Calvinists wrote indefatigably, flooding early modern Europe with sermons and commentaries, theological treatises and works of polemic. But for some critics, early modern Calvinism has seemed fundamentally inimical to the production of literature in any form. These views have retreated in the face of recent work, which has highlighted—or, at any rate, acknowledged—the Calvinism of some significant authors. These efforts have been most sustained where the poetry of John Donne and George Herbert is concerned. The critical history of these two poets provides us with an excellent, if not altogether encouraging, case study in the search for a Calvinist poetic.