Sexual Difference, Gender, and (Microscopic) Animals: A Commentary on Ebeling’s “Sexing the Rotifer”

2011 ◽  
Vol 19 (3) ◽  
pp. 316-322
Author(s):  
Cecilia Åsberg

AbstractIn this commentary, the microscopic animals of the genus Rotifera, or “rotifers,” emerge as a theory-provoking nonhuman animal. Rotifers embody otherness in ways that may intrigue scholars within both Human-Animal Studies and feminist science studies. In their encounter with rotifers, such fields of research (and others) might also engage each other in new, unexpected, and fruitful ways, as is here argued.

2010 ◽  
Vol 17 (4) ◽  
pp. 413-423 ◽  
Author(s):  
Cecilia Åsberg ◽  
Lynda Birke

This is an interview with Professor Lynda Birke (University of Chester, UK), one of the key figures of feminist science studies. She is a pioneer of feminist biology and of materialist feminist thought, as well as of the new and emerging field of hum-animal studies (HAS). This interview was conducted over email in two time periods, in the spring of 2008 and 2010. The format allowed for comments on previous writings and an engagement in an open-ended dialogue. Professor Birke talks about her key arguments and outlooks on a changing field of research. The work of this English biologist is typical of a long and continuous feminist engagement with biology and ontological matters that reaches well beyond the more recently articulated ‘material turn’ of feminist theory. It touches upon feminist issues beyond the usual comfort zones of gender constructionism and human-centred research. Perhaps less recognized than for instance the names of Donna Haraway or Karen Barad, Lynda Birke’s oeuvre is part of the same long-standing and twofold critique from feminist scholars qua trained natural scientists. On the one hand, theirs is a powerful critique of biological determinism; on the other, an acutely observed contemporary critique of how merely cultural or socially reductionist approaches to the effervescently lively and biological might leave the corporeal, environmental or non-human animal critically undertheorized within feminist scholarship. In highlighting the work and arguments of Lynda Birke, it is hoped here to provide an accessible introduction to the critical questions and challenges that circumvent contemporary discussions within feminist technoscience as theory and political practice.


2020 ◽  
Vol 6 (1) ◽  
Author(s):  
Logan Natalie O'Laughlin

This essay examines the figure of the pesticide-exposed intersex frog, a canary in the coal mine for public endocrinological health. Through feminist science studies and critical discourse analysis, I explore the fields that bring this figure into being (endocrinology, toxicology, and pest science) and the colonial and racial logics that shape these fields. In so doing, I attend to the multiple nonhuman actors shaping this figure, including the pesky weeds and insects who prompt pesticides’ very existence, “male” frogs who function as test subjects, and systemic environmental racism that disproportionately exposes people of color to environmental toxicants. I encourage careful examination of galvanizing environmental figures like this toxic intersex frog and I offer a method to do so.


2020 ◽  
pp. 267-281
Author(s):  
Lourdes Parra-Lazcano

This chapter offers a comparative analysis of the English Virginia Woolf’s Flush: A Biography (1933) and the Mexican María Luisa Puga’s Las razones del lago [The Reasons of the Lake] (1991). It aligns the spectre of the traumatic past experienced by the dog Flush with those of the dogs Novela [Novel] and Relato [Story], based on their differing social and cultural contexts. The first section introduces the notion of spectres of traumatic past in nonhuman animal studies. The second establishes a comparison between Flush as a pet and Novela and Relato as semi-stray dogs to show how in each story a traumatic past of confinement has impacted the dogs’ lives. The third section discusses how the dogs’ spectres are associated with their violent past experiences, and the chapter concludes by addressing the human-animal empathy between these dogs and the voices of the writers.


Sign in / Sign up

Export Citation Format

Share Document