Conclusion: Sincerity Dreams

2017 ◽  
Author(s):  
Ellen Rutten
Keyword(s):  
United States ◽  
Popular Culture ◽  
Western Europe ◽  
The United States ◽  
First Century ◽  
Contemporary Culture ◽  
Cultural Paradigms ◽  
Twenty First Century ◽  
Inclusive Analysis

This conclusion reflects on today's dreams of renewing or revitalizing sincerity and rejects the notion that they are outdated or do not deserve any of our attention. It cites the work of several scholars to show that sincerity is anything but obsolete in twenty-first-century popular culture. Indeed, today's strivings to renew sincerity have not been neglected by scholars such as R. Jay Magill Jr., Epstein, and Yurchak. The rhetoric on new sincerity has been addressed in thoughtful analyses of contemporary culture that have helped the author in crafting a comprehensive and geographically inclusive analysis of present-day sincerity rhetoric. In post-Communist Russia, debates on a shift to late or post-postmodern cultural paradigms are thriving with at least as much fervor as—and possibly more than—in Western Europe or the United States. This conclusion discusses the newly gained insights which the author's sincerity study offers.

scholarly journals The Blindspot: Asian Misrepresentation In Orange Is The New Black

Elements ◽  
2016 ◽  
Vol 12 (2) ◽  
Author(s):  
Clare Kim
Keyword(s):  
United States ◽  
Popular Culture ◽  
Race Relations ◽  
The United States ◽  
First Century ◽  
Marginalized Communities ◽  
Film And Television ◽  
Twenty First Century ◽  
And Gender ◽  
Idealistic View

As our nation and society attempt to introduce the notion of post-raciality in the twenty-first century, it becomes clear that this idealistic view of race relations in the United States can only be seen as valid when whiteness is considered to be “normal” or “neutral.” This prioritization of whiteness can be easily identified throughout popular culture, especially with the tendency of mainstream film and television to whitewash casts. However, one of the most prominent shows of the current age, Orange is the New Black (OITNB), has a cast that challenges the blindly accepted hegemonic standards by bringing marginalized communities to the center of attention. While it shatters many preconceived stereotypes dealing with race, class, and gender through its diverse array of characters, the show’s handling of its Asian characters seems only to perpetuate racist tropes. This essay examines why we have developed a blindspot for Asians when dealing with race and race relations by using OITNB as a quintessential microcosm of society at large

Biosurveillance: A Modern Look

2020 ◽  
Vol 11 (1) ◽  
Author(s):  
James Lee Brooks
Keyword(s):  
United States ◽  
Homeland Security ◽  
The United States ◽  
First Century ◽  
Direct Result ◽  
Current State ◽  
Twenty First Century ◽  
Security Operations

AbstractThe early part of the twenty-first century saw a revolution in the field of Homeland Security. The 9/11 attacks, shortly followed thereafter by the Anthrax Attacks, served as a wakeup call to the United States and showed the inadequacy of the current state of the nation’s Homeland Security operations. Biodefense, and as a direct result Biosurveillance, changed dramatically after these tragedies, planting the seeds of fear in the minds of Americans. They were shown that not only could the United States be attacked at any time, but the weapon could be an invisible disease-causing agent.

The United States and the Americas: A Twenty-First-Century View

1999 ◽  
Vol 78 (5) ◽  
pp. 178 ◽  
Author(s):  
Kenneth Maxwell ◽  
Albert Fishlow ◽  
James Jones
Keyword(s):  
United States ◽  
The United States ◽  
First Century ◽  
Twenty First Century

Coda: theses on homelessness, public space, and urban resistance

2019 ◽  
pp. 134-138
Author(s):  
Sean Parson
Keyword(s):  
United States ◽  
Political Economy ◽  
Public Space ◽  
Urban Politics ◽  
The United States ◽  
First Century ◽  
Twenty First Century

In the Coda, the lessons and theoretical positions of the entire document are condensed into four short theses, which can start a conversation around the role and politics of a radical homeless urban politics within the context of the twenty-first-century capitalist political economy and the rise of Trumpism in the United States.

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