Architecture and Female Characterization in Three Tales of Evangeline

2021 ◽  
Vol 8 (1) ◽  
pp. 106
Author(s):  
Jones
2018 ◽  
Author(s):  
Colleen Etman

The Hogarth Shakespeare Project presents a way to view Shakespeare’s plays through a different lens. These books allow for a feminist reading of Shakespeare, looking at some of Shakespeare’s ill-treated female characters to construct a new idea of female characterization. Three of the plays adapted, The Winter’s Tale, The Tempest, and The Taming of the Shrew, were adapted by female authors. By investigating how these plays are being adapted for a more contemporary audience, with modern conceptions of feminism and gender roles, we can gain insight as to how these concepts have changed since Shakespeare’s time. By looking at these modern adaptations, we can interrogate how modern audiences as a whole conceptualize and, potentially, idealize Shakespeare, as well as understanding the progression of treatment of women in contemporary culture since Shakespeare’s time. The novels addressed in this project are The Gap of Time by Jeannette Winterson, Hag-Seed by Margaret Atwood, and Vinegar Girl by Anne Tyler. The project concludes that, of the three, Vinegar Girl does the most effective job addressing the problematic aspects of its adapted play in a new way, distinguishing it from previous adaptations of The Taming of the Shrew. This project also investigates the role that adaptation theory plays in addressing Shakespeare adaptations, particularly the Hogarth Shakespeare Project.


2005 ◽  
Vol 15 (1) ◽  
pp. 57-69
Author(s):  
Rina Kim

Beckett's female characterization in his early fiction is grotesque, devouring and sexually provocative. The intention of this article is to examine how such characterization is closely related to Beckett's resistance to the Irish Free State and the Celtic Revival movement by showing that the characterization can be attributed to the impulse to satirize the Celtic revivalists' portrayal of the idealized woman-as-Ireland. This article will argue that the male protagonists' attempt to achieve detachment from the possessive women in Beckett's early fiction gives expression to the author's desire for exile as well as to distance himself from the predominant literary nationalism.


2019 ◽  
Vol 18 (1) ◽  
pp. 113-128
Author(s):  
Sadaf Mehmood

Indigenous women of Pakistan have long been struggling with the patriarchal norms. Categorization of their existence in the conventional oppressions connotes diversified victimization. Grappling with such assorted repressions and articulating the subsequent silences, women writers of Pakistan and the social activists are incessantly engaged to empower women from societal peripheries. The selected fiction exposes how the indigenous woman is controlled and exploited on the name of religio-cultural rhetoric. The present article outlines the historical developments in changing the social positioning of women after independence by highlighting the urgency of raising women consciousness in the academic sphere to form an alliance for collective identity. This article evaluates Ice Candy Man (1988), My Feudal Lord (1994) and Trespassing (2003) to explore the changing images of indigenous Pakistani women after partition. It aims to highlight the struggle and resistance of female characters against the patriarchal propriety of Pakistani society. The study is significant to highlight the struggles of women writers to articulate the silences of assorted exploitation buried under the hegemony of socio-historical discourses. The study concludes that through female characterization the women writers organize specific academic movement of awakening that provides situational analysis to relate with the turbulences of the fictional world to correspond the real challenges.


1996 ◽  
Vol 89 (2) ◽  
pp. 103-129 ◽  
Author(s):  
Sharon Lea Mattila

Apanorama of female figures people the writings of Philo of Alexandria, ranging from the most sublime to the most debased. Amid this colorful array of characters are three female personifications of important conceptual constructs in Philo's worldview—Wisdom (ἡ σοφία), sense perception (ἡ αἴσθησις), and Nature (ἡ φύσις). Like the concepts they represent, these figures have little in common, and it is hard to reconcile their heterogeneity with what Philo says about the “female” as a category in itself. Here the data become particularly contradictory and confusing, for Philo's gender categories are among the most rigid and consistently applied principles of his thought. My purpose here is to try to unravel this rather glaring inconsistency between Philo's narrow perception of gender and the breadth of his female characterization as displayed by these three figures.


Author(s):  
Tonya Krouse

Virginia Woolf’s novels have historically been regarded as exceptional for their nuanced characterization, particularly of women, and as foundationally influential to women writers after 1945. This chapter investigates the feminist underpinnings of Woolf’s portrayals of female characters in order to trace Woolf’s ongoing legacy in the feminist writing of today’s women authors. Focusing on three archetypes—the Angel, the Artist, and the Girl—the chapter evaluates Woolf’s techniques for female characterization alongside those deployed by women writers including Margaret Atwood, Zadie Smith, Doris Lessing, Claire Messud, Fatima Mernissi, and Jenni Fagan. These comparative readings show the ways in which Woolf’s fiction inspires contemporary women writers to explore relationships between women and gives them a map for creating complex narratives of affiliation to encompass women’s physical, emotional, and intellectual lives.


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