Chapter 8. Literary Renaissance in Sixteenth-Century Antwerp?

Author(s):  
Herman Pleij
Author(s):  
Neil Rhodes

This book attempts to see the development of literary culture in sixteenth-century England as a whole and to explain the relationship between the Reformation and the literary renaissance of the Elizabethan period. Its central theme is ‘the common’ in its double sense of something shared and something base, and it argues that making common the work of God is at the heart of the English Reformation, just as making common the literature of antiquity and of early modern Europe is at the heart of the English Renaissance. The book addresses the central question of why the Renaissance in England arrived so late in terms of the relationship between humanism and Protestantism and the tensions between democracy and the imagination which persist throughout the century. The first part of the book establishes a social dimension for literary culture in the period by exploring the associations of ‘commonwealth’ and related terms. It then addresses the role of Greek in the period before and during the Reformation in disturbing the old binary of elite Latin and common English. It argues that the Reformation principle of making common is coupled with a hostility towards fiction, which has the effect of closing down the humanist renaissance of the earlier decades. The final part of the book discusses the Elizabethan literary renaissance and deals in turn with poetry, short prose fiction, and the drama written for the common stage. In between, the middle part of the book presents translation as the link between Reformation and Renaissance.


Itinerario ◽  
2000 ◽  
Vol 24 (2) ◽  
pp. 62-79
Author(s):  
W.J. Boot

In the pre-modern period, Japanese identity was articulated in contrast with China. It was, however, articulated in reference to criteria that were commonly accepted in the whole East-Asian cultural sphere; criteria, therefore, that were Chinese in origin.One of the fields in which Japan's conception of a Japanese identity was enacted was that of foreign relations, i.e. of Japan's relations with China, the various kingdoms in Korea, and from the second half of the sixteenth century onwards, with the Portuguese, Spaniards, Dutchmen, and the Kingdom of the Ryūkū.


2009 ◽  
Vol 29 (2) ◽  
pp. 5-19
Author(s):  
Donald Beecher

This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his community. The article deals with the complex relationship between the court and the Jewish "università" concerning the drama and the way in which dramatic performances also became part of the political, judicial and social negotiations between the two parties, as well as a study of Leone's role as playwright and negotiator during a period that was arguably one of the best of times for the Jews of Mantua.


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