Shipwrecks and Desert Islands: Ecology and Nature – A Case Study of How Reality TV and Fictional Films Frame Representations of Islands

2015 ◽  
pp. 281-302
Keyword(s):  
Reality Tv ◽  
Frame Representations

scholarly journals Gender Essentialism in Chinese Reality TV: A Case Study of You Are So Beautiful

2021 ◽  
pp. 152747642110272
Author(s):  
Altman Yuzhu Peng
Keyword(s):  
Power Relations ◽  
Gender Politics ◽  
Reality Tv ◽  
Feminist Analysis ◽  
Chinese Context ◽  
Gender Essentialism ◽  
Cultural Texts ◽  
Gender Power ◽  
Tv Production

This article provides a feminist analysis of Chinese reality TV, using the recent makeover show— You Are So Beautiful (你怎么这么好看) as a case study. I argue that the notion of gender essentialism is highlighted in the production of You Are So Beautiful, which distances the Chinese show from its original American format— Queer Eye. This phenomenon is indicative of how existing gender power relations influence the production of popular cultural texts in post-reform China, where capitalism and authoritarianism weave a tangled web. The outcomes of the research articulate the interplay between post-socialist gender politics and reality TV production in the Chinese context.

What is a Rehearsal in Ballet?

2021 ◽  
pp. 808-824
Author(s):  
Janice Ross
Keyword(s):  
Reality Tv ◽  
Professional Lives ◽  
Dance Studies ◽  
Ballet Dancers ◽  
Video Cameras ◽  
Visual Pleasure ◽  
The Hours

This chapter explores rehearsals, asking what they represent practically and philosophically and when does practice in rehearsals yield to the finished product of a dance ready for public viewing. It considers the hours of labor, failure, and interruption that constitute life in the rehearsal studio as the dancer is shaped by the choreographer and rehearsal director. Rehearsals are considered in contrast to the rules of inviolability protecting a finished performance. Using Ballet 422 by Justin Peck as a case study and examples from reality TV and films to paintings, rehearsal rooms are explored as places of hidden preparation, visual pleasure, and the imaginary as well as fascination for audiences. Ballet dancers are taught to survey themselves through mirrors, the eyes of rehearsal directors, video cameras, and iPhones as ever-expanding systems of surveillance. Although ballet dancers spend the majority of their professional lives in rehearsals, the nature of what goes on in the rehearsal studio has too rarely been the focus of dance studies scholarship.

scholarly journals The X Factor and reality television: beyond good and evil

Popular Music ◽  
2016 ◽  
Vol 36 (1) ◽  
pp. 6-20 ◽  
Author(s):  
Stephen Graham
Keyword(s):  
Reality Television ◽  
Reality Tv ◽  
Cultural Impact ◽  
Music Competition ◽  
Television Shows ◽  
British Music ◽  
Good And Evil ◽  
Potential Pressure

AbstractDespite huge popularity and lasting cultural impact, reality television shows such as The X Factor, a British music competition that started screening in 2004, are seen by many as a cultural nadir. However, in this article I argue that, while reading reality TV as an index of an increasingly superficial, market-based culture makes a great deal of sense, it doesn't tell the whole story. Using the particular music-based dramas of The X Factor as a case study, I explore ways in which this show and populist reality television in general might be seen to embody both the predicaments and potential pressure points of contemporary neoliberal culture.

Disagreement and mitigation in power-asymmetrical venture capital reality TV shows: a comparative case study of Shark Tank in the US and Dragon’s Den in China

2021 ◽  
Vol 18 (2) ◽  
pp. 245-276
Author(s):  
Huiyu Zhang ◽  
Junxiang Zhao ◽  
Yicheng Wu
Keyword(s):  
Original Data ◽  
Reality Tv ◽  
Comparative Case Study ◽  
Power Relationships ◽  
Cultural Variation ◽  
Linguistic Performance ◽  
The Us ◽  
Tv Shows

Abstract This paper examines the relationships among cultural variation, power, disagreement, and mitigation devices. Based on a multi-modal analysis of original data from two TV shows (Shark Tank in the US and Dragon’s Den in China), it is found that investors’ linguistic performance shows greater frequency and variation in both disagreement and its mitigation, influenced by power and politeness. Regarding the role of cultural variation, this study challenges some stereotypical conceptions of culture with the finding that Chinese participants use negation more often than their US counterparts. Meanwhile, Chinese and American participants choose different disagreement-mitigation formats: In the US Shark Tank investors tend to initiate disagreements by enforcing explicitness and entrepreneurs tend to mitigate them by offering explanations, while in the Chinese Dragon’s Den investors tend to utter negations and then mitigate them with qualifiers or alternative statements. Moreover, the American show also contains cases where the pre-set power-asymmetrical relationship changes during the course of presentation, and entrepreneurs with increasing power start to challenge investors by asking them various questions. However, this alteration of power relationships appears to be more difficult in the Chinese context.

