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Published By Sage Publications

1464-7001

2022 ◽  
pp. 146470012110595
Author(s):  
Sophie A. Lewis

Today, a new vein of queer Marxist-feminist family-abolitionist theorising is reviving contemporary feminists’ willingness to imagine, politically, what women's liberationists in the 1970s called ‘mothering against motherhood’. Concurrently, the jokey portmanteau ‘momrade’, i.e. mom  +  comrade, has circulated persistently in the twenty-first century on online forums maintained by communities of mothers and/or leftists. This article asks: what if, in the name of abolishing the family, we took the joke entirely seriously? What makes a ‘mom’ a ‘momrade’, or vice versa? In what ways does the work of reproduction, conceivably, actively participate in class struggles, producing new worlds (and un-producing others)? How do the collective arts of mothering unmake selves? And how does the verb ‘to mother’ work to abolish the present state of things? The chosen point of departure for exploring these questions is the concept of xenohospitality; a term I borrow from Helen Hester – one of the authors of the Xenofeminist Manifesto – who defines it as openness to the alien, a definition I link closely to ‘comradeliness’. Further, the meaning of the term ‘family abolition’, here, is aptly summed up by the formula ‘xenofam ≥ biofam’; to abolish the family is not to destroy relationships of care and nurturance, but on the contrary, to expand and proliferate them. Reflecting on the conditions of possibility for such universally xenofamilial – that is to say, comradely – kin relations, this article implicitly argues for utopia(nism) in feminist kinship studies. It grounds this utopianism, however, in first-hand experiences of informal ‘death doula’ labour. The labour of mothering one's mother is offered as a potential practice of un-mothering oneself and others. In fact, the argument pivots on these auto-ethnographic observations about maternal bereavement, because the event of the author's mother's death interrupted and intruded upon the feminist theorising involved.


2022 ◽  
pp. 146470012110595
Author(s):  
Elizabeth Reed ◽  
Tanya Kant

We consider what genealogical links, kinship and sociality are promised through the marketing of assisted reproductive technologies (ARTs). Using a mixed method of formal analysis of Facebook's algorithmic architectures and textual analysis of twenty-eight adverts for egg donation drawn from the Facebook Ad Library, we analyse the ways in which the figure of the ‘fertile woman’ is constituted both within the text and at the level of Facebook's targeted advertising systems. We critically examine the ways in which ART clinics address those women whose eggs they wish to harvest and exchange, in combination with the ways in which Facebook's architecture identifies, and sorts those women deemed of ‘relevance’ to the commercial ART industry. We find that women variously appear in these adverts as empowered consumers, generous girlfriends, potential mothers and essentialised bodies who provide free-floating eggs. The genealogical and fertility possibility offered through ART is represented with banal ambiguity wherein potentially disruptive forms of biogenetic relatedness and arrangements of kinship are derisked by an overarching narrative of simplicity and sameness which excludes men, messy genealogies and explicitly queer forms of kinship. This rationalisation is supported by the simplicity and certainty of the Facebook targeted advertising algorithm which produces a coherent audience and interpellates users as fertile subjects whose choices are both biologically determined and only available through clinical intervention.


2022 ◽  
pp. 146470012110627
Author(s):  
Asako Nakai

Virginia Woolf's 1938 essay Three Guineas contends that the material basis is indispensable for women not only to survive but also to voice their political opinions. Woolf proposes three strategies for women to take. First, women should assert their right to have access to independent income, and for this purpose they should demand that the state pay for their reproductive work that often limits their opportunity to do waged work. Second, they must object to the very wage system which is indeed in complicity with patriarchy, and through which women are doubly exploited as unwaged or under-waged workers. And third, women must remain outside male-dominated movements and must organise an autonomous group even if they share the same cause with male workers; intersectional association will be possible only when each exploited group empowers itself and regains its own voice. This article examines how this highly materialist aspect of Woolf's feminism was revisited by the Wages for Housework movement in the 1970s. By so doing, it argues that despite its facade of literary modernism and alleged elitism, Woolf's text contributes to real-life movements and continues to inspire people of different class backgrounds in different times. Discovering the connection between Woolf and Marxist feminism alters our way of seeing the history of feminist theory: the history is never a linear progress from one wave to another but a complex and interwoven narrative, in which once-forgotten ideas can travel across time and space, resurging as new ideas in different contexts.


