scholarly journals 8. Codifying the Genre of Early Modern Guidebooks: Oskar Pollak, Ludwig Schudt and the Creation of Le Guide di Roma (1930)

2019 ◽  
pp. 313-338
Keyword(s):  
2020 ◽  
Vol 54 (1-3) ◽  
pp. 72-98
Author(s):  
Nikolaos Chrissidis

Abstract The article first surveys Greek interpretations of the creation of the Russian Holy Synod by Peter the Great. It provides a critical assessment of the historiographical paradigm offered by N.F. Kapterev for the analysis of Greek-Russian relations in the early modern period. Finally, it proposes that scholars should focus on a Greek history of Greek-Russian relations as a complement and possibly corrective to the Kapterev paradigm.


1998 ◽  
Vol 29 (1) ◽  
pp. 187
Author(s):  
Thomas Kuehn ◽  
Giovanna Benadusi
Keyword(s):  

1997 ◽  
Vol 28 (2) ◽  
pp. 284
Author(s):  
R. Burr Litchfield ◽  
Giovanna Benadusi
Keyword(s):  

2021 ◽  
Vol 6 (3) ◽  
pp. 343-368
Author(s):  
Johan Heinsen

Abstract In Scandinavia, a penal institution known as “slavery” existed from the sixteenth to the nineteenth centuries. Penal slaves laboured in the creation and maintenance of military infrastructure. They were chained and often stigmatized, sometimes by branding. Their punishment was likened and, on a few occasions, linked to Atlantic slavery. Still, in reality, it was a wholly distinct form of enslavement that produced different experiences of coercion than those of the Atlantic. Such forms of penal slavery sit uneasily in historiographies of punishment but also offers a challenge for the dominant models of global labour history and its attempts to create comparative frameworks for coerced labour. This article argues for the need for contextual approaches to what such coercion meant to both coercers and coerced. Therefore, it offers an analysis of the meaning of early modern penal slavery based on an exceptional set of sources from 1723. In these sources, the status of the punished was negotiated and practiced by guards and slaves themselves. Court appearances by slaves were usually brief—typically revolving around escapes as authorities attempted to identify security breaches. The documents explored in this article are different: They present multiple voices speaking at length, negotiating their very status as voices. From that negotiation and its failures emerge a set of practiced meanings of penal “slavery” in eighteenth-century Copenhagen tied to competing yet intertwined notions of dishonour.


Author(s):  
Susanna Berger

This chapter studies how early modern thinkers understood the connection between the generation of art and the generation of philosophical understanding. It argues that in this period, the generation of mental representations was understood through practices of artistic production, and that the notion of generation itself was central to philosophy. The first section explores descriptions of cognition that compare thinking to the creation of artistic works. It discusses the accounts of a broad range of artists and scholars, including Dürer and Willibald Pirckheimer (1470–1530), Bosse and Girard Desargues (1591–1661), Descartes, and others to show how constant the association between artistic generation and mental generation was in this period. The second section examines the celebrated frontispiece to the Leviathan that Bosse created in collaboration with Hobbes. It argues that previous accounts of the frontispiece have failed to capture the full complexity of this etching. It offers a new account of this famous image — one that emphasizes the process of the state's generation.


2020 ◽  
Author(s):  
Anastasia Stouraiti

Abstract This article uses the strange and marvellous as a heuristic device to study the relationship between emotions, media and politics in early modern Venice. In particular, it examines how printed news about the marvels of the Levant mediated Venice’s encounters with its colonial subjects and imperial rivals, and analyses the role of wonder and imagination in the creation of an imperial community of feelings. The article argues that a focus on the affective politics of the marvellous can shed new light on the emotional dimensions of the early modern Venetian public sphere and its links with war and empire-building.


Author(s):  
Matthew Lockwood

The Conquest of Death considers the concepts of violence and state power far more broadly and holistically than previous accounts of state growth by intertwining the national and the local, the formal and the informal to illustrate how the management of incidental acts of violence and justice was as important to the monopolization of violence as the creation of the machinery of warfare. It reveals how the creation and operation of everyday bureaucracy built systems of power far exceeding its original intent and allowed a greater centralized surveillance of daily life than ever before. In sum, this book forces us to think about state formation not in terms of the broad strokes of legislative policy and international competition, but rather as a process built by multiple tiny actions, interactions and encroachments which fundamentally redefined the nature of the state and the relationship between government and governed. The Conquest of Death thus provides a new approach to the history of state formation, the history of criminal justice and the history of violence in early modern England. By locating the creation of an effective, permanent monopoly of violence in England in the second-half of the sixteenth century, this book also provides a new chronology of the divide between medieval and modern while divorcing the history of state growth from a linear history of centralization.


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