Beyond the Lens Model and Direct Perception: Toward a Broader Ecological Psychology

2003 ◽  
Vol 15 (3) ◽  
pp. 241-267 ◽  
Author(s):  
Kim J. Vicente
Keyword(s):  
Ecological Psychology ◽  
Direct Perception ◽  
Lens Model

scholarly journals A experiência perceptual na perspectiva da teoria da percepção direta

2017 ◽  
Vol 21 (2) ◽  
pp. 223-233
Author(s):  
Mariana Claudia Broens
Keyword(s):  
Theory Of Mind ◽  
Mental Models ◽  
Perceptual Experience ◽  
Ecological Psychology ◽  
Direct Perception ◽  
Internal Representations ◽  
Skilled Action

The objective of this paper is to analyse the concept of skilful action underlying the studies of perceptual experience, especially the visual one, from the perspective of the theory of direct perception. The problem we propose to investigate can be formulated as follows: what are the possible contributions of the concept of affordance to understand the nature of skilful actions generally attributed to processes resulting from internal representations or mental models? In particular, we will try to investigate to what extent the concept of social affordance (as a possibility of action that the bodies of the organisms offer directly to other organisms) can help to understand aspects of complex skilful actions that involve capacities considered as deriving from the possession of a Theory of Mind. We will try to show that the perspective of the ecological psychology of direct perception (Gibson 1986, Turvey 1992, Petrusz & Turvey 2010) allows to understand aspects of human skilled action, especially of a collaborative nature, from a conception of perceptual experience that involves information intrinsically significant.

scholarly journals On the Evolution of a Radical Concept: Affordances According to Gibson and Their Subsequent Use and Development

2019 ◽  
Vol 15 (1) ◽  
pp. 117-132 ◽  
Author(s):  
Isis Chong ◽  
Robert W. Proctor
Keyword(s):  
Human Factors ◽  
Perception And Action ◽  
Ecological Psychology ◽  
Direct Perception ◽  
Original Intention ◽  
Fields Of Study ◽  
Perception Action

James J. Gibson, the founder of ecological psychology, introduced a radical empiricist approach to perception and action centered on direct perception in naturalistic environments that was counter to popular representational views of his time. This direct perception approach and the associated introduction of the affordance concept have been extremely influential in several fields of study. However, since its inception, the affordance concept has evolved in a manner such that it now deviates significantly from Gibson’s original intention. This review follows use of the affordance concept by four sets of influential experimental psychologists: Gibson, Donald Norman, Mike Tucker and Rob Ellis, and Daniel Bub and Michael Masson. Particular attention is paid to the manner in which they applied the concept and the contributions provided by each set of researchers. The primary goal of this review is to determine what cognitive psychologists can take away from developments within the field and what considerations should be taken into account when using the term affordance. Having a more thorough understanding of the factors that led to the concept of affordance and its recent reformulations will better equip cognitive psychologists and, by extension, human factors researchers to further advance the study of perception–action relations.

scholarly journals A Review of Affordances and Affordance-Based Design to Address Usability

2019 ◽  
Vol 1 (1) ◽  
pp. 1353-1362 ◽  
Author(s):  
Nafiseh Masoudi ◽  
Georges M. Fadel ◽  
Christopher C. Pagano ◽  
Maria Vittoria Elena
Keyword(s):  
Engineering Design ◽  
Ecological Theory ◽  
Ecological Psychology ◽  
Direct Perception ◽  
Ecological Approach

AbstractMaier and Fadel pioneered Affordance-Based Design (ABD) based on Gibson's revolutionary theory of affordances and Norman's deployment of the concept in his book, “The Design of Everyday Things”. Gibson (1979) introduced the affordance concept into the discipline of Ecological Psychology to address the interactions between an object and an agent. The Ecological approach includes the direct perception of affordances for the user along with a consideration of the users’ biomechanics. However, as the concept of affordance was imported and utilized in different disciplines, including engineering design, some important aspects of Ecological theory were omitted.This paper is an attempt to review the definitions and different utilizations of the affordance concept focusing on the design of usable products to identify the different views and the missing elements. After addressing the divergent viewpoints of affordances, we provide recommendations to improve the usability aspects in ABD by considering direct perception and ergonomics. We claim that a design (based on affordances) that fails to address both criteria may result in a product that is less usable.

