scholarly journals Segregation of the Free People of Color and the Construction of Race in Antebellum New Orleans

2008 ◽  
Vol 48 (1) ◽  
pp. 19-37 ◽  
Author(s):  
Amy R. Sumpter
Author(s):  
Jason Berry

In the 1790s, as planters sold off land for faubourgs, or neighborhoods, New Orleans branched out. One such neighborhood was founded by Claude Tremé. Antonio de Sedella clashed with the vicar Rev. Patrick Walsh and his replacement Rev. John Olivier. Sedella became the elected pastor of St. Louis Cathedral, leading the one institution where people voluntarily gathered across the color line. Governor William C.C. Claiborne, a lawyer-turned-politician, governed a divided city. Conflicts arose between the French and American cultures, the black militia and white elite, and between Claiborne himself and his opponents. Faced with an influx of Haitian refugees, including whites, free people of color, and slaves, Claiborne faced the challenge of providing for the refugees deemed free while establishing the status of those the refugees considered as slaves. Many refugees who were legally free in Haiti became slaves in New Orleans. A slave revolt, with an estimated 500 rebels, broke out in 1811. Claiborne sent the local militia to put down the insurrection. Close to 100 of the rebels were killed. Advocates for statehood argued that Louisiana should join the U.S., and by admitting Louisiana in 1812, the U.S. cemented itself to a slave economy.


Author(s):  
Cécile Vidal

This chapter traces the emergence of a sense of place among French New Orleans residents of all conditions through the analysis of the uses of ethnic and national categories. It demonstrates that the French Regime did not witness the birth of a single “Creole” identity that united all historical actors across racial boundaries. Racial formation prevented the development of a shared relationship to the city between settlers, slaves, and free people of color. Nevertheless, after the succession of two generations by the end of the 1760s, as the elite fought to keep the colony within the French Empire during the 1768 revolt, New Orleans emerged as a distinctive place in relation to both the metropole and Saint-Domingue.


2021 ◽  
Vol 71 (1) ◽  
pp. 41-60
Author(s):  
Juliane Braun

Scholars who have studied the contested meaning of “creole” in Louisiana have typically maintained that the “Creole myth,” that is the strategic redefinition of the term “creole” to refer to the white descendants of Louisiana’s original French and Spanish settlers, emerged during or shortly after the Civil War. Drawing on a newspaper article and two case studies related to the New Orleans theatre, this essay proposes a new periodization for the emergence of the “Creole myth” and a re-evaluation of the cultural and political work it was doing. I want to suggest that conceiving of the Creole myth as an antebellum phenomenon (rather than examining it in the context of the postbellum era) allows us to see that its creation was not just motivated by French Louisianian concerns about cultural integrity and ethnic survival but also by this population’s anxiety about race and the status and mobility of free people of color. As a rhetorical tool that gained traction in the 1830s, the strategic redefinition of “creole” to exclude all people of African descent operated in tandem with other attempts to curtail the rights of free people of color, preventing their social, economic, and political ascent during the antebellum period. Ceux qui ont étudié le sens contesté du terme « créole » en Louisiane ont typiquement maintenu que le « mythe créole », c’est-à-dire, la redéfinition stratégique du terme « créole » à ne comprendre que les descendants blancs des colons d’origine française ou espagnole est apparu pendant ou peu après la guerre de Sécession. S’appuyant sur un article de journal et sur deux études de cas du théâtre à la Nouvelle-Orléans, cet article propose une nouvelle périodisation de l’émergence du « mythe créole » ainsi qu’une réévaluation du travail politique et culturelle qu’il exerçait. Je veux suggérer qu’en concevant le mythe créole comme phénomène d’avant la guerre de Sécession (plutôt que de l’examiner dans le contexte de l’après-guerre), nous comprenons que sa création a été motivé non seulement par des préoccupations d’intégrité culturelle et de survie ethnique de la part des Franco-louisianais, mais aussi par leur anxiété raciale par rapport à la mobilité des gens de couleur libres. Comme outil rhétorique qui a gagné du terrain dans les années 1830, la redéfinition stratégique de « créole » afin d’exclure tous ceux d’ascendance africaine fonctionnait en combinaison avec d’autres tentatives à restreindre les droits des gens de couleur libres, empêchant leur ascension sociale, économique et politique pendant l’ère d’avant la guerre de Sécession.


Author(s):  
Sally McKee

This chapter discusses how the free people of color in New Orleans pointed to Edmond Dede as an example of what African Americans could achieve if given opportunities like the ones he found in France. To his death, Creoles of color thought Dede was so unusually accomplished for an American black man that they elevated what little they knew about his life in France to the level of drama. Problems for the historian start with the realization that although the reports about his life were certainly exaggerated by his friends and admirers, some of the enhancements came from Dede himself. For those who seek to understand his opportunities and choices within their historical context, the process of separating fact from wishful thinking awakens a sympathy for the man who risked all and mustered the resources to act on his dreams.


2011 ◽  
Vol 29 (4) ◽  
pp. 1061-1087 ◽  
Author(s):  
Rebecca J. Scott

In the summer of 1809 a flotilla of boats arrived in New Orleans carrying more than 9,000 Saint-Domingue refugees recently expelled from the Spanish colony of Cuba. These migrants nearly doubled the population of New Orleans, renewing its Francophone character and populating the neighborhoods of the Vieux Carré and Faubourg Marigny. At the heart of the story of their disembarkation, however, is a legal puzzle. Historians generally tell us that the arriving refugees numbered 2,731 whites, 3,102 free people of color, and 3,226 slaves. But slavery had been abolished in Saint-Domingue by decree in 1793, and abolition had been ratified by the French National Convention in 1794. In what sense and by what right, then, were thousands of men, women, and children once again to be held to be “slaves”?


Social Forces ◽  
2021 ◽  
Author(s):  
Martin Ruef

Abstract Social demographers and historians have devoted extensive research to patterns of racial segregation that emerged under Jim Crow and during the post-Civil Rights era but have paid less attention to the role of slavery in shaping the residential distribution of Black populations in the United States. One guiding assumption has been that slavery rendered racial segregation to be both unnecessary and impractical. In this study, I argue that apart from the master–slave relationship, slavery relentlessly produced racial segregation during the antebellum period through the residential isolation of slaves and free people of color. To explain this pattern, I draw on racial threat theory to test hypotheses regarding interracial economic competition and fear of slave mobilization using data from the 1850 Census, as well as an architectural survey of antebellum sites. Findings suggest that the residential segregation of free people of color increased with their local prevalence, whereas the segregation of slaves increased with the prevalence of the slave population. These patterns continue to hold after controlling for interracial competition over land or jobs and past slave rebellions or conspiracies.


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