scholarly journals Vygotsky’s Tragedy: Hamlet and the Psychology of Art

2021 ◽  
pp. 108926802110132
Author(s):  
Tania Zittoun ◽  
Paul Stenner
Keyword(s):  
Cultural Context ◽  
Social World ◽  
The Arts ◽  
Close Analysis ◽  
The Social ◽  
Symbolic Resource ◽  
Psychology Of Art

Lev S. Vygotsky is one of the major figures of psychology; however, his deep engagement with the arts is less known. This is surprising, given the fact that the arts, and especially Shakespeare’s Hamlet, are present throughout his career. In this article, we argue, first, that Hamlet was a major symbolic resource for Vygotsky in times of liminal transitions, and second, that it is this very deep experience of having been transformed by means of Hamlet that grounds his psychology of art, which aims precisely to show how Hamlet works as a “technique of emotions.” Our demonstration is organized into three main movements. In Part 1, we retrace the historical and cultural context in which Vygotsky grew up as a young man. We emphasize his experiences of liminality and transitions, due to transformations of the social world and his own life. In Part 2, we examine Vygotsky’s proposition itself through a close analysis of his Psychology of art. Finally, in Part 3, we further explicate the relation between art and life at play in Vygotsky’s approach and relate this to Vygotsky’s broader psychology.

Understandings of trauma: contrasting Sudanese refugees and Holocaust survivors

2020 ◽  
Author(s):  
Jarrod White ◽  
Lenore Manderson ◽  
Louise Newman ◽  
Glenn Melvin
Keyword(s):  
Cultural Context ◽  
Traumatic Event ◽  
Holocaust Survivors ◽  
Cultural Models ◽  
Social World ◽  
Traumatic Memory ◽  
Cultural Variation ◽  
The Social ◽  
Relationship Change ◽  
Sudanese Refugees

Abstract Responses to deeply traumatic events vary according to cultural context, yet we have little insight into why these discrepancies occur. In order to explore cultural variation in models of trauma, we draw on data from semi-structured interviews with Sudanese refugees (n = 12) and with Holocaust survivors (n = 13) in Melbourne, Australia. Using descriptive phenomenological analysis, we examine the similarities and differences between the two groups. Group differences were found in the meaning of traumatic memory, the communication of somatoform symptoms in the Sudanese-refugee group only, conceptions of self after the traumatic event and the relationship change with the social world. Similarities included the persistence of traumatic memory, an impact on identity, a change in one’s relationship with the social world and the emergence of existential anxiety. The findings contribute to uncovering delineation points between cultural models for understanding trauma, while simultaneously presenting a potential cross-cultural language useful for understanding trauma.

‘Comunicare con il popolo’: Novel, Drama, and Music in Mazzini’s Work

2008 ◽  
Author(s):  
Carlotta Sorba
Keyword(s):  
20Th Century ◽  
Active Power ◽  
The Public ◽  
Political Role ◽  
The Arts ◽  
Close Analysis ◽  
The Social ◽  
Social Art ◽  
The Aesthetic

This chapter observes and relocates the role of the arts in Mazzini's political reflections, seeing in it a kind of prelude to the aesthetic dimension of politics generally explored in the 20th century. Through a close analysis of his large output of literary and musical criticism (1826–44), it shows how the language of the arts, and especially drama as ‘the social art par excellence’, was considered by the Italian thinker to be the main means to communicate to the public – in a forceful and emotional way – political and national goals. Mazzini believed that, in the specific case of Italy, opera, with its active power to move, thrill, and provoke enthusiasm in Italian theatres, could play a crucial political role.

The Contribution of Enrique Pichon-Rivière: Comparisons with His European Contemporaries and with Modern Theory

2016 ◽  
Vol 6 (2) ◽  
Author(s):  
David E. Scharff
Keyword(s):  
Social World ◽  
Modern Theory ◽  
George Herbert ◽  
George Herbert Mead ◽  
Analytic Thinking ◽  
Family Analysis ◽  
The Social ◽  
Original Family ◽  
Kurt Lewin ◽  
Social Applications

Enrique Pichon-Rivière, a pioneer of psychoanalysis, worked and wrote in Argentina in the mid-twentieth century, but his work has not so far been translated into English. From the beginning, Pichon-Rivière understood the social applications of analytic thinking, centring his ideas on "el vinculo", which is generally translated as "the link", but could equally be translated as "the bond". The concept that each individual is born into human social links, is shaped by them, and simultaneously contributes to them inextricably ties people's inner worlds to the social world of family and society in which they live. Pichon-Rivière believed, therefore, that family analysis and group and institutional applications of analysis were as important as individual psychoanalysis. Many of the original family and couple therapists from whom our field learned trained with him. Because his work was centred in the analytic writings of Fairbairn and Klein, as well as those of the anthropologist George Herbert Mead and the field theory of Kurt Lewin, his original ideas have important things to teach us today. This article summarises some of his central ideas such as the link, spiral process, the single determinate illness, and the process of therapy.

Our Most Troubling Madness

2016 ◽  
Keyword(s):  
Social Defeat ◽  
Social World ◽  
Epidemiological Evidence ◽  
The West ◽  
Social Settings ◽  
The Social ◽  
Brain Alteration ◽  
Benign Course ◽  
Cultural Features ◽  
The Way

This book examines the way schizophrenia is shaped by its social context: how life is lived with this madness in different settings, and what it is about those settings that alters the course of the illness, its outcome, and even the structure of its symptoms. Until recently, schizophrenia was perhaps our best example—our poster child—for the “bio-bio-bio” model of psychiatric illness: genetic cause, brain alteration, pharmacologic treatment. We now have direct epidemiological evidence that people are more likely to fall ill with schizophrenia in some social settings than in others, and more likely to recover in some social settings than in others. Something about the social world gets under the skin. This book presents twelve case studies written by psychiatric anthropologists that help to illustrate some of the variability in the social experience of schizophrenia and that illustrate the main hypotheses about the different experience of schizophrenia in the west and outside the west--and in particular, why schizophrenia seems to have a more benign course and outcome in India. We argue that above all it is the experience of “social defeat” that increases the risk and burden of schizophrenia, and that opportunities for social defeat are more abundant in the modern west. There is a new role for anthropology in the science of schizophrenia. Psychiatric science has learned—epidemiologically, empirically, quantitatively—that our social world makes a difference. But the highly structured, specific-variable analytic methods of standard psychiatric science cannot tell us what it is about culture that has that impact. The careful observation enabled by rich ethnography allows us to see in more detail what kinds of social and cultural features may make a difference to a life lived with schizophrenia. And if we understand culture’s impact more deeply, we believe that we may improve the way we reach out to help those who struggle with our most troubling madness.

Experience of Ethnographic Fieldwork in an English Benedictine Monastery

2011 ◽  
Vol 5 (2) ◽  
pp. 221-235 ◽  
Author(s):  
Richard Irvine
Keyword(s):  
Social World ◽  
Ethnographic Fieldwork ◽  
Fieldwork Experience ◽  
The Social ◽  
Peripheral Participation

What is the role of imitation in ethnographic fieldwork, and what are its limits? This article explores what it means to participate in a particular fieldsite; a Catholic English Benedictine monastery. A discussion of the importance of hospitality in the life of the monastery shows how the guest becomes a point of contact between the community and the wider society within which that community exists. The peripheral participation of the ethnographer as monastic guest is not about becoming incorporated, but about creating a space within which knowledge can be communicated. By focusing on the process of re-learning in the monastery – in particular, relearning how to experience silence and work – I discuss some of the ways in which the fieldwork experience helped me to reassess the social world to which I would return.

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