Secret suffering: the victims of compulsory sterilization during National Socialism

2012 ◽  
Vol 23 (4) ◽  
pp. 483-487
Author(s):  
Stefanie Westermann

From the second half of the 19th century, eugenics claimed the medical and social need to intervene in human reproduction. During National Socialism, 300,000–400,000 people in Germany were subjected to compulsory sterilization because they had psychological diseases, impairments and social behavioural problems, which were regarded as genetically determined. After the end of the Third Reich, these interventions were not recognized as National Socialist injustice, and the victims were initially excluded from ‘compensation’. As shown in letters and interviews, the victims of compulsory sterilization suffered physically and psychologically throughout their lives. In particular, feelings of social ‘inferiority’, and of shame and suffering from compulsory childlessness and broken relationships, are found in many of the sources examined.

Author(s):  
Nitzan Shoshan

Abstract This article examines whether and how the figure of Adolf Hitler in particular, and National Socialism more generally, operate as moral exemplars in today’s Germany. In conversation with similar studies about Mosely in England, Franco in Spain, and Mussolini in Italy, it seeks to advance our comparative understanding of neofascism in Europe and beyond. In Germany, legal and discursive constraints limit what can be said about the Third Reich period, while even far-right nationalists often condemn Hitler, for either the Holocaust or his military failure. Here I revise the concept of moral exemplarity as elaborated by Caroline Humphry to argue that Hitler and National Socialism do nevertheless work as contemporary exemplars, in at least three fashions: negativity, substitution, and extension. First, they stand as the most extreme markers of negative exemplarity for broad publics that understand them as illustrations of absolute moral depravity. Second, while Hitler himself is widely unpopular, Führer-substitutes such as Rudolf Hess provide alternative figures that German nationalists admire and seek to emulate. Finally, by extension to the realm of the ordinary, National Socialism introduces a cast of exemplars in the figures of loving grandfathers or anonymous fallen soldiers. The moral values for which they stand, I show, appear to be particularly significant for young nationalists. An extended, more open-ended notion of exemplarity, I conclude, can offer important insights about the lingering afterlife of fascist figures in the moral life of European nationalists today.


2012 ◽  
Vol 5 (1-2) ◽  
pp. 120-247 ◽  
Author(s):  
Thomas Schneider

Abstract The history of Egyptology in the Third Reich has never been the subject of academic analysis. This article gives a detailed overview of the biographies of Egyptologists in National Socialist Germany and their later careers after the Second World War. It scrutinizes their attitude towards the ideology of the Third Reich and their involvement in the political and intellectual Gleichschaltung of German Higher Education, as well as the impact National Socialism had on the discourse within the discipline. A letter written in 1946 by Georg Steindorff, one of the emigrated German Egyptologists, to John Wilson, Professor at the Oriental Institute Chicago, which incriminated former colleagues and exonerated others, is first published here and used as a framework for the debate.


2009 ◽  
Vol 6 (1) ◽  
pp. 223-234
Author(s):  
SIEGFRIED MATTL

Focusing on the spectacular propaganda exhibitions “Degenerate Art” and “Degenerate Music,” critical studies of Nazism's art policy long considered the regime's public attack on modernism and the turn to pseudo-classicism as decisive proof of Nazism's reactionary character. Studies such as Die Kunst im Dritten Reich (1974), which inspired broader research on the topic in the early 1970s, subscribed to a modern conception of aesthetics in which art expresses complex systems of ideas in progress. Artistic style, from this perspective, corresponded to political tendencies and reflected the traditional divide between conservatism and progressivism. But those boundaries have become blurred in the wake of more recent research, which has demonstrated the involvement of modernist artists in Nazi art (e.g. members of the Bauhaus involved in National Socialist architecture or avant-garde filmmakers such as Walter Ruttmann in National Socialist propaganda films) and, conversely, the continual performance of popular jazz music in the Third Reich (e.g. in radio programmes). Seen against such instances of modernist collaboration and its own occasional mimicry of modernism, National Socialism acquires a more ambivalent profile, characterized by the ongoing conflict between reactionary factions and those who favoured modernization for various reasons.