2022 ◽  
pp. 146470012110595
Author(s):  
Rikke Andreassen

Since the mid-2000s, a number of Western countries have witnessed an increase in the number of children born into ‘alternative’ or ‘queer’ families. Parallel with this queer baby boom, online media technologies have become intertwined with most people’s intimate lives. While these two phenomena have appeared simultaneously, their integration has seldom been explored. In an attempt to fill this gap, the present article explores the ways in which contemporary queer reproduction is interwoven with online media practices. Importantly, the article does not understand online media as a technology that simply facilitates queer kinship; rather, it argues that online media technology is a reproductive technology in its own right. Drawing on empirical examples of media practices of kinning, such as online shopping for donor sperm and locating ‘donor siblings’ via online fora such as Facebook, the article analyses the merging and intersection of online media and queer kinship. These analyses serve as a foundation for an exploration of contemporary kinship and the development of a new theoretical framework for contemporary queer reproduction. Empirically, the examples are from single women’s (i.e. solo mothers) and lesbian couples’ family making. Using Weston's work on ‘chosen families’ as a backdrop for discussion, the article describes families of choice in light of new online kinship connections. In particular, the article focuses on online-initiated connections between donor siblings and how such connections can re-inscribe biology as important to queer kinship. Furthermore, it closely examines how media technology guides queer reproduction in particular directions and how technology causes becoming as a family.


2022 ◽  
pp. 146470012110467
Author(s):  
Irene Gedalof

This article examines the place of reproduction in the UK migration policy popularly known as ‘the hostile environment’, introduced in 2012 by the Conservative–Lib Dem Coalition government, and the ‘Windrush scandal’ that followed. In order to think through how the reproductive sphere comes in to play in this policy and its consequences, I draw on theoretical insights from the work of Christina Sharpe and Saidiya Hartman, both of whom invite us to reflect on the ways in which the afterlife of enslavement and empire continues to impinge on the status of Black subjects, and the ways in which our notions of the maternal, reproduction, kinship and belonging are entangled in this process. I begin by examining the place of the reproductive sphere in the hostile environment policy itself, before moving on to discuss the Windrush scandal and the ways in which it can be seen as an attack on the reproductive needs of its victims. I then consider these findings further through an engagement with the work of Sharpe and Hartman, arguing that the scandal reveals ways in which we continue to live ‘in the wake’ of racialised understandings of the reproductive that mean that some people are refused the possibilities of attachment and affiliation, so that, in Hartman's words, theirs is ‘the perilous condition of existing in a world in which you have no investment’. In the final section, I respond to Sharpe's call for white people to ‘rend the fabric of the kinship narrative’ that produces these exclusionary terms of belonging and permits the repetition of such brutalities as the hostile environment.


2022 ◽  
pp. 146470012110627
Author(s):  
Corinne Schwarz

Human trafficking is predominantly framed as a criminal justice issue with sensationalised, highly visible violence. Stereotypical figures of young women in danger, passively poised to be rescued by figures of the state or vigilante justice, animate public discourse and policy. Yet the reality of trafficking is often far more complex than the linear narratives presented in the mainstream. In this article, I argue that human trafficking is more readily accessible as slow violence, the accumulation and accretion of the consequences of systematic oppression over time. I use Nixon's Slow Violence and the Environmentalism of the Poor to articulate a stance against the flash of trafficking's ‘master narratives’. Slow violence offers three key elements for theorising human trafficking, i.e. that the harms are so gradual or delayed they: become imperceptible; compound over protracted durations of time; and may be so mundane and unspectacular to not even register as ‘violence’ in our vernacular. Aligned with a critical trafficking studies approach that draws attention to power dynamics and imbalances, slow violence focuses on the forms of exploitation and precarity that are taken for granted or assumed to be static. I use a collection of artifacts and examples from dominant anti-trafficking organisations and media to demonstrate the urgency required to both rethink trafficking against these flattening overgeneralisations and recommit to a transformative practice that makes more lives liveable. In the tradition of feminist anti-violence scholarship, I conclude by shifting from the micro-level examples of trafficking that fuel misinformation campaigns to the systems that perpetuate violence, exploitation and extraction – and must be eradicated if we are committed to ending human trafficking locally and globally.


