10. The Impact of Alternative Exhibition Spaces on European Modern Art before World War I

2021 ◽  
pp. 273-294
Author(s):  
Nirmalie Alexandra Mulloli
Keyword(s):  
World War I ◽  
Modern Art ◽  
World War ◽  
The Impact

The Impact of Alternative Exhibition Spaces on European Modern Art before World War I

2021 ◽  
Author(s):  
Nirmalie Alexandra Mulloli
Keyword(s):  
Twentieth Century ◽  
World War I ◽  
Modern Art ◽  
Social Conditions ◽  
Social Spaces ◽  
World War ◽  
The Impact

Exhibitions of modern art at the beginning of the twentieth century help to signify, in structured and identifiable nodes, the points at which the evolving visual forms of modernism were societally sanctioned and integrated into an accepted notion of what constituted art. Limited consideration has been given to examining the broader acceptance of alternative exhibition venues, previously peripheral or ephemeral, as social spaces and to considering the affect these alternative socio-spatial constellations had on the reception of the art being exhibited. By analyzing the shifting social conditions of art reception that these exhibiting spaces represent, this chapter presents a novel contextual view of how modern European artists flourished during this time in unprecedented ways.

The Great War of the Postcards

2021 ◽  
Vol 88 (3) ◽  
pp. 525-568
Author(s):  
Johann Strauss
Keyword(s):  
Middle East ◽  
World War I ◽  
Great War ◽  
World War ◽  
The Balkans ◽  
Book Illustrations ◽  
Characteristic Features ◽  
The Impact ◽  
The Great War

This article examines the functions and the significance of picture postcards during World War I, with particular reference to the war in the Ottoman Lands and the Balkans, or involving the Turkish Army in Galicia. After the principal types of Kriegspostkarten – sentimental, humorous, propaganda, and artistic postcards (Künstlerpostkarten) – have been presented, the different theatres of war (Balkans, Galicia, Middle East) and their characteristic features as they are reflected on postcards are dealt with. The piece also includes aspects such as the influence of Orientalism, the problem of fake views, and the significance and the impact of photographic postcards, portraits, and photo cards. The role of postcards in book illustrations is demonstrated using a typical example (F. C. Endres, Die Türkei (1916)). The specific features of a collection of postcards left by a German soldier who served in Turkey, Syria, and Iraq during World War I will be presented at the end of this article.

From Multi-Industry Planning to Keynesian Planning: Gardiner Means, the American Keynesians, and National Economic Planning at the National Resources Committee

1990 ◽  
Vol 2 (2) ◽  
pp. 186-212 ◽  
Author(s):  
Frederic S. Lee
Keyword(s):  
World War I ◽  
Economic Planning ◽  
World War ◽  
National Planning ◽  
National Economic ◽  
Basic Characteristics ◽  
American Society ◽  
Industry Planning ◽  
The Impact ◽  
American Economy

In recent years we have witnessed a revival of interest in the National Resources Committee (NRC) and its work on national planning. The research shows that the roots of national planning at the NRC are found in the Progressive Era, when individuals sought, through city, regional, and economic planning, to bring order to American society, in the government's management of the economy during World War I, and in Hoover's attempt at macromanagement of the economy. The research also shows that national economic planning, as distinct from other forms of planning, was an important component of the committee's work. In regard to this, researchers have acknowledged that Gardiner Means, as director of the Industrial Section of the Industrial Committee and author of The Structure of the American Economy, Part I: Basic Characteristics, was an important and outspoken advocate of economic planning within the NRC, but they have been less clear as to his specific contributions to economic planning. Moreover, the researchers have not extensively investigated the NRC position toward national economic planning, the economic models from which national economic plans would be developed, and the impact of the Keynesian revolution on the NRC approach to national economic planning. These omissions are not surprising inasmuch as neither Warken's (1979) nor Clawson's (1981) general coverage of the NRC provided much more than a brief and superficial description of the Industrial Section and a listing of its most important publications. Kalish (1963), on the other hand, discussed Means and the Industrial Section in more depth but in such a disjointed manner that it is impossible to grasp the movement toward economic planning that took place in the NRC and the important role Means played in the process. Finally, neither Chapman's (1981 and 1983) nor Jeffries's (1987) discussions of the impact of the Keynesian revolution on the activities of the NRC dealt specifically with its impact on Means's work on economic planning.

