Visiting the horned serpent’s home: A relational analysis of Paquimé as a pilgrimage site in the North American Southwest

2018 ◽  
Vol 18 (3) ◽  
pp. 306-324 ◽  
Author(s):  
Todd L VanPool ◽  
Christine S VanPool

Paquimé, Chihuahua, was the ceremonial center of the Medio period (AD 1200 to 1450) Casas Grandes world, and the focus of regional pilgrimages. We use a relational perspective to explore the connections that were created and expressed during the pilgrimage. We propose that Paquimé was considered a living city, and that pilgrims actively supported its vitality through offerings of marine shells and other symbolically important goods. A region-wide network of signal fires centered on Cerro de Moctezuma, a hill directly overlooking Paquimé, summoned pilgrims. Ritual negotiations also focused on the dead and may have included at least occasional human sacrifice. While the pilgrimages focused on water-related ritual, they also included community and elite competition as reflected in architectural features such as the ball courts. Central to the pilgrimage was negotiation with the horned serpent, a deity that controlled water and was associated with leadership throughout Mesoamerica and the Southwest. The horned serpent is the primary supernatural entity reflected at the site and in the pottery pilgrims took with them back to their communities. Thus, the pilgrimages were times when the Casas Grandes people created and transformed their relationships with each other, religious elites, the dead, the landscape, and the horned serpent. These relationships in turn are reflected across the region (e.g., the broad distribution of Ramos Polychrome). This case study consequently demonstrates the potential that the relational perspective presented throughout this issue has for providing insight into the archaeological record and the past social structures it reflects.

2003 ◽  
Vol 68 (4) ◽  
pp. 696-717 ◽  
Author(s):  
Christine S. VanPool

The Casas Grandes culture flourished between two well-known regions: Mesoamerica and the North American Southwest. An analysis of Medio period (A.D. 1200-1450) pottery suggests that Paquimé, the center of the Casas Grandes world, was dominated by shaman-priests. The pottery includes images that document a “classic shamanic journey” between this world and the spirit world. These images can be connected to the leaders of Paquimé and to valuable objects from West Mexico, indicating that the Casas Grandes leadership had more in common with the Mesoamerican system of shaman-leaders than with the political system of the Pueblo world of the North American Southwest.


1993 ◽  
Vol 58 (2) ◽  
pp. 270-276 ◽  
Author(s):  
Paul E. Minnis ◽  
Michael E. Whalen ◽  
Jane H. Kelley ◽  
Joe D. Stewart

The scarlet macaw (Ara macao) was an important prehistoric trade item in northern Mexico and southwestern United States. Paquimé (or Casas Grandes) in northwestern Chihuahua has been assumed to have dominated or even monopolized the macaw trade. This conclusion is a result of the fact that Paquimé is the only site with evidence of substantial macaw-breeding facilities. Two recent archaeological projects in Chihuahua indicate that macaw production was not limited to Casas Grandes. Furthermore, the political relations of production for these ritually and economically important birds differed depending on whether or not the producers were part of the complex polity centered at Casas Grandes.


2017 ◽  
Vol 82 (2) ◽  
pp. 262-287 ◽  
Author(s):  
Christine S. VanPool ◽  
Todd L. VanPool ◽  
Lauren W. Downs

Casas Grandes Medio–period (A.D. 1200–1450) human effigies are unique in the North American Southwest in that they depict primary and secondary sexual traits, making determination of sex and gender roles possible. Here, we build on previous discussions by considering the importance of depictions of clothing (e.g., belts and sashes), personal adornments (e.g., necklaces and bracelets), facial decorations, and other aspects of dress. We find that Medio-period symbolism for males and females was based on gender complementary that combined the productive, reproductive, and ritual activities of men and women within a single symbolic and ritual system. Some clothing styles are found on both males and females (e.g., arm bands), but there are also sex-based differences. Women wear low horizontal belts across their hips, whereas men primarily wear sandals and elaborate headbands. Aspects of dress also appear to be continued from previous cultures such as the Classic Mimbres (A.D. 1000–1150) and continued into historic northern Mexican and southwestern groups (e.g., headgear and some sandal types). Ultimately, we find that males have more elaborate dress and are associated with a specific set of ritually important symbols. Females are associated with cloud/fertility symbolism, sternal decorations, and birds.


Author(s):  
Cristina Lleras

The purpose of this chapter is to examine the surge of identity politics and the diversification of heritage and the tensions that arise with the traditional role of national museums that are expected to support the model of a unitary national identity through their narratives and collections. Engaging with distinct patrimonies and transformations in museums checkmates stagnant notions of heritage, but in turn, these actions might also instigate resistance to change. A case study at the National Museum of Colombia will provide an insight into competing notions of heritage, which can be understood as the relics of a material past, but may also be seen as the meanings created about the past. This analysis instigates thoughts about the role that history and historians might play in the elaboration of narratives of identity.


2021 ◽  
Vol 48 (3) ◽  
pp. 207-212
Author(s):  
Brian Dobreski ◽  
Jian Qin ◽  
Melissa Resnick

While historical cultural materials inform users of the past, they may also contain language that perpetuates long-entrenched patterns of discrimination. In organizing and providing access to such materials, cultural heritage institutions must negotiate historical language and context with the comprehension and perspectives of modern audiences. Excerpted from a larger project exploring representation and access around historical terminology and personal identity, the present work offers insight into how knowl­edge organization systems may be used to help modern users confront and make sense of past, discriminatory language in the archive. Using keywords drawn from the titles of 19th and 20th sideshow performer photographs, this work details the construction of a mapping dictionary that brings together corresponding terminology from several vocabulary sources along with annotations designed to explain historical terms to modern audiences. The development of this dictionary revealed several major types of problematic and potentially discriminatory language including historical euphemisms, misnomers, outdated terms, and sensationalist monikers. The finished dictionary offers opportunities to address these through explanatory annotations and to provide a richer, multi-perspective approach to subject analysis for these and other historical materials.


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