Dóra Maurer: Proportions & Timing

This paper aims at re-evaluating two of Hungarian artist Dóra Mauer’s films, the video work Proportions (1979) and the 16mm film Timing (1973/80). Both films follow a rigid structure. In Proportions, Maurer uses a paper roll to compare her own body measures repeatedly; in Timing, she repeatedly folds a white linen to compare the rhythm of her arm movements. Through her use of paper and the gesture of folding, the two films can be read as references to the very origin of the term format, as coined in early letterpress printing. When the notion of format is understood as a determination of a ratio and, as such, as an indexical reference to given social relationships (Summers, 2003), these films unfold sociocultural and political meanings. The present paper traces this spectrum of meaning through the pointed inclusion of historical discourses surrounding early motion studies, the art scene in socialist Hungary in the 1970s, and early time experiments before the advent of precision clocks.

Traduire l’histoire : entre paroles et images

In an age when the global dissemination of digital information is transforming the way we read and write by foregrounding the interdependence of visual/verbal elements and languages, the reconstruction of identity and history in digital environments challenges binary translation processes. From this perspective, we interrogate the integration of visual and verbal elements in three Wikipedia articles, written in Polish, English, and Portuguese, about the topic “Polish death camp”. What is the role of translation in the semiotic construction of historical discourses in these articles? What are the conflicts generated by translated denominations? How do Wikipedia communities engage with the production of these cognitiverepresentations? This paper attempts to answer these questions.

Shifting Paradigms of Sadness, Brain Disease or Emotional Distress: Interdisciplinary Perspectives from Late Antiquity and the 21st Century. What psychologists can learn from ascetics in Late Antiquity and why historians should or should not buy DSM 5

In this article, we address expressions of sadness, grief and social alienation from two different perspectives and on an interdisciplinary level. The various forms of perceiving these experiences and the method for classifying emotions (particularly emotional distress) in modern psychiatry represent the starting point for comparison. Special attention will be paid to the current method of classification in psychiatry―the DSM 5. This framework will be juxtaposed with a historical methodology, which will be applied to examine late antique narrative descriptions of sickness and alienating behaviour in a religious context. Combining modern psychological and historical approaches will shed light on how different cultural and historical discourses have shaped the perception and interpretation of sadness and grief down through the ages, and lead to these emotions being characterized in various ways ranging from depression to a clear sign of sanctity. Additionally, working on the intersection of religion and medicine, this article will, on the one hand, further psychologists’ understanding of how religious ideas shaped individual behaviour and vice versa in past societies, and, on the other hand, inform historians more about modern classification methods in psychiatry and how these might have influenced the way of looking at certain behaviour.

About benefits and harms of rewriting history. One of the topics of contemporary historical discourses: philosophical analysis

When we talk about historical revisionism, negative connotations as a rule are prevailing. Prohibition of revision of certain historical interpretation and assessment is one of the tasks of historical policy which is carried out by adopting so-called «memorial laws». Taking care of the formation of the desired representations of the past (narratives) is directly related to the interests of institutionalized power in its own stabilization and strengthening. Power is a function of the community, whose identity is formed historically. Consolidation of collective identity through the support and reproduction of common representations of the past is one of the tools to strengthen power. At the same time, the very nature of human experience acquisition which is permanent mediation of the horizon of the past and the present, presuppose a reinterpretation of this past. Major shifts in the experience of generations, which occur as a result of certain social changes, lead to a new look at the past of the community. In this sense, rethinking and rewriting history becomes necessary to clarify, update, rationalize the collective identity, which is problematized by new experience. Historical policy can both respond to this need for identity transformation through re- thinking representations of one’s own past and come into conflict with it. In the latter case, the narratives transferring by institutional power begin to conflict with the communicative memory of the generation experiencing a shift. One of the tools of self-preservation of power in this situation is blocking of living historical experience, which can take various forms. The culmination of such a blockade is «hermetization» of historical time that take place in totalitarian state. The living historicity of experience, which requires a constant rethinking of one’s own historically inherited identity, is replaced by an artificial, time-frozen identity, which, precisely because of this nature, becomes fragile and doomed to destruction. On the other hand, the rewriting of history initiated by the authorities within the framework of historical policy may face resistance to the representations of the past rooted in the communicative and cultural memory. The resistance of historical narratives indicates that the collective memory and the identity founded in it are not only a power construct, but also a spontaneous layering of sediments of historical experience. In today’s world of global communications and unified everyday practices, historical narratives are beginning to play an increasing role, as they remain the only seat of identity. At the same time, this process reinforces the conflict potential of communities, which can be observed in many examples of the revival of historically motivated political ambitions. In this situation, a critical clarification of various interpretations of the past becomes a means of rationalizing the historically inherited identity of communities as a necessary condition for intercultural dialogue.

