“Quite a Genteel and Extreamly Commodious House”

2015 ◽  
Vol 5 (1) ◽  
pp. 30-67 ◽  
Author(s):  
Vaughn Scribner

When investigated through the tavern space, the processes of social differentiation so often associated with more populated northern “urban crucibles” appear less geographically determined than previously supposed. Colonial elites throughout British North America attempted to impose order and control over society during the eighteenth century. Elites’ quest for social differentiation and public order thus went beyond place. Whether patricians’ efforts occurred in Williamsburg or New York, such endeavors centered around the colonies’ most popular, accessible, and numerous public space—the tavern. This article will use Chesapeake and Low Country taverns to demonstrate, through outwardly broad but nonetheless effective comparisons with taverns in the northern colonies, that colonists throughout the eastern seaboard experienced very similar processes of social differentiation despite living thousands of miles apart. The tavern places Chesapeake and Low Country urban centers on an equal footing with their northern counterparts in their contributions to elites’ attempts at order and control.

Author(s):  
Samuel Llano

This chapter provides an account of how organilleros elicited public anger because their activity did not fit into any of the social aid categories that had been in place since the late eighteenth century. Social aid in Spain relied on a clear-cut distinction between deserving and undeserving poor in order to rationalize the distribution of limited resources and reduce mendicancy on the streets. Organilleros could not, strictly speaking, be considered idle, since they played music, but their activity required no specific skills and was regarded with suspicion as a surrogate form of begging. The in-betweenness of the organillero caused further anger as it challenged attempts to establish a neat distinction between public and private spaces. On one hand, organillo music penetrated the domestic space, which conduct manuals of the nineteenth century configured as female; on the other, it brought women into the public space, which those manuals configured as male.


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