scholarly journals Sacred Land: Sherwood Anderson, Midwestern Modernism, and the Sacramental Vision of Nature by Mark Buechsel

2014 ◽  
Vol 1 (1) ◽  
pp. 114-117
Author(s):  
Sara Kosiba
1980 ◽  
Vol 27 (3) ◽  
pp. 237-238
Author(s):  
E. W. F. TOMLIN

2021 ◽  
Vol 50 (4) ◽  
pp. 30-33
Author(s):  
Scarlett Evans
Keyword(s):  

1908 ◽  
Vol 40 (3) ◽  
pp. 645-668
Author(s):  
Henry H. Howorth

When the various tribes of Mongols and Kalmuks were definitely converted to Lamaism in the sixteenth century it was not unnatural that the Lamaist monks, who formed their only literary class, should have tried to affiliate their famous heroes and their princely families to the old royal stock of Tibet, which had become for them a sacred land. Hence we find the two Mongol chronicles, one known as the “Altan Topchi” and the other generally quoted from the name of its author as Ssanang Setzen, and the Kalmuk legend derived by Pallas from the Tibetan work called the “Bodimer,” all concurring in a pedigree for the Mongol royal race which traces them first to the early Tibetan kings, and through them up to the alleged Indian ruler Olana Ergükdeksen, and through him again up to Sakiamuni Buddha himself. This pedigree was probably the invention of the author of the “Altan Topchi.”


2021 ◽  
Vol 9 (1) ◽  
pp. 62-92
Author(s):  
Lisa Asedillo

This article explores writing and scholarship on the theology of struggle developed by Protestants and Catholics in the Philippines during the 1970s-90s. Its focus is on popular writing—including pamphlets, liturgical resources, newsletters, magazines, newspaper articles, conference briefings, songs, popular education and workshop modules, and recorded talks—as well as scholarly arguments that articulate the biblical, theological, and ethical components of the theology of struggle as understood by Christians who were immersed in Philippine people’s movements for sovereignty and democracy. These materials were produced by Christians who were directly involved in the everyday struggles of the poor. At the same time, the theology of struggle also projects a “sacramental” vision and collective commitment towards a new social order where the suffering of the masses is met with eschatological, proleptic justice—the new heaven and the new earth, where old things have passed away and the new creation has come. It is within the struggle against those who deal unjustly that spirituality becomes a “sacrament”—a point and a place in time where God is encountered and where God’s redeeming love and grace for the world is experienced.


Text Matters ◽  
2016 ◽  
pp. 96-113
Author(s):  
Neil Forsyth

The opening story in Winesburg, Ohio (1919) by Sherwood Anderson is called simply “Hands.” It is about a teacher’s remarkable hands that sometimes seem to move independently of his will. This essay explores some of the relevant contexts and potential links, beginning with other representations of teachers’ hands, such as Caravaggio’s St. Matthew and the Angel, early efforts to establish a sign-language for the deaf, and including the Montessori method of teaching children to read and write by tracing the shape of letters with their hands on rough emery paper. The essay then explores filmic hands that betray or work independently of conscious intentions, from Dr Strangelove, Mad Love, to The Beast With Five Fingers. Discussion of the medical literature about the “double” of our hands in the brain, including “phantom hands,” leads on to a series of images that register Rodin’s lifelong fascination with sculpting separate hands.


1924 ◽  
Vol 13 (8) ◽  
pp. 531
Author(s):  
Robert Morss Lovett
Keyword(s):  

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