Asian Art History in the Twenty-first Century (review)

2011 ◽  
Vol 18 (1) ◽  
pp. 46-50
Author(s):  
Patricia Karetzky
Keyword(s):  
Art History ◽  
First Century ◽  
Twenty First Century

Epilogue

2017 ◽  
Author(s):  
Dalia Judovitz
Keyword(s):  
Seventeenth Century ◽  
Art History ◽  
First Century ◽  
Conceptual Approach ◽  
Twenty First Century ◽  
Viewer Response ◽  
Artistic Legacy

The epilogue presents a reassessment of La Tour’s reception and pictorial impact in light of his unique and inexplicable disappearance from the annals of art history. His pictorial legacies to both the seventeenth century and to the twenty-first century are considered insofar as they provide a platform for engaging in broader reflections on the nature of vision, the visible, and viewer response. The importance and endurance of La Tour’s artistic legacy is summed up in terms of his conceptual approach which calls the very nature of painting into question.

scholarly journals LatinX studies: Variations and velocities

2019 ◽  
Vol 31 (1-2) ◽  
pp. 3-15
Author(s):  
Claudia Milian
Keyword(s):  
Cultural Studies ◽  
Cultural Production ◽  
Art History ◽  
Cultural Anthropology ◽  
First Century ◽  
Cultural Dynamics ◽  
Special Issue ◽  
The Core ◽  
Research Communities ◽  
Twenty First Century

At the core of this Cultural Dynamics special issue on “LatinX Studies: Variations and Velocities” are new conceptual approaches, epistemological workings, “keywords,” and modes of inquiry that enable us to theorize LatinX Studies and global LatinXness for the twenty-first century. Bringing together different research communities from art, art history, cultural anthropology, cultural studies, geography, history, journalism, and literature, this exploratory undertaking offers a working language on present-day LatinX preoccupations to seize what is happening contemporaneously in light of the field’s “X” and to disseminate it in a usable format like this journal. The volume’s contributors—Jill Anderson, Gloria Elizabeth Chacón, Nicholas De Genova, María DeGuzmán, Rene Galvan, Hilda Lloréns and Maritza Stanchich, Mark Overmyer-Velázquez, and Fredo Rivera—put forward new formulations and models for Latino/a Studies in considering LatinX geographies beyond the Americas; indigenous migrations and cultural production; Miami’s oceanic borderlands; environmental planetary problems and environmental knowledges; LatinX medical subjects; and deported exiles. The breadth of foci herein invites further problematization and dialogue with implications and relevance to other fields.

scholarly journals Nigerian women artists’ visibility in twenty-first century contemporary art practices: A triumph against exclusions from art groups and collectives in Nigeria

2021 ◽  
Vol 20 (1) ◽  
pp. 59-67
Author(s):  
Nkiruka Jane Nwafor
Keyword(s):  
Civil War ◽  
Contemporary Art ◽  
Women Artists ◽  
Art History ◽  
First Century ◽  
Nigerian Women ◽  
Post Colonial ◽  
Art Practices ◽  
The 1950S ◽  
Twenty First Century

Nigerian artists began forming art groups and schools from the 1950s and 1960s. These art groups advanced the reclaiming of Nigeria‟s artistic cultural heritages. However, even in the post-colonial and post-Civil War 1970s and 1980s many art groups and art institutions had few or no female members that participated in their activities. This essay reviews notable art groups in Nigeria from the earliest to the more recent. It also identifies the prominent women artists that had contributed to modern Nigerian art history. The essay also looks at the changes in the 1990s‟ and identifies contemporary art and its liberal and individualistic approaches as what caused decline in art groups in the twenty-first century. It will identify the women making impact in Nigeria‟s art scenario in the twenty-first century. The essay argues therefore that the liberalizing nature of twenty-first century contemporary art practices in Nigeria may have endeared more visibility to Nigerian women artists.

scholarly journals MEANDROS DE LA ESCRITURA

LOGOS ◽  
2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Ana Maria Guerrero Orozco
Keyword(s):  
Sixteenth Century ◽  
Art History ◽  
First Century ◽  
Scientific Interest ◽  
Twenty First Century ◽  
True Science

The scientific interest in studying the origin of write is not a new issue, ancient scholars like Herodotus, Platon, Homero, Diodorus, Plinio the Senior and Tacitus (Senner, 2001: 11-23) have referred the issue and it was not until the Renaissance in the sixteenth century began the process of scaffolding with methodological proposals that will give the bases to consolidate a true science of writing in the twentieth and twenty-first century. Paleography and epigraphy are new disciplines and with history, linguistics, philology, anthropology, archeology, literature, art history, among others, promoted studies and research on the evolution of the scriptures in the world.PALABRAS CLAVE: ESCRITURA, TEORÍA DE LA ESCRITURA, PALEOGRAFÍA Y EPIGRAFÍA.

Introduction: Egypt in the Garden

2019 ◽  
pp. 1-50
Author(s):  
Caitlín Eilís Barrett
Keyword(s):  
Critical Review ◽  
Art History ◽  
Cross Cultural ◽  
First Century ◽  
Research Project ◽  
Material Turn ◽  
Methodological Approaches ◽  
Twenty First Century ◽  
Interpretive Frameworks

This introductory chapter sets out an agenda for the larger research project; investigates problems of definition and interpretation; provides a critical review of past and current scholarship on Roman “Aegyptiaca”; and makes a case for new theoretical and methodological approaches that engage with current intellectual developments in the broader fields of archaeology and art history. It is argued that research on Roman Aegyptiaca can gain much from, and is poised to contribute substantially to (1) twenty-first-century archaeology’s “material turn”; (2) the construction of new interpretive frameworks for cross-cultural interactions; and (3) increased attention to the relationships between artifacts, contexts, and assemblages.

scholarly journals Dalla copia al falso al ‘secondo originale’ Percorsi di slittamento di senso e di significato tra materiale e virtuale

Venezia Arti ◽  
2021 ◽  
Author(s):  
Laura Lombardi
Keyword(s):  
Art History ◽  
First Century ◽  
Primary Sources ◽  
Artistic Practice ◽  
Mise En Scene ◽  
Twenty First Century ◽  
The Relationship

The article investigates the relationship between ‘copy’ and ‘fake’ and the ambiguous status of these definitions in the artistic practices of recent decades. Episodes narrated in art history primary sources are compared with twentieth and twenty-first-century episodes. Thus, one comes to the notion of fake in contemporaneity, which no longer has a negative meaning. On the contrary, it has become an acknowledged artistic practice, a means that reveals the mise-en-scène that each image represents by declaring itself as ‘true’. Also, the notion of a ‘second original’, obtained thanks to contemporary technologies, calls into question the Benjaminian notion of the artwork’s ‘aura’.

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