7 Ritual speech and education in Kutete

Keyword(s):  
2020 ◽  
Vol 4 (2) ◽  
pp. 36-44
Author(s):  
S. Sarmadan ◽  
Siti Gomo Attas

The katoba ritual as a form of oral tradition from the Muna tribe is an integral part of the culture of the supporting community.  The purpose of this study is to describe the structure of the ritual text speech of the Muna communities.  The structure of the ritual speech utterances in this study is called the pogau toba text (PTT). This study uses a qualitative method with a Van Dijk structural approach that focuses on three frameworks of text structure, namely macro structure, superstructure, and microstructure. The results showed that 1) the macro structure, which is the overall meaning, global meaning, or general meaning of the PTT. The macro structure found in the PTT is the inauguration of a child as a Muslim. This is reflected in the pronunciation of the two words of the shahada of Asyhadu Allah ilaha Ilallah wa ashadu anna Muhammadar Rasulullah which marks a person's Islamic status; 2) superstructure, namely the four main flow structure of PTT in the context of the katoba ritual, namely opening “pembukaan”, toba conditions “syarat-syarat toba”, core of toba “inti toba”, and the closing “penutup”;  and 3) microstructure, which is limited to the style of the PTT language, namely diction or choice of words in the katoba ritual emphasizing religious and moral elements that are concrete through the use of polite and gentle language, found also a parallelism in grammatical structure, and expressions metaphorical expressions that take the symbols of flora and fauna or other natural objects are presented to convey an idea, concept, or specific purpose.


Author(s):  
Gabriela García Salido

Varieties of headless relative clauses in the Uto-Aztecan language Southeastern Tepehuan (O’dam) are discussed, together with two related constructions: wh- interrogative clauses and headed relative clauses. O’dam encodes relative clauses using two strategies: nominalization and finite clause formation. Unlike most of the Uto-Aztecan family, O’dam uses the nominalization strategy only in ritual speech. Elsewhere, the language uses the general subordinator particle na to introduce all types of embedded clauses: adverbial, completive, and relative. This mode of subordination is typologically interesting for the Uto-Aztecan family because it results in an innovative strategy: finite clauses instead of nominalization. O’dam distinguishes between headed and headless relative clauses. Unlike headed relative clauses, headless relative clauses in O’dam lack a nominal head and require a wh-word. Two main varieties are attested: free relative clauses (maximal and existential, but not free choice) and light-headed relative clauses.


Religions ◽  
2020 ◽  
Vol 11 (9) ◽  
pp. 434
Author(s):  
Signe Cohen

This essay analyzes the interconnection between memory, desire, and verbal performance in the three so called “women’s love spells” in Atharvaveda 6.130–132. This study unpacks the many interconnected meanings of the term smará, which is used repeatedly in these poems, “memory”, “desire”, or “efficacious ritual speech”. I challenge the traditional definition of these texts as “magical” and argue that applying “magic” as an analytical category to ancient Hindu texts is deeply problematic. Instead, I propose that these poems are better understood in their historical and religious context as examples of ritual speech.


2003 ◽  
Vol 4 (2) ◽  
pp. 171-193 ◽  
Author(s):  
Gabriela Nik. Ilieva

In the present work I try to show how certain distinctive grammatical-rhetorical features of the hymns, such as frequent use of elaborate epithets, a rich arsenal of noun and pronoun address forms as well as a large variety of finite verb forms, can be accounted for from a pragmatic perspective by discussing them at the three main linguistic levels — morphology, lexicon, syntax. 10.39 is a representative laudatory hymn performed in a ceremonial setting, whose topic is related to the desire of a female speaker to find a good husband. The analysis is based on a socially and psychologically oriented application of pragmatic principles, namely, the politeness framework and it takes into account the specific context, on which the pragmatic interpretations are strictly dependent. The hymn is discussed as a communicative event, possible through the use of the Vedic language and designed to achieve specific ritualistic goals.


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