works aimed at analysing the nature of Mann’s borrowings from the Italian writer, in order to show the ‘dialectical’ character of such a procedure.

scholarly journals «Vogliatemi bene»: lettere di Matilde Serao a Gabriele d’Annunzio

2019 ◽  
Author(s):  
Alessandra Trevisan
Keyword(s):  
Private Life ◽  
Gabriele D'annunzio ◽  
Matilde Serao

Between ca. 1885 and 1927, Gabriele d’Annunzio and Matilde Serao became friends and contributed to journals in Rome and Naples; they met authors in Europe (especially in France), exchanged opinions about their works and also about their private life. She has been a vibrant constant on Vate’s experience: she gave him advices and protected his affair with Eleonora Duse, who was also Matilde’s friend. Serao’s collection of letters, kept by Fondazione Il Vittoriale degli Italiani in Gardone Riviera, explains some contours of a crucial friendship.

“Io, ultimo figlio degli Elleni”. La grecità impura di Gabriele D’Annunzio

2012 ◽  
Vol 33 (1) ◽  
pp. 138-140
Author(s):  
Emanuela Scicchitano (book author) ◽  
Marja Härmänmaa (review author)
Keyword(s):  
Gabriele D'annunzio
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