Process and Production Techniques of Composites

2020 ◽  
pp. 47-60
Author(s):  
G. Mohamed Zakriya ◽  
G. Ramakrishnan
Keyword(s):  
Production Techniques

Discussion on “New production techniques—engines”

1962 ◽  
Vol 41 (9) ◽  
pp. 545
Author(s):  
Mountford ◽  
H.G. Gregory ◽  
D.M. Anthony ◽  
D.A. Fairnie ◽  
E.B. Carter ◽  
...  
Keyword(s):  
New Production ◽  
Production Techniques

Divergent Memories of Tumen Shan-shui

2019 ◽  
pp. 229-10.33526/EJKS.20191901.229
Author(s):  
Xiaoxuan Lu
Keyword(s):  
Lived Experience ◽  
North Korea ◽  
Research Study ◽  
States Of Mind ◽  
Geographical Research ◽  
River Region ◽  
Production Techniques ◽  
Landscape Research ◽  
Border Areas ◽  
The Creation

Focusing on the interplay between memory and place, this article examines the rationale behind the use of axonometric drawings (axons) in a geographical research study of the Tumen/Tuman River region encompassing the borders shared by China, Russia and North Korea. The concepts of “memory of place” and “place of memory” guide the structure of this project and the flow of this article. “Memory of place” emphasises the lived experience of our physical senses, and helps determine the great potential of visual methodologies in the fields of geographical and landscape research and study. Drawn up using the graphic production techniques of abstracting, foregrounding, highlighting and juxtaposing, axons avail themselves of and inform both realist and idealist states of mind. In contrast, “place of memory” references a particular type of materiality and helps us understand Tumen Shan-shui as a library of memories that reveals a profusion of contested aesthetic, cultural and political meanings. Axons serve to tell narratives revealing desires, actions and undertakings that have shaped and continue to shape the substance of the memory sites in question including infrastructure, architecture and signage. Initially adopted by the author as a medium for recording and communicating due to security restrictions imposed in the border areas in question, the creation of axons generated new insights on methods of documentation in landscape research, and the places and landscapes themselves.

Data support of design of details production techniques

2014 ◽  
Vol 0 (3) ◽  
Author(s):  
Viktor K. Partas ◽  
Alona Yu. Pavlenko
Keyword(s):  
Data Support ◽  
Production Techniques

The Dance Chorus in Recent Top-40 Music

2020 ◽  
Vol 6 (4) ◽  
Author(s):  
Alyssa Barna
Keyword(s):  
Popular Music ◽  
Dance Music ◽  
Electronic Dance Music ◽  
Production Techniques ◽  
Top 40

Contemporary trends in popular music incorporate timbres, formal structures, and production techniques borrowed from Electronic Dance Music (EDM). The musical surface demonstrates this clearly to the listener; less obvious are the modifications made to formal prototypes used in rock and popular music. This article explains a new formal section common to collaborative Pop/EDM songs called the Dance Chorus. Following the verse and chorus, a Dance Chorus is an intensified version of the chorus that retains the same harmony and contains the hook of the song, which increases memorability for the audience. As the name implies, the Dance Chorus also incorporates and acknowledges the embodiment performed in this section.

Gamelan Melayu Sound Preservation and Archiving through Recording Methods and Production Techniques

2020 ◽  
Vol 6 ◽  
pp. 17-40
Author(s):  
Muralitheran Munusamy
Keyword(s):  
Sound Production ◽  
Dynamic Range ◽  
Technical Specification ◽  
Traditional Music ◽  
Information Storage ◽  
Social Scientists ◽  
Audio Engineering ◽  
Production Techniques ◽  
Audio Data ◽  
Music Recordings

Sound or audio engineering is a branch of the field of engineering, which involves the process of recording sound and reproducing it by various means, as well as storing in order to be reproduced later. Known as sound or audio engineers, these trained professionals work in a variety of sound production fields and expert in recording methods. They can be instrumental to implement the affordable technologies and technical process to distribute the audio data hence, making it accessible for future generations. The current role of these engineers not only to perform or limited to recording session but they create metadata for archiving and preservation for future needs. Currently, product sleeves of ethnographic recordings represent no technical elements of how traditional music recordings are produced. The product details focus only to some extent on historical elements and musical notation. To an audio archivist, declaring what devices are in a recording is not linked with preservation data. Apart from the format, the sleeved design, technical specification is essential to other social scientists such as audio engineer and field recordist of the future. The aim of the present research is to capture optimum dynamic range of the sound and applying a signal processing that would not alter the tonality, timbre and harmonic of the sound. Further applying a suitable information storage for the metadata to be preserve or archived for future accessing and reproduction.

