On the Content of Mao Zedong’s Agricultural Thought in the Early Days of the People’s Republic of China and Its Enlightenment to the Implementation of Rural Revitalization Strategy in the New Era

2020 ◽  
Vol 09 (04) ◽  
pp. 133-139
Author(s):  
艺 任
Agriculture ◽  
2020 ◽  
Vol 10 (4) ◽  
pp. 125
Author(s):  
Dongsheng Zhang ◽  
Wei Gao ◽  
Yiqing Lv

Since the founding of the People’s Republic of China, the Central Committee of the Communist Party of China has continuously improved and developed the rural system, deepened rural reform, and promoted the process of agricultural and rural modernization. This paper constructs an analytical framework of rural revitalization and explores the logical law behind it from the three aspects of theoretical evolution, historical evolution, and realistic development. Then, on the basis of summarizing the existing rural revitalization path model, in view of the lack of industrial, ecological, cultural, and other rural revitalization path development models, the paper explores the general principles of rural revitalization path selection and puts forward a realistic choice: First, the key breakthrough of rural revitalization will be achieved through the construction of a rural revitalization planning system, land system reform, and green development. Second, the connotation and extension of concepts, such as “small farmers”, “industry prosperity”, and “rural areas”, are objectively analyzed and evaluated, so as to promote rural revitalization and avoid the risks and challenges that it may face in practice.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Zhifeng Hu ◽  
Yin Chen

Abstract The development of film art in the People’s Republic of China throughout the past 70 years can be roughly divided into two stages: before and after the reform and opening-up. During this period, Chinese films not only influenced the political, economic, social, and cultural spheres, but they also produced aesthetics with uniquely Chinese characteristics, distinguishing themselves on the world film stage. However, after 70 years of development, Chinese films still have many contradictions and problems, namely: how to deal with the relationships between education and entertainment, plan and market, tradition/China/subjectivity, and modernity/world/diversity. Prejudicial tendencies can be avoided with a dialectical view of these relationships, and a healthy, integrated, and developmental track can be achieved. With this new historical contextualization in mind, to realize the transformation from a big film country to a strong film country, Chinese films should keep pace with the country’s economic and social strategic development, enhancing their quality and making contributions to a culturally advanced country with many high-standard films in the new era.


2019 ◽  
Author(s):  
Minsoo Lee ◽  
◽  
Edimon Ginting ◽  
Limin Wang ◽  
Meiyan Wang ◽  
...  

2000 ◽  
Vol 49 (4) ◽  
pp. 867-875
Author(s):  
Qingjiang Kong

On 1 July 1997 Hong Kong entered a new era when it was transformed from a British colony into a Special Administrative Region (SAR) of the People's Republic of China (PRC). The impact of the handover of Hong Kong cannot be overstated but, for the time being perhaps, may lie more in the sphere of ideology than in institutions.


2000 ◽  
Vol 42 (4) ◽  
pp. 770-810 ◽  
Author(s):  
Chang-Tai Hung

On November 26, 1949, less than two months after the founding of the People's Republic of China (PRC), the Ministry of Culture issued a directive to artists and writers about the importance and possible use in a new era of New Year prints (nianhua), a simple and inexpensive Chinese folk medium used to decorate homes in celebration of the New Year.


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