scholarly journals War in Iraq: A Timeline

2020 ◽  
pp. xv-xvi
Keyword(s):  
2006 ◽  
Author(s):  
Ibrahim A. Kira ◽  
Linda Lewandowski ◽  
Thom Templin ◽  
Hammad Adnan ◽  
Jamal Mohanesh

2004 ◽  
Vol 19 (1) ◽  
Author(s):  
Donatella della Porta ◽  
Mario Diani
Keyword(s):  

Author(s):  
Scott Wallsten ◽  
Katrina Kosec
Keyword(s):  

Author(s):  
Haytham Bahoora

This chapter examines the development of the novel in Iraq. It first considers the beginnings of prose narrative in Iraq, using the intermingling of the short story and the novel, particularly in the first half of the twentieth century, as a framework for reassessing the formal qualities of the Arabic novel. It then turns to romantic and historical novels published in the 1920s, as well as novels dealing with social issues like poverty and the condition of peasants in the countryside. It discusses the narrative emergence of the bourgeois intellectual’s self-awareness and interiority in Iraqi fiction, especially the novella; works that continued the expression of a critical social realism in the Iraqi novelistic tradition and the appearance of modernist aesthetics; and narratives that addressed dictatorship and war in Iraq. The chapter concludes with an overview of the novel genre in Iraq after 2003.


2009 ◽  
Vol 35 (4) ◽  
pp. 817-833 ◽  
Author(s):  
LIAM KENNEDY

AbstractThis article focuses on the production and dissemination of photographic images by serving US soldiers in Iraq who are photographing their experiences and posting them on the Internet. This form of visual communication – in real time and communal – is new in the representation of warfare; in earlier wars soldiers took photographs, but these were not immediately shared in the way websites can disseminate images globally. This digital generation of soldiers exist in a new relationship to their experience of war; they are now potential witnesses and sources within the documentation of events, not just the imaged actors – a blurring of roles that reflects the correlations of revolutions in military and media affairs. This photography documents the everyday experiences of the soldiers and its historical significance may reside less in the controversial or revelatory images but in more mundane documentation of the environments, activities and feelings of American soldiery at war.


2019 ◽  
pp. 177-190
Author(s):  
Joseph M. Siracusa ◽  
Laurens J. Visser
Keyword(s):  

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