TWELVE. Becoming Disabled / Becoming Black: Crippin’ Critical Ethnic Studies from the Periphery

2020 ◽  
pp. 229-251
2018 ◽  
Vol 41 (13) ◽  
pp. 2344-2346
Author(s):  
Natascha Adama

Social Text ◽  
2021 ◽  
Vol 39 (1) ◽  
pp. 1-19
Author(s):  
Nathan Snaza ◽  
Julietta Singh

Abstract This introduction to the special issue “Educational Undergrowth” proposes an ecological view of educational institutions and practices, one that foregrounds the porosity of borders so that entities and institutions that can sometimes seem distinct are thought of as always entangled. The editors elaborate this ecological view by drawing on theories of coloniality, especially the work of Sylvia Wynter (and her human/Man distinction) and Stefano Harney and Fred Moten (in The Undercommons). In this framing, the university appears as a specific, but not isolated, part of a colonial ecology structured around producing Man. This allows both for critical accounts of how coloniality shapes institutions such as schools and universities, always in relation to many other institutions and sites, and for speculative experiments in queer, decolonial, abolitionist education. The introduction intervenes in contemporary leftist debates about the university in particular and education more generally by offering a way of attuning to critical, abolitionist, and decolonial projects as specific but intraactive outgrowths of the colonial ecology and myriad disruptive projects (happening both in and outside of institutionalized schools). On the one hand, educational undergrowth accounts for how resources circulate unevenly in the colonial ecology so that the “growth” of some people, institutions, and projects is possible only because others are deprived, defunded, and disinvited. On the other hand, it draws on affect theory, new materialisms, and work in decolonial and critical ethnic studies to valorize otherwise marginal, bewildering, errant educational encounters that are always taking place in the undergrowth of the university.


2016 ◽  
Author(s):  
Critical Ethnic Studies Editorial Collective

Author(s):  
Winona Landis

This chapter explores the use of comics as pedagogical tools in interdisciplinary courses such as Gender Studies and Ethnic Studies. Specifically, the chapter investigates the ways in which the superhero comic Ms. Marvel is an important example of feminist and anti-racist pedagogy for these courses. By framing the textual analysis of the comic through gender and critical race theorists such as Sara Ahmed and Shireen Roshanravan, the chapter demonstrates the ways in which Kamala Khan, the protagonist, grapples with villains and difficulties that reflect the societal issues of sexism, racism, and Islamophobia. Kamala Khan’s battle against injustice resonates with many readers’ everyday experiences, and disrupts both genre-based and hegemonic structures of oppression and heroism. By teaching Ms. Marvel through the lens of gender studies and critical ethnic studies, this text enables students to gain a new perspective on race, justice, and “terror,” which allows them to be more just, empathetic learners.


2016 ◽  
Author(s):  
Critical Ethnic Studies Editorial C Critical Ethnic Studies Editorial C

2019 ◽  
Vol 22 (3) ◽  
pp. 372-375
Author(s):  
Umit Cetin

2017 ◽  
Vol 3 (1) ◽  
pp. 108 ◽  
Author(s):  
Rebecca Schneider ◽  
Lucia Ruprecht

The following conversation aims to trace the role of gesture and gestural thinking in Rebecca Schneider�s work, and to tease out the specific gestural ethics which arises in her writings. In particular, Schneider thinks about the politics of citation and reiteration for an ethics of call and response that emerges in the gesture of the hail. Both predicated upon a fundamentally ethical relationality and susceptible to ideological investment, the hail epitomises the operations of the �both/and��a logic of conjunction that structures and punctuates the history of thinking on gesture from the classic Brechtian tactic in which performance both replays and counters conditions of subjugation to Alexander Weheliye�s reclamation of this tactic for black and critical ethnic studies. The gesture of the hail will lead us, then, to the gesture of protest in the Black Lives Matter movement. The hands that are held up in the air both replay (and respond to) the standard pose of surrender in the face of police authority and call for a future that might be different. Schneider�s ethics of response-ability thus rethinks relationality as something that always already anticipates and perpetually reinaugurates possibilities for response.


2019 ◽  
Vol 12 (3) ◽  
pp. 397-415
Author(s):  
Mia Fischer

AbstractThis article analyzes two recent works by transgender performance artist Cassils, PISSED and Fountain (2017), which were created in response to the Trump administration's decision to rescind federal protections allowing transgender students to use the restroom of their choice. While Cassils primarily conceptualized PISSED/Fountain as a queering of binary, essentialist understandings of gendered embodiment, I draw on performance, queer, and critical ethnic studies to illustrate that these pieces simultaneously challenge other kinds of oppositional embodiments, particularly health versus disease and citizen versus alien and/or terrorist; conceptualizations the state frequently deploys to surveil and control marginalized populations. PISSED/Fountain offer audiences a new strategy for both exposing and contesting state violence: these pieces can be read as a politically strategic disidentification with the state's classification of certain bodies and their excretions as ``deviant'' and ``toxic'' in order to purposefully ``terrorize'' the state's bio- and necropolitical aims.


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