Hannah Arendt, evil, and political resistance

2019 ◽  
Vol 32 (3) ◽  
pp. 125-144 ◽  
Author(s):  
Gavin Rae

While Hannah Arendt claimed to have abandoned her early conception of radical evil for a banal one, recent scholarship has questioned that conclusion. This article contributes to the debate by arguing that her conceptual alteration is best understood by engaging with the structure of norms subtending each conception. From this, I develop a compatibilist understanding that accounts for Arendt’s movement from a radical to a banal conception of evil, by claiming that it was because she came to reject the foundationalism of the former for the non-foundationalism of the latter, where norms are located from an ineffable ‘source’ diffusely spread throughout the society. While it might be thought that this means that such norms are all-encompassing to the extent that they determine individual action, I appeal to her notions of plurality, action, and natality, to argue that she defends the weaker claim that moral norms merely condition action. This demonstrates how Arendt’s conceptions of evil complement one another, highlights her understanding of the action–norms relation, and identifies that there is built into Arendt’s conception(s) of evil a resource for resisting totalitarian domination.

Author(s):  
Adriana Cavarero

The chapter shows how Socrates becomes the crucial figure that Hannah Arendt turns to, against Plato, for thinking the human as rooted in plurality and attesting to both action and thought. As a positive split image of Plato’s negativity, Socrates is singled out in the context of interrogations that cross Arendt’s entire work about radical evil and, later, about the banality of evil. Socrates works as an antidote to both: radical evil because his practice of dialogue is a political practice that calls on politics as a shared space of plural interaction; and the banality of evil because, by assuming thinking as an activity consisting in the internal questioning of oneself, Socrates discovers conscience as the source of ethical judgment.


2019 ◽  
Vol 5 (1) ◽  
pp. 1-7
Author(s):  
Diana Damian Martin ◽  
Theron Schmidt

This editorial introduces this special issue on the thresholds, borders, and dialogues between Hannah Arendt’s work and performance philosophy, bringing together contributions that investigate political resistance, thought, and practice. Arendt’s relevance to our times is ubiquitous: from the near constant citation of The Origins of Totalitarianism in relation to the recent rise in strong-man politics and resurgent ethnic nationalism, to her diagnosis of the plight of refugees, denied even the rights belonging to those that have broken the law, but instead placed outside the law. Contemporary political philosophy also bears numerous influences, in the thinking of Mouffe, Rancière, Nancy, Agamben, Brown, Butler, and more. For performance philosophy, we might engage with Arendt’s performative notion of politics itself, as exemplified in her idea of ‘spaces of appearance’, but also the performativity of thought, as well as the implications of Arendt’s work for phenomenology, governmentality, rights, and ecology. Contributors to this special issue also think through the relevance of Arendt’s work for an anti-colonial and anti-racist political praxis, and for post and non-human political ethics, judgment, and thinking.


2021 ◽  
pp. 1-8
Author(s):  
Gary L. Steward

This opening section introduces the argument of the entire work, namely, that the American clergy who supported political resistance to the British did so in continuity with their own theological tradition. It also surveys a number of different approaches to interpreting the American Revolution. The influence of Bernard Bailyn’s Neo-Whig school of interpretation upon recent scholarship has significantly shaped how the American clergy’s arguments for resistance have been understood. Mark Noll, especially, has influenced how a number of historians have viewed the American clergy’s thought of this period, namely, as co-opted by secular philosophies and radical political views. The nature of political resistance doctrine sheds light on the role that Christianity played in the American founding.


Evil ◽  
2019 ◽  
pp. 18-42
Author(s):  
Andrew Chignell

This chapter articulates two concerns that Karl Jaspers raised (with Hannah Arendt) about the common practice of viewing moral evil as unintelligible. The first is that this involves exoticizing the act and/or perpetrator in such a way that moral condemnation becomes difficult. The second is that it can lead us to treat the perpetrator, place, or victim as tainted or stained by a force whose motives we cannot grasp; this in turn can lead to magical thinking about evil as somehow contagious or contaminating. After distinguishing some of the main categories of evil discussed in the western tradition, I examine ways in which moral evil, in particular, has been characterized as unintelligible, and try to discern which of them raises these Jaspersian concerns. I argue that there are at least two conceptions of “radical evil”—not the Kantian one, but the ones articulated by Hannah Arendt—that do so.


2021 ◽  
pp. 110-126
Author(s):  
Nathan Mercieca

This chapter begins by examining recent scholarship in ‘music as performance’, especially that of Nicholas Cook, and its implications for the work concept. By exploring various formulations of the work concept from a temporal perspective, it becomes clear that contradictions occur whenever the work concept is tied too closely to the notion of a musical work’s identity. Instead, a Deleuzian understanding of the musical work is advanced, based on Deleuze’s idea of repetition: this is seen as allying closely with a deconstructive approach to musical material, which provides an additional opportunity to consider musical temporality, in the arena of history and the musical past. Finally, to recapture the spirit of Cook’s original theories, and drawing on Hannah Arendt, a parallel between musical and human ontology is drawn, based on their identical interaction with time, which reconstitutes but fundamentally changes the idea of (the) musical ‘work’.


1968 ◽  
Vol 21 (1) ◽  
pp. 118-124
Author(s):  
Alexander A. Parker

2006 ◽  
Author(s):  
Claire E. Sterk ◽  
Kirk W. Elifson ◽  
Katherine P. Theall

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