2. Author(iz)ing the Celebrity: Engendering Alternative Identities

2008 ◽  
Vol 39 (5) ◽  
pp. 464-488
Author(s):  
Robert Q. Berry

This article is about 8 African American middle school boys who have experienced success in mathematics. Working within a phenomenological methodological framework, the researcher investigated the limitations these students encounter and the compensating factors they experience. Critical race theory was the theoretical framework for this study; counter-storytelling was utilized to capture the boys' experiences, which is in stark contrast to the dominant literature concerning African American males and mathematics. Five themes emerged from the data: (a) early educational experiences, (b) recognition of abilities and how it was achieved, (c) support systems, (d) positive mathematical and academic identity, and (e) alternative identities.


2011 ◽  
pp. 1434-1459
Author(s):  
Karen Schrier ◽  
Charles K. Kinzer

Teacher education that emphasizes the understanding and assessment of ethics can support the creation of an ethically aware and critically engaged citizenship. But how do we develop teachers who are reflective and critical thinkers of ethics? One potential solution is to incorporate digital games and simulations into teacher education curricula. Game worlds might be suitable playgrounds for ethical thinking because they can encourage experimentation with alternative identities, possibilities, and perspectives, and can support a learning sciences framework where: 1) cognition is situated, 2) cognition is social, and 3) cognition is distributed. In fact, games themselves, like all media, reflect designed values systems that should be considered and analyzed. Using case studies of current commercial and more explicitly educational digital games, we create a set of recommendations for creating future games and simulations that teach ethics to educators.


2020 ◽  
Vol 2 (1) ◽  
pp. 56-82
Author(s):  
Anthony Keith ◽  
Crystal Leigh Endsley

This article traces the development of Blackout Poetic Transcription (BPT) as a critical methodology for artist-scholars engaged with Hip Hop pedagogy in higher education spaces.  We include Keith’s outline of the BPT method and Endsly’s first hand account of implementing the practice in an undergraduate classroom. Together, the authors grapple with mainstream and alternative identities within their Hip Hop praxis as spoken word artists and educators.


2019 ◽  
Vol 8 (2) ◽  
pp. 147-169
Author(s):  
Sarah Gilligan ◽  
Jacky Collins

This article combines an analysis of the fabrics, surfaces and styles chosen to dress Pedro Almodóvar’s male characters with an exploration of how those codes might be read with respect to the specific and significant shifting historical contexts of 1980s and 1990s Spanish society. Through focusing our interdisciplinary analysis upon Labyrinth of Passions (Almodóvar, 1982) and The Flower of My Secret (Almodóvar, 1995), we will identify the multifarious ways in which the male subject mirrors societal and cultural trends in a rapidly changing Spain during the years following the country’s emergence from isolation after the Franco years, its subsequent return to democracy and the emergence of a high-living, fashionable cosmopolitanism. In examining the tensions that emerge between pairings of key male figures in the Spanish director’s work, we will pay particular attention to their costuming as central to the construction and performance of masculine identities. We will argue that in the films under examination, a series of binary oppositions are offered in which the suited male (whether a doctor or a military general) is self-consciously contrasted with representations that connote shifting bohemian, subcultural (or ‘alternative’) identities that destabilize and reconfigure the construction and performance of masculine identities and their more ‘traditional’ counterparts.


Author(s):  
Signe Hedeboe Frederiksen ◽  
Karin Berglund

Entrepreneurship education (EE) theory and practice show increasing interest in the concept of identity work as integral to entrepreneurial learning. EE offers various approaches to guiding students towards entrepreneurial identities, but critics note that these meet neoliberal manifestations of the entrepreneurial self, leaving little room for alternative identities to be cultivated in EE. Concerned with this critique, we aim to contribute to the EE literature through a detailed investigation of the identity work practices enacted in a case of EE, which explicitly seeks to facilitate the entrepreneurial identity construction of students. Through an in-depth analysis of teacher–student interactions, we identify three practices: setting new rules to activate the entrepreneurial self, playing by the rules by figuring the script and bending the rules protecting the self. Our analysis highlights the significance of resistance and notions of authenticity, which leads us to rethink the meaning and conditions of entrepreneurial identity work in EE.


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