scholarly journals Sprawy polskie w Kanadzie w czasie I wojny światoweJ

2020 ◽  
Vol 46 (2 (176)) ◽  
pp. 227-245
Author(s):  
Anna Reczyńska
Keyword(s):  
North America ◽  
World War I ◽  
Ethnic Group ◽  
Lake Ontario ◽  
World War ◽  
Training Camp ◽  
The Us ◽  
The Impact

Polish Issues in Canada During World War I The article presents the impact of World War I on Polish immigrants in Canada, the position of the Polish ethnic group in this country and the efforts of persons of Polish descent in regard to recruitment for the Polish Army in North America. Poles, who were subjects of Germany or the Austro-Hungarian Empire were treated as enemy aliens. Those people were forced to register and report to the police on a regular basis and some of them were interned in labour camps during the war. Some were released from the camps after an intervention of Polish organizations and priests. Soldiers of Polish descent, volunteers and recruits also fought in the Canadian Expeditionary Forces in Europe. Over 20,000 Polish volunteers from the US (including over 200 from Canada) enrolled in a training camp formed in Niagara-on-the-Lake, Ontario on the border with the US. The problems with the organization and functioning of the camp, and opinions on Polish volunteers shaped the attitude of many Canadians towards the Polish diaspora and the newly established Polish state. Keywords: World War I, Polish Diaspora in Canada, Niagara-on-the-Lake camp, Haller’s Army, Colonel Arthur D’Orr LePan Streszczenie Artykuł przedstawia kilka przykładów obrazujących oddziaływanie wydarzeń I wojny światowej na żyjących w Kanadzie polskich imigrantów, pozycję polskiej grupy etnicznej w tym kraju oraz na aktywność osób polskiego pochodzenia na rzecz rekrutacji do wojska polskiego w Ameryce Północnej. Polaków, którzy byli poddanymi Niemiec lub monarchii austro-wegierskiej traktowano jak przedstawicieli państw wrogich. Mieli obowiązek rejestracji i regularnego zgłaszania się na policję a niektórzy zostali internowani w stworzonych w czasie wojny obozach pracy. Część z nich była z tych obozów zwolniona po interwencji polskich organizacji i polskich duchownych. Żołnierze polskiego pochodzenia, zarówno ochotnicy jak i poborowi, znaleźli się także w oddziałach Kanadyjskich Sił Ekspedycyjnych walczących w Europie. Ponad 20 tys. polskich ochotników z USA (w tym ponad 200 z Kanady) zgłosiło się też do obozu szkoleniowego utworzonego w Niagara-on-the-Lake, Ontario, przy granicy z USA. Problemy z organizacją i funkcjonowaniem tego obozu oraz opinie o polskich ochotnikach, kształtowały nastawienie wielu Kanadyjczyków do polskiej grupy etnicznej i nowotworzonego Państwa Polskiego.

scholarly journals Sztuka i architektura dla II Rzeczypospolitej

2020 ◽  
Vol 147 (4) ◽  
pp. 869-881
Author(s):  
Andrzej Szczerski
Keyword(s):  
World War I ◽  
Modern Art ◽  
Dynamic Processes ◽  
Art Patronage ◽  
World War ◽  
Leading Role ◽  
State Administration ◽  
The World ◽  
Administrative Structures ◽  
Art And Architecture

Art and architecture for the Second Polish Republic The period of the Second Polish Republic was a time of dynamic processes of unification and modernisation. They were also reflected in art and architecture. This should not come as a surprise given the fact that Polish artists were involved in the struggle for independence on the battlefields, while they also documented Polish military efforts during the World War I. Later on, they held positions in the state administration, especially in the administrative structures responsible for art patronage and education; finally, they were also active in the field of national propaganda. The authorities of the Second Polish Republic appreciated the importance of modern art, especially that the restoration of independence coincided with a debate about the various definitions of the Polish national style. This debate, which involved supporters of vernacular stylisation and those who promoted modernism, found its complex reflection in the Polish General Exhibition in Poznańin 1929. The exhibition confirmed that the leading role in the process of modernisation was assumed by architecture and urban planning.

Sign in / Sign up

Export Citation Format

Share Document