2015 ◽  
Vol 2 ◽  
pp. 137-149
Author(s):  
Maciej Szukała

W Archiwum Państwowym w Szczecinie (Staatsarchiv Stettin) dopiero od II połowy XIX w. następuje się stopniowe przejmowanie w depozyt części zasobu archiwów miejskich i kościelnych jak i spuścizn i akt z archiwów rodowych. Celem całościowego oglądu sytuacji zaistniała konieczność wykonania inwentaryzacji zasobu pomorskich archiwów niepaństwowych. W tym działaniu pomocna okazała się Komisja Historyczna Pomorza (Historische Kommission für Pommern) która była ściśle powiązana z archiwum państwowym. W okresie trzydziestu lat działalności komisji od 1910 r. dokonano spisu zasobu archiwów prywatnych z kilkunastu powiatów pomorskich. W latach 30-tych i na początku 40-tych XX wieku archiwum w Szczecinie udało się przejąć niektóre archiwa rodowe znanych rodzin pomorskich. Wiązało się to z ogólną polityką państwa III Rzeszy, w którym zintensyfikowano badania rodowe (Sippenforschung) mające podłoże rasowe na skalę dotychczas nieznaną. Forms of protecting unofficial documents in the National Archive in Szczecin (Staatsarchiv Stettin) in the 19th century and the first half of the 20th century Only from as late as the second half of the 19th century, the National Archive in Szczecin gradually took over (in the form of deposit) a part of municipal and church archives, as well as legacies and files from family archives. It was necessary to catalog the collection of Pomerania’s non-national archives in order to have a general overview of the situation. The Pomeranian Historical Commission (Historische Kommission für Pommern), closely related to the national archives, turned out to be particularly helpful in this endeavor. From 1910, for the next thirty years, it was possible to catalog private archives from a dozen or so Pomeranian districts. In the 1930s and the 1940s, the archives in Szczecin managed to take over family archives of some prominent Pomeranian families. This was related to the general policy of the Third Reich where raciallybased genealogy research (Sippenforschung) was conducted to an extent unknown before.


Author(s):  
Steven Michael Press

In recognizing more than just hyperbole in their critical studies of National Socialist language, post-war philologists Viktor Klemperer (1946) and Eugen Seidel (1961) credit persuasive words and syntax with the expansion of Hitler's ideology among the German people. This popular explanation is being revisited by contemporary philologists, however, as new historical argument holds the functioning of the Third Reich to be anything but monolithic. An emerging scholarly consensus on the presence of more chaos than coherence in Nazi discourse suggests a new imperative for research. After reviewing the foundational works of Mein Kampf (1925) and Myth of the Twentieth Century (1930), the author confirms Klemperer and Seidel’s claim for linguistic manipulation in the rise of the National Socialist Party. Most importantly, this article provides a detailed explanation of how party leaders employed rhetorical language to promote fascist ideology without an underlying basis of logical argumentation.


Author(s):  
Eric Kurlander

This chapter illustrates how the National Socialist Workers' Party (NSDAP) appropriated supernatural ideas in order to appeal to ordinary Germans, enlisting the help of occultists and horror writers in shaping propaganda and political campaigning. By exploiting the supernatural imaginary, Hitler tied his political mission into something out of the Book of Revelation, as one ‘divinely chosen’ to create the Third Reich. The chapter then looks at three case studies. The first assesses Hitler's approach to politics through his reading of Ernst Schertel's 1923 occult treatise, Magic: History, Theory, Practice. The second considers the NSDAP's propaganda collaboration with the horror writer, Hanns Heinz Ewers. The third delves into the relationship between the NSDAP and Weimar's most popular ‘magician’, Erik Hanussen. In coopting Schertel's magic, enlisting Ewers, and forming an alliance with Hanussen, the Nazis diverted the masses from objective reality and toward the coming Third Reich.


