The Florentine Codex: An Encyclopedia of the Nahua World in Sixteenth-Century Mexico. Edited by Jeanette Favrot Peterson and Kevin Terraciano (Austin, University of Texas Press, 2019) 256 pp. $55.00

2020 ◽  
Vol 51 (2) ◽  
pp. 340-342
Author(s):  
Robert Haskett
2020 ◽  
Vol 13 (2) ◽  
Author(s):  
Amber Brian

2021 represents the five-hundred-year anniversary of the fall of Tenochtitlan, the capital of the Aztec empire. This essay addresses the rendering of the events that culminated in the Spanish domination of that region in two texts associated with the Franciscan friar Bernardino de Sahagún (1499–1590). The first is Book Twelve of the Florentine Codex, a bilingual manuscript written collaboratively with Indigenous intellectuals in Nahuatl with a Spanish translation and accompanied by nearly two thousand illustrations that represent a third text. Completed in 1579, under increasing scrutiny by religious authorities, the manuscript was confiscated and sent to Europe, eventually coming to reside in the Medici Library in Florence. In 1585, Sahagún, authored Relación de la conquista de esta Nueva España, which sought to revise the narrative of the conquest found in Book Twelve. Sahagún’s revision reveals how the narrative of the conquest changed in the hands of the Franciscan friar as the sixteenth century drew to a close.


Ethnohistory ◽  
2020 ◽  
Vol 67 (3) ◽  
pp. 383-406
Author(s):  
Allison Caplan

Abstract Previous studies suggest that late postclassic and early colonial Nahua viewers understood specific artistic creations to contain tonalli, a solar-derived animating force. This article advances understanding of the animacy of Nahua featherworks by examining attention to tonalli in the various stages of featherwork production. Analysis of a classificatory distinction used in the sixteenth-century Florentine Codex between tlazohihhuitl (beloved feathers) and macehualihhuitl (commoner feathers) suggests that this distinction registers specific types of feathers’ differential ability to contain tonalli. Ultimately, this classification posited tlazohihhuitl as living beings and macehualihhuitl as inanimate materials. The relationship between these two classes of feathers is integral to Nahuatl descriptions of the treatment of specific feather types in the production stages of bird hunting, dyeing and selling feathers, and mosaic construction. Understanding these production practices through Nahuatl descriptions suggests that care for tonalli represented a central commercial and artistic concern in featherwork production.


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