Can visual imagining ever be other than a brain-bound, organismically internal process? The practices of artists with aphantasia - the congenital or acquired incapacity to generate visual mental imagery - suggests that it can. Here we report on a qualitative study of ‘aphantasic’ artists and find that imagery lack coincides with a dependence on external, environmental, structures to generate artwork. Indeed, physical manipulations of external media seem to take place in lieu of the ability to generate and manipulate internal, mental images. Cognitive functions that could, for the non-aphantasic, be carried out by mental imagery - such as bringing non-conscious visio-spatial relationships to awareness - can only be carried out for the aphantasic by manipulating their environment. Thus aphantasic art-making constitutes extended visual imagining. As such, it undermines the universality of the ‘hylomorphic’ model of art-making, in which the work is mentally preconceived before being realised in the material world, with the fact of neurocognitive diversity.
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