2009 ◽  
Vol 37 (107) ◽  
pp. 138-162
Author(s):  
Carsten Juhl

A Manifesto in Danish has to deal with the Mother tongue and attack the Fatherland: Some preliminary studies about art and language presented from the point of view of the history of literature:The study follows five lines of reasoning: The first deals with the impossibility of formulating a manifesto in general; the impossibility of advocating the use of violence and on the other hand the impossibility of using dialogue. So the system of prescriptions and promises normally used in a manifesto no longer have sense.The next line of reasoning concerns the impossibility of presenting fictional preoccupations in the mass media and explaining why literature in Danish has to deal with its contents and form outside the current commentary and celebration hosted by the mass media. In this second line the Vico legacy is introduced to explain a conflict in Danish literature concerning its lack of an epic centre of historical and aesthetical understanding. Benjamin’s defence of the epicity in the work of Brecht is similarly discussed in this second part of the study. The third line of reasoning is presenting some older investigations on Danish prose into this question of what an epic dimension in the residual Danish culture might have been about in the last century. But all the investigations presented failed to get to the point. The point of dissidence was too weak and the point of national-socialism too clever to be manifest: It could easily hide behind the general cover up of theological aesthetics dominating Lutheran Denmark.So the fourth line of reasoning deals with political theology as a sort of interiorised state of mind in Denmark.The fifth line of reasoning presents two examples of something radically different and rather excluded in the political culture of Denmark: The Danish Council of Freedom (Danmarks Frihedsråd) during WWII which failed when it came to attacking the collaboration between Danish democracy and the Third Reich; and the Danish School of Writing (Forfatterskolen) which has been attacked by the local establishment since it was born 25 years ago.


2021 ◽  
pp. 46-64
Author(s):  
Edward B. Westermann

This chapter evaluates the significance of ritual and symbolism to the construction and manifestation of power under National Socialism. It underlines the importance of practices such as the mammoth party rallies at Nuremberg, the universal displays of the swastika on flags, pins, and armbands and the ubiquitous use of “Heil Hitler” as the standard greeting of the Third Reich under the Nazi regime. The chapter also contends that the creation of Nazi power was accomplished in no small measure by the use of ritual, and, in fact, ritual in the Third Reich served as an expression of “social power” that extended into virtually all aspects of German society. These celebratory events of Nazi power involved daily acts of verbal or physical humiliation of Jews, communists, and socialists, as well as organized and exemplary episodes of abusive behavior. Ultimately, the chapter studies the symbiotic relationship between violence, competition, and male comradeship and how it became manifest in the actions, rituals, and celebratory practices of Nazi paramilitary organizations through acts of humiliation by SS and policemen on the streets, in the concentration camps, and in the killing fields.


1999 ◽  
Vol 30 ◽  
pp. 103-126
Author(s):  
Maurice Williams

Friedrich Rainer (1903-50?) personified the semiautonomous chieftain who served the Third Reich so well. Born in Carinthia, he worked his way into major party positions in Austria and then, after the Anschluss, moved into crucial posts in the Ostmark. After leading the party in Salzburg, he highlighted his Nazi career by serving as Gauleiter of his native province. Simultaneously he governed the occupied regions in northern Slovenia (Carniola) and later added a role as Hitler's deputy on the Adriatic coast (Istria, Trieste, and environs). He was extremely ambitious, well connected in party circles, a capable administrator, a pronounced Pan-German, and a Hitler loyalist to the end. He also revealed himself as a keen observer of his surroundings, an active propagandist, and an able politician. In short, as a leader of consequence in the Third Reich, he did not differ much from other key Nazi lieutenants.


2015 ◽  
Vol 20 (1) ◽  
Author(s):  
Keisuke Yoshida

AbstractDuring the first half of the 20th century, especially between the two world wars, the German-speaking countries experienced the so-called Kierkegaard Renaissance. Although at that time a wide range of thinkers engaged with Kierkegaard’s writings, Georg Lukács and Theodor W. Adorno argue that Kierkegaard exercised a particularly strong influence on fascist thought. Furthermore, Wilfried Greve claims that Kierkegaard was widely interpreted in the decisionist-irrationalist fashion during the Third Reich, which resulted in the appropriation of Kierkegaard by the ideologues of National Socialism, particularly by Alfred Baeumler, a leading intellectual of National Socialism, and by Emanuel Hirsch, a leading theologian of the “German Christians” movement at the time. In the present article I examine historical examples of the decisionist-irrationalist Kierkegaard interpretation. Then I discuss Carl Schmitt’s appropriation of Kierkegaard and the critical responses to it from Karl Löwith and Norbert Bolz. This discussion leads to the conclusion that the decisionist-irrationalist Kierkegaard interpretation takes on an “occasionalistic” character and thereby willy nilly renders the arbitrary or accidental content of the decision absolute. It can be maintained that this “occasionalistic” character of the decisionistirrationalist interpretation paved the way for a Kierkegaard appropriation favored by fascist ideologues in the interwar period


Sign in / Sign up

Export Citation Format

Share Document