Feminist Rereadings of Modern American Drama ed. by June Schlueter

1991 ◽  
Vol 25 (2) ◽  
pp. 202-204
Author(s):  
Sue-Ellen Case
Keyword(s):  
Author(s):  
Eileen J. Herrmann

Realism in American drama has proved its resiliency from its inception at the end of the nineteenth century to its transformation into modern theater in the twentieth century. This chapter delineates the evolution of American realistic drama from the influence of European theater and its adaptation by American artists such as James A. Herne and Rachel Crothers. Flexible enough to admit the expressionistic techniques crafted by Susan Glaspell and Eugene O’Neill and leading to the “subjective realism” of Tennessee Williams and Arthur Miller, realism has provided a wide foundation for subsequent playwrights such as David Mamet, August Wilson, and Sam Shepard to experiment with its form and language.


1950 ◽  
Vol 2 (4) ◽  
pp. 371
Author(s):  
Edwin Burr Pettet ◽  
Joseph Mersand
Keyword(s):  

Hispania ◽  
1952 ◽  
Vol 35 (3) ◽  
pp. 321
Author(s):  
Willis Knapp Jones

1996 ◽  
Vol 12 (48) ◽  
pp. 356-366
Author(s):  
Eugene van Erven

Playscript development programmes have been a significant breeding ground for new American drama since the mid'sixties, and in 1986 the Chicano playwright and director José Cruz González started a playwright development workshop specifically for the Latino community. Here, Eugene van Erven provides a bipolar view of the current Latino theatre scene in southern California by documenting the tenth anniversary session of González' Hispanic Playwrights Project at South Coast Rep, and at the same takes a wider look at grassroots community theatre initiatives in the Chicano neighbourhoods of Los Angeles. Eugene van Erven teaches in the American Studies programme at Utrecht University. Author of The Playful Revolution (Indiana University Press, 1992) and Radical People's Theatre (Indiana UP, 1988), he also designs and produces intercultural theatre projects.


Books Abroad ◽  
1973 ◽  
Vol 47 (1) ◽  
pp. 149
Author(s):  
Gizelle T. Beke ◽  
Morris Freedman

2020 ◽  
Vol 4 ◽  
pp. 218-224
Author(s):  
Oksana Blashkiv

The review article focuses on the problem of aging as reflected in American literature and culture. The author discusses a book by Anna Gaidash "Discourse of Aging in American Drama" (2019) in detail, stressing its interdisciplinary character.


2020 ◽  
Vol 6 (1) ◽  
pp. 53-56
Author(s):  
Haider ibrahim Khalil ◽  
Abdullah Mohd Nawi ◽  
Ansam Ali Flefil

This paper aims to study The Desire Under the Elms and The Emperor Jones as the pictures of conflict. The dramatist, O’Neill attempts to reveal the metaphorical expressions in the selected plays. These metaphorical expressions lead to the tragedy in modern American drama. The researchers use the qualitative method, the narrative analysis as the storytelling techniques. This study uses the conceptual metaphor theory by Lakoff and Johnson (1980-1988) to justify the metaphorical expressions in the plays of O'Neill to tackle the characters, the actions and plot in the plays mentioned above.  


2001 ◽  
Vol 35 (2) ◽  
pp. 331
Author(s):  
N. Graham Nesmith ◽  
Christine Rauchfuss Gray

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