Some Hellenistic and late Roman terracotta lamps in the Sinop Archaeological Museum in northern Turkey

2019 ◽  
Author(s):  
Gülseren Kan Şahín ◽  
Eray Aksoy
Keyword(s):  
Asia Minor ◽  
Different Types ◽  
Production Techniques ◽  
Ancient Site ◽  
Cultural Structure ◽  
Late Roman

The paper presents some terracotta lamps recovered from the recent rescue excavations carried out by the museum of Sinop in ancient Sinope. The material has been divided into chronological groups, ranging from the 2nd century BC to the 7th century AD, and by typological characteristics describing different types. The most common finds are local late Hellenistic (1st century BC) and late Roman (4th–5th centuries AD) mold-made lamps attesting to the operation of lamp-maker’s workshops in Sinope. Some of the late Hellenistic lamps are important for their connection with Ephesian and other Asia Minor fabrics. These finds are from the domestic contexts of Hellenistic and late Roman Sinope; but we also have lamps from funerary and commercial contexts. Data on production techniques, fabric and use distribution serves to examine the socio-cultural structure of this ancient site in eastern Paphlagonia.

Psychedelic Illusions

2018 ◽  
Author(s):  
Jonathan Weinel
Keyword(s):  
Rock Music ◽  
Outer Space ◽  
Altered States ◽  
Sound Design ◽  
States Of Consciousness ◽  
Production Techniques ◽  
1960S And 1970S ◽  
Rock N Roll ◽  
The 1960S ◽  
Conceptual Meaning

This chapter explores how music technologies and electronic studio processes relate to altered states of consciousness in popular music. First, an overview of audio technologies such as multi-tracking, echo, and reverb is given, in order to explore their illusory capabilities. In the rock ’n’ roll music of the 1950s, studio production techniques such as distortion provided a means through which to enhance the energetic and emotive properties of the music. Later, in surf rock, effects such as echo and reverb allowed the music to evoke conceptual visions of teenage surf culture. In the 1960s and 1970s, these approaches were developed in psychedelic rock music, and space rock/space jazz. Here, warped sounds and effects allowed the music to elicit impressions of psychedelic experiences, outer space voyages, and Afrofuturist mythologies. By exploring these areas, this chapter shows how sound design can communicate various forms of conceptual meaning, including the psychedelic experience.

scholarly journals Early Balkan Metallurgy: Origins, Evolution and Society, 6200–3700 BC

2021 ◽  
Author(s):  
Miljana Radivojević ◽  
Benjamin W. Roberts
Keyword(s):  
Metal Production ◽  
The Balkans ◽  
Archaeological Data ◽  
Tin Bronze ◽  
Wide Range ◽  
Production Distribution ◽  
Societal Context ◽  
Copper Gold ◽  
Production Techniques ◽  
Early Metallurgy

AbstractThis paper analyses and re-evaluates current explanations and interpretations of the origins, development and societal context of metallurgy in the Balkans (c. 6200–3700 BC). The early metallurgy in this region encompasses the production, distribution and consumption of copper, gold, tin bronze, lead and silver. The paper draws upon a wide range of existing archaeometallurgical and archaeological data, the diversity and depth of which make the Balkans one of the most intensively investigated of all early metallurgical heartlands across the world. We focus specifically on the ongoing debates relating to (1) the independent invention and innovation of different metals and metal production techniques; (2) the analysis and interpretation of early metallurgical production cores and peripheries, and their collapses; and (3) the relationships between metals, metallurgy and society. We argue that metal production in the Balkans throughout this period reflects changes in the organisation of communities and their patterns of cooperation, rather than being the fundamental basis for the emergence of elites in an increasingly hierarchical society.

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