Transgender idol: Queer subjectivities and Australian reality TV

2016 ◽  
Vol 20 (1) ◽  
pp. 87-103 ◽  
Author(s):  
Joanna McIntyre
Keyword(s):  
United States ◽  
Minority Groups ◽  
The United States ◽  
Reality Tv ◽  
Normative Framework ◽  
Cross Pollination ◽  
Tv Shows ◽  
Tv Show

Transgender is a marginalised category to which reality TV has given visibility, yet it is usually overlooked in observations regarding the minority groups that have gained mainstream representation through these programmes. Popular Australian reality TV shows have provided a unique space for the constructive representation of certain queer subjectivities. The Australian reality TV contestants in question present gendering that embraces ambiguity, that is, they demonstrate the deliberate disruption and blurring of gender/sex category divisions. This article examines the ways in which Australian reality TV’s representations of transgender contestants remain robustly queer while also being negotiated and made palatable for ‘family’ television audiences. It asserts the reality TV shows that feature transgender performance orchestrate a balance between queer expression and its containment. This article also takes as a case study a particularly successful Australian transgender reality TV contestant, Courtney Act. It argues Act’s representation of queerness was ‘managed’ within the normative framework of mainstream television yet she is still significantly troubled by gender binaries during her time on Australian screen. In 2014, she appeared as a contestant on the United States’ queer-themed reality TV show RuPaul’s Drag Race and again proved to be a reality TV success. This transnational intersection of transgender performance signalled the productive possibilities of international cross-pollination in regard to affirmative reality TV representations of marginalised subjectivities. At the same time, however, it also revealed the localised nature of reality TV, even in those shows with an international queer appeal.

scholarly journals Producers, Sponsors and Fans of Tiger & Bunny: A Case Study of the Flow of Media Content in Convergence Culture

2018 ◽  
Author(s):  
Erika Junhui Yi
Keyword(s):  
Real Life ◽  
Product Placement ◽  
Participatory Culture ◽  
Reality Tv ◽  
Sense Making ◽  
Convergence Culture ◽  
The Media ◽  
Media Reports ◽  
Tv Show

The popular Japanese anime Tiger & Bunny has become a topic of discussion in media reports because of its eye-catching product placement approach. This paper is a case study on this superhero anime in order to demonstrate that the convergence in media is a process both top-down corporate-driven and bottom-up consumer-driven. The unique feature of this anime is the integration of product placement with the story itself. The sponsors in real life place their product logos onto the hero suits of the superheroes in the anime, whom are celebrity superheroes of a reality TV show in the story universe. Therefore, in the story world of this anime, characters are dealing with a highly commercialized media convergence themselves.This research illustrates the change in audience attitude and their reflections on such commercialization within and outside of the story world. The data unfolds the changing relationship between audience and producers and the influence of participatory culture on the media production, especially in the realm of audience's sense making towards the product placement within the show.

The Genesis and Internal Dynamics of El Salvador's People's Revolutionary Army, 1970–1976

2014 ◽  
Vol 38 (01) ◽  
pp. 102-129
Author(s):  
ALBERTO MARTÍN ÁLVAREZ ◽  
EUDALD CORTINA ORERO
Keyword(s):  
Latin America ◽  
El Salvador ◽  
Early Years ◽  
Left Wing ◽  
Internal Dynamics ◽  
Internal Coherence ◽  
The 1960S

AbstractUsing interviews with former militants and previously unpublished documents, this article traces the genesis and internal dynamics of the Ejército Revolucionario del Pueblo (People's Revolutionary Army, ERP) in El Salvador during the early years of its existence (1970–6). This period was marked by the inability of the ERP to maintain internal coherence or any consensus on revolutionary strategy, which led to a series of splits and internal fights over control of the organisation. The evidence marshalled in this case study sheds new light on the origins of the armed Salvadorean Left and thus contributes to a wider understanding of the processes of formation and internal dynamics of armed left-wing groups that emerged from the 1960s onwards in Latin America.

Culture and the plasticity of perception

2020 ◽  
Vol 43 ◽  
Author(s):  
Michael Lifshitz ◽  
T. M. Luhrmann
Keyword(s):  
Cultural Context ◽  
Sensory Experience ◽  
Cultural Learning ◽  
The World

Abstract Culture shapes our basic sensory experience of the world. This is particularly striking in the study of religion and psychosis, where we and others have shown that cultural context determines both the structure and content of hallucination-like events. The cultural shaping of hallucinations may provide a rich case-study for linking cultural learning with emerging prediction-based models of perception.

Dual systems for all: Higher-order, role-based relational reasoning as a uniquely derived feature of human cognition

2019 ◽  
Vol 42 ◽  
Author(s):  
Daniel J. Povinelli ◽  
Gabrielle C. Glorioso ◽  
Shannon L. Kuznar ◽  
Mateja Pavlic
Keyword(s):  
Temporal Reasoning ◽  
Higher Order ◽  
Important Case ◽  
Human Cognition ◽  
Relational Reasoning ◽  
Dual Systems ◽  
First Order ◽  
Reasoning System ◽  
Role Based

Abstract Hoerl and McCormack demonstrate that although animals possess a sophisticated temporal updating system, there is no evidence that they also possess a temporal reasoning system. This important case study is directly related to the broader claim that although animals are manifestly capable of first-order (perceptually-based) relational reasoning, they lack the capacity for higher-order, role-based relational reasoning. We argue this distinction applies to all domains of cognition.

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