Ideal and Technical Filters

Chapter 3 shows how the logic of noise reduction is anchored in historical discourses on sound and technology, taking a closer look at the development, from the early nineteenth century onward, of some of the most important concepts in physical acoustics and sound engineering. First, it discusses two uncertainty principles fundamental to information theory and communication engineering, which entail compromises that limit the accuracy of any reproduction. Second, it focuses on the mathematical principles of Fourier analysis, which gave rise to the now-familiar representation of sound in terms of a “spectrum” of singular frequencies or “sine waves.” The chapter thereby explores the difference between a timeless, mathematical plane of the ideal filter in which clear, noiseless reproduction always seems possible, and a physical domain of technical filters in which transience and noise haunt every transmission. The contrast between the two, in turn, highlights the important relation between noise and time.

Discursive stickiness: Affective institutional texts and activist resistance

Pushing the bounds of public relations theory and research, we explore how institutional texts have produced and reified stigmas around gender transgression and how these texts are bound up in moments of activism and resistance. We considered how different discursive and material functions get “stuck” together by way of texts and how this sticking depends on a history of association and institutionalization. Activism presents opportunities to challenge institutional and structural stickiness, and we argue that public relations can challenge the affective assemblages that comprise and perpetuate these systems, unsettling the historical discourses that have governed institutions by establishing new communicative possibilities.

Democratising South African universities: From activism to advocacy

The segregation enforced during apartheid has not only ensured widely disparate South African university landscapes, but also framed constructions of activism in historical discourses of racial disenfranchisement and marginalisation. As a result, activism is implicitly and explicitly associated with disadvantaged universities; with black students; and specifically directed at an apartheid government. If there were expectations – certainly on the side of government – that the transition to a democratic state would allay student activism, this was not the case. Instead, student activism – still manifested in a critical mass of black students – has not only intensified but has degenerated into disturbing displays of destruction and violence. The recent spate of student protests, which centred on matters of access, free education and decolonisation, and more recently, gender-based violence, has provoked defensive, and at times, antagonistic and discouraging responses from universities – placing students firmly in an opposing discourse. Seemingly, while the political climate has shifted, universities have yet to reconceptualise their institutional, academic and spatial environments into contexts conducive to open and mutual deliberation. Current impressions from university responses suggest that activism, as symbolised through student protests, is out of place in democratic spaces. In considering the relational positioning of universities to activism and, hence, to students, the interest of this article resides, firstly, in how notions of activism might be reimagined within democratic contexts and, secondly, in how universities might reposition themselves from being sites of activism, to being advocates of social, economic and ethical reform.

Raymond Chandler's Spatial Interrogations: Relocating the Detective-Frontiersman

This article examines Philip Marlowe, Raymond Chandler's archetypal private eye, within the context of contemporary historical discourses which theorised the figure of the ‘frontiersman’. It builds upon established scholarship that connects the frontiersman and detective as archetypes of white masculine American heroism, but argues that such criticism is insufficiently engaged with the frontier's spatial characteristics and their implications for the detective. Seeking to redress this, I claim that the detective's conceptual inheritance of the frontiersman's mantle is manifest most clearly in a shared approach to the navigation and ‘conquest’ of space. In closing, I offer the office as an exemplary space of post-frontier modernity.