2022 ◽  
pp. 146470012110388
Author(s):  
Urvashi Butalia ◽  
Nicky Falkof
Keyword(s):  

2021 ◽  
pp. 146470012110464
Author(s):  
Jacob Breslow

Some of the most virulent public trans-exclusionary radical feminist (TERF) discourse in the UK follows the grammatical form of the third conditional: if I had grown up now, I would have been persuaded to transition. This articulation of the hypothetical threat of a transition that did not happen but is imagined, in retrospect, to be not just possible but forcibly enacted plays an important role, both politically and psychically, in a contemporary political landscape that is threatening the livelihoods of trans children. Interrogating this discourse via an analysis of an open letter by J.K. Rowling, and a documentary by Stella O’Malley, this article asks: what might we learn about contemporary transphobia in the UK if we took seriously the grammar of TERF discourse animated by trans childhood? It argues that while the third conditional grammar of TERF discourse could articulate a politics of solidarity between cis and trans positionalities and politics, its potential for a shared political standpoint is routinely interrupted by the defence mechanisms that are oriented by the psychic life of the child. Interrogating these defence mechanisms at the level of the cultural, the article traces out paranoia (as reading practice and psychic state) as well as projection, as two main modes of TERF engagement with trans childhood. The article thus engages with the range of real and fantasmatic impossibilities that haunt the trans child both in the present and the past, and it contributes to the growing body of scholarship on trans childhoods. In doing so, it makes the case that public discourse on trans children should desist from hypothetical third conditional claims, and instead find ways of embracing trans childhoods unconditionally.


2021 ◽  
pp. 146470012110464
Author(s):  
Barbara Grossman-Thompson

In this article, I examine violence as constitutive of mobility for the feminine diasporic subject through an examination of women migrant workers from Nepal. I frame this project with two distinct theoretical approaches to understanding violence. First, I draw upon Catharine MacKinnon's provocative question ‘Are women human?’ to elucidate points of disjuncture between individual women migrants and state policy that dehumanises them. Second, I address some of the gaps in MacKinnon's work by turning to Judith Butler's theory of violence as primarily embodied in the corporeal subject. Drawing on 30 in-depth interviews with returned women migrant workers, I examine three moments in the migration process that demonstrate how violence operates ubiquitously in and through circuits of mobility. I conclude that by putting Butler's and Mackinnon's approaches to violence in dialogue and examining the Nepali case through a dialectic framework, intriguing possibilities for approaching migration and its problematics are revealed.


2021 ◽  
pp. 146470012110483
Author(s):  
Tanisha Jemma Rose Spratt

This article explores how ‘fat shaming’ as a practice that encourages open disdain for those living in larger bodies operates as a moralising tool to regulate and manage those who are viewed as ‘bad citizens’. It begins by outlining the problematic use of fat shaming language that is often used as a tool to promote ‘healthy’ lifestyle choices by those who view it as not only an acceptable way of communicating the health risks associated with obesity, but also a productive way of motivating people with overweight and obesity to lose weight. I then go on to discuss how shame as it relates to body image and excess weight is culturally produced through both objective conceptualisations of deviance and subjective judgements about the moral character of those who are living with excess weight. Adopting a feminist theoretical perspective, this article further considers the reciprocal nature of fat shaming by calling attention to how shame as a felt emotion is dependent on understandings of oneself in relation to others, as well as the relationships that one forms with others. In this way, I argue that shame in general, and fat shaming in particular, is performative to the extent that it exists as a relational construct that is iteratively produced through the language and actions that give it meaning.


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