A lens model approach to calibration

1997 ◽  
Author(s):  
Gregory L. Brake ◽  
Michael E. Doherty ◽  
Gernot D. Kleiter
Keyword(s):  
Lens Model ◽  
Model Approach

Narrative Empathie und der ethische Wert der Perspektiveneinnahme

2018 ◽  
Vol 63 (1) ◽  
Author(s):  
Susanne Schmetkamp
Keyword(s):  
Perspective Taking ◽  
Phenomenological Approach ◽  
Moral Emotions ◽  
Direct Perception ◽  
Epistemic Situation ◽  
Fictional Character ◽  
Moral Value

Narrative Empathie liegt dann vor, wenn der empathische Nachvollzugsprozess der (emotionalen, epistemischen) Situationen anderer Personen oder fiktiver Figuren durch ein Narrativ, das heißt eine sinnzusammenhängende Erzählung, ausgelöst und strukturiert wird. Der Aufsatz knüpft an den phänomenologischen Ansatz von Empathie als direkte Wahrnehmung an, vertritt aber die These, dass gerade bei Narrativen die Imagination und die Perspektiveneinnahme hinzukommen müssen, damit retrospektiv, prospektiv oder gegenwärtig die Situation des Anderen und seiner individuellen Perspektive vergegenwärtigt und verstanden werden kann. Der narrativen Empathie wird ein indirekter ethischer Wert zugeschrieben: Durch das empathisch anschauliche Anteilnehmen am Narrativ des Anderen und einen damit verbundenen Perspektivwechsel können auch unsere eigenen Perspektiven erweitert werden; dies kann zu besserem Verständnis ungewohnter Sichtweisen führen und moralische Gefühle und Handlungen motivieren. Narrative empathy is the complex re-presentation of an (emotional, epistemic) situation of another person or a fictional character by means of a narrative, which is a structured and perspectively colored context of meaning. The paper sympathizes with the phenomenological approach of empathy as direct perception though at the same time arguing that in cases of (literary, filmic, dramatic) narratives imagination and perspective-taking is also needed in order to be able to comprehend and to understand the other’s situation retrospectively, prospectively or at present. According to the author, narrative empathy has an indirect moral value: the vivid empathetic participation in the other’s narrative and the process of perspective-taking can help to broaden one’s horizons; this can lead to a better understanding of unfamiliar and other worldviews and motivate moral emotions and actions.

scholarly journals The Neural Basis of Vivid Memory Is Patterned on Perception

2012 ◽  
Vol 24 (9) ◽  
pp. 1867-1883 ◽  
Author(s):  
Bradley R. Buchsbaum ◽  
Sabrina Lemire-Rodger ◽  
Candice Fang ◽  
Hervé Abdi
Keyword(s):  
Brain Activity ◽  
Sensory Perception ◽  
Direct Perception ◽  
Neural Basis ◽  
Activation Patterns ◽  
Short Video ◽  
Initial Perception ◽  
Experiential Quality ◽  
High Degree

When we have a rich and vivid memory for a past experience, it often feels like we are transported back in time to witness once again this event. Indeed, a perfect memory would exactly mimic the experiential quality of direct sensory perception. We used fMRI and multivoxel pattern analysis to map and quantify the similarity between patterns of activation evoked by direct perception of a diverse set of short video clips and the vivid remembering, with closed eyes, of these clips. We found that the patterns of distributed brain activation during vivid memory mimicked the patterns evoked during sensory perception. Using whole-brain patterns of activation evoked by perception of the videos, we were able to accurately classify brain patterns that were elicited when participants tried to vividly recall those same videos. A discriminant analysis of the activation patterns associated with each video revealed a high degree (explaining over 80% of the variance) of shared representational similarity between perception and memory. These results show that complex, multifeatured memory involves a partial reinstatement of the whole pattern of brain activity that is evoked during initial perception of the stimulus.

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