Digital Humanities in Latin America ed. by Fernández L'Hoeste, Héctor, and Juan Carlos Rodríguez

2021 ◽  
Vol 55 (2) ◽  
pp. 471-474
Author(s):  
Élika Ortega
Author(s):  
Héctor Fernández L’Hoeste ◽  
Juan Carlos Rodríguez

This introductory chapter provides a general context for this collection, starting with the anecdotal inception of the project. It provides a list of some of the important titles in the field of digital humanities that figure prominently as academic predecessors and ponders on the consequences and implications of the digital turn in the humanities for the study of Latinx and Latin American culture. In response to the cultural hegemony of Anglocentric circles in the digital humanities, it provides ample evidence of the development and existence of the field in Latin America. Finally, it provides a brief overview of the four sections into which the book is divided: digital nations, transnational networks, digital aesthetics and practices, and interviews with Latin American DH scholars.


Digital Humanities in Latin America performs a number of tasks: a re-definition of the nations’ symbolic territories, which implies their exploration as digital contexts, experiments, media products, or even as uneven battlefields; a re-examination of the role of transnational networks in the configuration of new identities and/or communities, as exemplified by the cases of the Andean, Latin, and Afro-Latin networks discussed in this book; and a highlighting of the importance of cases that complexify the interaction between national territories and transnational flows through the remixing of aesthetic and political codes. Cognizant of the risks implicit in hegemonic agency, its object is to serve as a vehicle of communication between the Latin American digital humanities and the English-speaking circles of this field in the US and the UK, while at the same time documenting the existence and viability of pertinent academic initiatives south of the border.


Author(s):  
Héctor Fernández L’Hoeste ◽  
Juan Carlos Rodríguez

Isabel Galina is a researcher at the Instituto de Investigaciones Bibliográficas, a research institute for bibliographic studies at the National Autonomous University of Mexico, UNAM. The university is also home to the Biblioteca Nacional, Mexico’s national library. Isabel Galina discusses the emergence of digital humanities and her views on how DH works within this particular structure and related issues to do with understanding national bibliographical collections in the digital age, in particular regarding e-legal deposit and digital preservation. She discusses the difficulties in identifying, selecting, and incorporating born-digital materials. In the interview, Isabel Galina also describes how she got involved in DH, the creation of the Red de Humanidades Digitales (RedHD), and other DH developments in Mexico and Latin America. Finally, the conversation examines university and government support for DH as well as a look at DH works in Mexico in collaboration with other countries, and in particular hosting the international Digital Humanities conference in Mexico City in 2018.


2014 ◽  
Vol 38 (01) ◽  
pp. 102-129
Author(s):  
ALBERTO MARTÍN ÁLVAREZ ◽  
EUDALD CORTINA ORERO

AbstractUsing interviews with former militants and previously unpublished documents, this article traces the genesis and internal dynamics of the Ejército Revolucionario del Pueblo (People's Revolutionary Army, ERP) in El Salvador during the early years of its existence (1970–6). This period was marked by the inability of the ERP to maintain internal coherence or any consensus on revolutionary strategy, which led to a series of splits and internal fights over control of the organisation. The evidence marshalled in this case study sheds new light on the origins of the armed Salvadorean Left and thus contributes to a wider understanding of the processes of formation and internal dynamics of armed left-wing groups that emerged from the 1960s onwards in Latin America.


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