Amy Ashwood Garvey and the Political Aesthetics of Diasporic Social Spaces in London

2014 ◽  
Author(s):  
Nydia A. Swaby
Author(s):  
Robert B. Talisse

Democracy is an extremely important social political good. Nonetheless, there is such a thing as having too much of a good thing. When we overdo democracy, we allow the categories, allegiances, and struggles of politics to overwhelm our social lives. This has the effect of undermining and crowding out many of the most important correlated social goods that democracy is meant to deliver. What’s more, in overdoing democracy, we spoil certain social goods that democracy needs in order to flourish. Thus overdoing democracy is democracy’s undoing. A thriving democracy needs citizens to reserve space in their shared social lives for collective activities and cooperative projects that are not structured by political allegiances; they must work together in social contexts where political affiliations and party loyalties are not merely suppressed, but utterly beside the point. Combining conceptual analyses of democratic legitimacy and responsible citizenship with empirical results regarding the political infiltration of social spaces and citizens’ vulnerabilities to polarization, this book provides a diagnosis of current democratic ills and a novel prescription for addressing them. Arguing that overdoing democracy is the result of certain tendencies internal to the democratic ideal itself, the book demonstrates that even in a democracy, politics must be put in its place.


2013 ◽  
Vol 18 (3) ◽  
pp. 130-146 ◽  
Author(s):  
Cath Lambert

This article examines the political possibilities for an aesthetic disruption of urban space and time. Locating the discussion within debates about the neoliberal city, selected art-works from Fierce live art festival in Birmingham, England are used in order to examine how, in a specific and localised context, normative spatial patterns and temporal rhythms can be challenged and subverted. The analysis draws on, and contributes to, a sociological account of the centrality of aesthetics to political and social organisation.


2019 ◽  
pp. 184-205
Author(s):  
Catherine Lutz

This chapter explores the representational power of maps and the violence inherent in removing volume with two-dimensional ‘objectivity’. The focus is on maps, norms and militarist institutions in Guam, foregrounding underexplored aesthetic dimensions in reports on the environmental impact of the US presence. The impact of overseas US bases is striking, a global archipelago of military infrastructure that impacts on ‘strategic and disposable’ island populations. This chapter recognizes the layers of security available even in ‘transparent’ maps.


2019 ◽  
pp. 71-94
Author(s):  
Robert B. Talisse

This chapter begins to develop the book’s diagnostic argument. Overdoing democracy is partly the result of a widespread social phenomenon identified as the political saturation of social space. Politics has permeated our lives enough to guide where we shop, what we wear, even what we drink (Starbucks latte versus Dunkin’ Donuts coffee). Our social spaces are increasingly sorted and segregated according to our political allegiances, while our political allegiances are increasingly constitutive of our broader social identities. The result is that we are more than ever enacting democratic citizenship, but almost always under conditions that are themselves politically homogeneous. Until citizens are open to each other’s arguments, we cannot plausibly see democratic political rule as consistent with each citizens’ status as an equal, and thus more than merely the tyranny of the majority.


2019 ◽  
Vol 13 (1) ◽  
pp. 3-7
Author(s):  
Marco Pinfari ◽  
Giorgia Aiello ◽  
Katrin Voltmer

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