Sex Sells: Beauty, the Female Body, and Celebrity Culture in the Fin-de-Siècle

Author(s):  
Emily Coit

This chapter revisits a site of foundational feminist scholarship to ask new questions about gender, class, race, health and motherhood. Examining two iconic fin-de-siècle female writers, Edith Wharton and Charlotte Gilman, it highlights an age-old tension in their work, articulated via contemporary eugenics, between the portrayal of the female body and that of the female intellect. It shows that both writers held antiquated views about female agency that sit uncomfortably with their common association with feminism and modernity.


Author(s):  
Catherine Hindson

This chapter offers a detailed reconstruction of the performance of a piece of avant-garde drama to highlights the prominent role of women in theatrical culture at the time, as both dramatists and actresses, and the professional opportunities that were then opening for them. It also shows the importance of a growing celebrity culture, and the complexity of the interactions between theatre, politics, religion, gender and theatrical production. It shows that even avant-garde theatre, concerned with such archetypal fin-de-siècle concerns as the occult and mysticism, were still deeply implicated in, and made possible by, a growing leisure industry.


2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.


Author(s):  
Megan Coyer

If Blackwood’s helped to generate a recuperative medical humanism in the first half of the nineteenth century, what was its legacy? This ‘Coda’ turns to the fin de siècle to trace some key examples of a resurgence of the magazine’s mode of medical humanism at a time of perceived crisis for the medical profession, when many began ‘to worry that the transformation of medicine into a science, as well as the epistemological and technical successes of the new sciences, may have been bought at too great a price’....


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