scholarly journals The Speed User: Social and Psychological Factors in Amphetamine Abuse

1972 ◽  
Vol 17 (3) ◽  
pp. 229-241 ◽  
Author(s):  
Saul V. Levine ◽  
David D. Lloyd ◽  
William H. Longdon

Two hundred and eighteen chronic amphetamine users, ranging in age from thirteen to thirty years were interviewed to ascertain if common factors in backgrounds, life styles, and personalities exist. They were divided into six groups based on locale and sex, and important differences were noted. This essentially middle-class phenomenon is extremely destructive to these young people but it was quite obvious that the socio-psychological disturbance in most of them pre-dated the heavy drug use.

2012 ◽  
Vol 43 (1) ◽  
pp. 20-38 ◽  
Author(s):  
Isolda Fortin ◽  
Jane T. Bertrand

2021 ◽  
pp. 107808742110169
Author(s):  
Sharon Cornelissen

Drawing on three years of fieldwork, this article explains the emergence and persistence of two conflicting styles of street life in Brightmoor, a depopulated, majority Black, poor Detroit neighborhood facing early gentrification. As most longtimers were inured to historical neighborhood violence, they tended to act vigilantly in public, even after recent crime declines. By contrast, White newcomers, most of whom had moved from middle-class neighborhoods, often defied vigilance such as by organizing a farmers' market across from an open-air drug market. They mobilized aspirational public life as a means for changing the neighborhood and end in itself. To explain these conflicting styles, this article theorizes the cultural mechanism of “ the hysteresis of street life.” Styles of street life, shaped by residents' unequal historical neighborhood experiences, tend to linger under conditions of gradual neighborhood change. It also shows how the hysteresis of street life may contribute to the reproduction of inequalities.


Author(s):  
Marek A. Motyka ◽  
Ahmed Al-Imam

Drug use has been increasing worldwide over recent decades. Apart from the determinants of drug initiation established in numerous studies, the authors wish to draw attention to other equally important factors, which may contribute to augmenting this phenomenon. The article aims to draw attention to the content of mass culture, especially representations of drug use in mass media, which may influence the liberalization of attitudes towards drugs and their use. The role of mass culture and its impact on the audience is discussed. It presents an overview of drug representations in the content of mass culture, e.g., in film, music, literature, and the occurrence of drug references in everyday products, e.g., food, clothes, and cosmetics. Attention was drawn to liberal attitudes of celebrities and their admissions to drug use, particularly to the impact of the presented positions on the attitudes of the audience, especially young people for whom musicians, actors, and celebrities are regarded as authorities. Indications for further preventive actions were also presented. Attention was drawn to the need to take appropriate action due to the time of the COVID-19 pandemic when many people staying at home (due to lockdown or quarantine) have the possibility of much more frequent contact with mass culture content, which may distort the image of drugs.


Popular Music ◽  
1990 ◽  
Vol 9 (1) ◽  
pp. 61-77 ◽  
Author(s):  
Ubonrat Siriyuvasak

Since Thailand's Copyright Act became law in 1979 an indigenous music industry has emerged. In the past, the small recording business was concentrated on two aspects: the sale of imported records and the manufacture of popular, mainly Lukkroong music, and classical records. However, the organisation of the Association of Music Traders – an immediate reaction to the enforcement of the Copyright law – coupled with the advent of cassette technology, has transformed the faltering gramophone trade. Today, middle-class youngsters appreciate Thai popular music in contrast to the previous generation who grew up with western pop and rock. Young people in the countryside have begun to acquire a taste for the same music as well as enjoy a wider range of Pleng Luktoong, the country music with which they identify. How did this change which has resulted in the creation of a new pleasure industry come about? And what are some of the consequences of this transformation.


2016 ◽  
Vol 21 (5) ◽  
pp. 485-490 ◽  
Author(s):  
Stéphanie Baggio ◽  
Stanislas Spilka ◽  
Joseph Studer ◽  
Katia Iglesias ◽  
Gerhard Gmel

2016 ◽  
Vol 90 (3) ◽  
pp. 314-335 ◽  
Author(s):  
Annmarie Grealish ◽  
Sara Tai ◽  
Andrew Hunter ◽  
Richard Emsley ◽  
Trevor Murrells ◽  
...  

2017 ◽  
Vol 23 (2) ◽  
pp. 188-197 ◽  
Author(s):  
Komalsingh Rambaree ◽  
Fariba Mousavi ◽  
Fereshteh Ahmadi

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