On the Teaching of Guangdong Folk Songs Based on the Original Music Teaching Concept

2022 ◽  
Vol 12 (01) ◽  
pp. 44-51
Author(s):  
俊澎 黄
2019 ◽  
Vol 2 (3) ◽  
pp. 21
Author(s):  
Chao Zhang

Orff music teaching method is one of the most famous and widely used music education systems in the world, named after Karl Orff, a famous German musician. It endows the music education with humanity and fraternity under the perspective of anthropology, which has a profound impact on music education in primary and secondary schools all over the world. During the process of Chinese folk music teaching in primary and secondary schools, we should draw on the advantages of Orff's music teaching philosophy and promote the national characteristics of Chinese music teaching.


Author(s):  
Iveta Kepule

<p>The main mission of education is to help everyone, as acquisition of knowledge and skills takes place simultaneously with the formation of personality and it possesses a system of an aesthetic and values orientation, needs and views of the world. By linking music teaching content with ethics, the pupil gains experience in evaluation activities - learns to make a choice in accordance with the fundamental principles of morality, between good and evil, choose the good. Gets acquainted with the ethical heritage and value diversity and begins to build his own, moral values-based, world vision.</p>


Author(s):  
Jackie Wiggins ◽  
Magne I. Espeland

This article, which focuses on learners' composing original music in classroom contexts because, in the past 50 years, classroom composing has become an important part of music curricula, considers sociocultural and musical contexts that potentially foster and support music learners' creative work in school settings. It begins by sharing some perspectives on the nature of music and the nature of learning, and how they inform music teaching, and then considers what researchers say about learners' collaborative creative work in music classroom settings. Finally, the article looks at some instances of music learning in the context of collaborative composing in elementary and primary classroom settings.


2021 ◽  
Vol 2021 ◽  
pp. 1-7
Author(s):  
Mingxing Liu

Under the background of quality education, music learning is also changing, from the original shallow learning to deep learning gradually. In-depth learning is a new teaching concept, which pays full attention to students’ perception and exploration of music so that students can fully experience the charm of music. It can not only help students master more music knowledge and improve their music skills but also cultivate students’ music literacy and enhance their music ability (Świechowski, 2015). Therefore, in junior high school music teaching, teachers should actively apply the deep learning model and then improve the teaching level and comprehensively cultivate students’ music literacy (Whitenack and Swanson, 2003). In this paper, two convolution-based deep learning models, Breath1d and Breath2d, were designed and constructed, and a multilayer perceptron (MLP) was used as a benchmark method for performance evaluation, and a long short-term memory (LSTM) network is applied for the classification task. This paper discusses the value and application strategies of deep learning in junior high school music teaching and hopes to provide some reference for all educational colleagues (Zhang and Nauman 2020).


1933 ◽  
Vol 17 (5) ◽  
pp. 632-633 ◽  
Author(s):  
Raleigh M. Drake
Keyword(s):  

2015 ◽  
Vol 37 ◽  
pp. 57-78
Author(s):  
Hyejung Im ◽  
Keyword(s):  

2019 ◽  
Vol 148 (4) ◽  
pp. 850-860
Author(s):  
Uliana Handziy
Keyword(s):  

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