4. International at the Creation: Early Modern American History

2020 ◽  
Vol 54 (1-3) ◽  
pp. 72-98
Author(s):  
Nikolaos Chrissidis

Abstract The article first surveys Greek interpretations of the creation of the Russian Holy Synod by Peter the Great. It provides a critical assessment of the historiographical paradigm offered by N.F. Kapterev for the analysis of Greek-Russian relations in the early modern period. Finally, it proposes that scholars should focus on a Greek history of Greek-Russian relations as a complement and possibly corrective to the Kapterev paradigm.


1998 ◽  
Vol 29 (1) ◽  
pp. 187
Author(s):  
Thomas Kuehn ◽  
Giovanna Benadusi
Keyword(s):  

1997 ◽  
Vol 28 (2) ◽  
pp. 284
Author(s):  
R. Burr Litchfield ◽  
Giovanna Benadusi
Keyword(s):  

2021 ◽  
Vol 6 (3) ◽  
pp. 343-368
Author(s):  
Johan Heinsen

Abstract In Scandinavia, a penal institution known as “slavery” existed from the sixteenth to the nineteenth centuries. Penal slaves laboured in the creation and maintenance of military infrastructure. They were chained and often stigmatized, sometimes by branding. Their punishment was likened and, on a few occasions, linked to Atlantic slavery. Still, in reality, it was a wholly distinct form of enslavement that produced different experiences of coercion than those of the Atlantic. Such forms of penal slavery sit uneasily in historiographies of punishment but also offers a challenge for the dominant models of global labour history and its attempts to create comparative frameworks for coerced labour. This article argues for the need for contextual approaches to what such coercion meant to both coercers and coerced. Therefore, it offers an analysis of the meaning of early modern penal slavery based on an exceptional set of sources from 1723. In these sources, the status of the punished was negotiated and practiced by guards and slaves themselves. Court appearances by slaves were usually brief—typically revolving around escapes as authorities attempted to identify security breaches. The documents explored in this article are different: They present multiple voices speaking at length, negotiating their very status as voices. From that negotiation and its failures emerge a set of practiced meanings of penal “slavery” in eighteenth-century Copenhagen tied to competing yet intertwined notions of dishonour.


Author(s):  
Kenneth Prewitt

This chapter demonstrates how assumptions of racial superiority and inferiority tightly bound together statistical races, social science, and public policy. The starting point of this is constitutional language. The U.S. Constitution required a census of the white, the black, and the red races. Without this statistical compromise there would not have been a United States as it is today. In the early censuses slaves were counted as three-fifths of a person, a ratio demanded by slaveholder interests as the price of joining the Union. A deep policy disagreement at the moment of founding the nation was resolved in the creation of a statistical race. Later in American history the reverse frequently occurred. Specific policies—affirmative action, for example—took the shape they did because the statistical races were already at hand.


Author(s):  
Susanna Berger

This chapter studies how early modern thinkers understood the connection between the generation of art and the generation of philosophical understanding. It argues that in this period, the generation of mental representations was understood through practices of artistic production, and that the notion of generation itself was central to philosophy. The first section explores descriptions of cognition that compare thinking to the creation of artistic works. It discusses the accounts of a broad range of artists and scholars, including Dürer and Willibald Pirckheimer (1470–1530), Bosse and Girard Desargues (1591–1661), Descartes, and others to show how constant the association between artistic generation and mental generation was in this period. The second section examines the celebrated frontispiece to the Leviathan that Bosse created in collaboration with Hobbes. It argues that previous accounts of the frontispiece have failed to capture the full complexity of this etching. It offers a new account of this famous image — one that emphasizes the process of the state's generation.


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