scholarly journals Comparison Of Women’s Situation In The Labour Market In The Former GDR And Poland

2016 ◽  
Vol 19 (2) ◽  
pp. 129-148
Author(s):  
Dorota Witkowska

Twenty-five years have passed since the fall of the Berlin Wall and the beginning of transition in the former socialist countries. The aim of this research is to find out how women in East Germany and Poland, which followed completely different transformation patterns, have been affected by the introduction of market reforms. As a result of the investigation we found that the situation of women in both countries has been changed after the collapse of the communist system in Europe. However, women in former German Democratic Republic, following a significant decrease in their participation in the labour market in the early transition period, went on to become even more active than their counterparts in the Western lands. At the same time, in Poland the economic activity rate of women is lower than was observed before the transformation.

2020 ◽  
pp. 155-179
Author(s):  
Joanna Trajman

The goal of this article is to present the transition in the situation of women in the former West Germany and East Germany as a consequence of German reunification. Starting with an outline of the legal framework defining gender equality, as well as the actual circumstances of females in society as part of a family and on the labour market in both German countries, the situation of women in the united country is analysed within the context of their professional activity, remuneration and pension amounts and promotion prospects as well as the ability to combine their professional and family lives. I try to answer whether women in the former East Germany became underprivileged due to the German reunification process and whether the situation of the West German women changed as a result of certain equality incentives which could be considered the heritage of the German Democratic Republic.


2021 ◽  
Vol 52 (2) ◽  
pp. 225-250
Author(s):  
Wayne Geerling ◽  
Gary B. Magee ◽  
Russell Smyth

Abstract Analysis of the link between the Soviet occupation of East Germany and internal resistance within the German Democratic Republic reveals that ongoing payment of reparations by East Germans out of local production—via the Soviet’s ownership of prominent local companies—affected both the incidence and the intensity of unrest at the precinct level during the uprising of June 17, 1953. This result is robust when controlling for variation in the presence of Soviet military bases and deaths in Soviet nkvd Special Camps, as well as a host of regional factors potentially correlated with differences in unrest.


Author(s):  
Rosemary Stott

This chapter examines the relocation, transition, and appropriation of the Spaghetti Western in a hitherto under-researched context: the German Democratic Republic (East Germany), prior to its unification with the Federal Republic of Germany (West Germany) in 1990. It explores the selection, distribution and reception of Once Upon a Time in the West (C'era una volta il West, Sergio Leone, 1968) in the German Democratic Republic as a case study of how international cultural transfer causes objects of cultural production to be repositioned as they enter a new reception context. It also examines the ideological, economic, and sociological concerns underpinning the decisions of those who facilitated the movement of film across the political, cultural, and linguistic boundaries of nation states. In East Germany, the facilitators involved in the selection, censorship, dubbing, and promotion of films were mainly government administrators rather than film business professionals, because film was a state-controlled industry. The chapter focuses on the ‘official’ reception of the film on the basis of available censorship protocols and government policy papers, as well as print media sources.


PMLA ◽  
2018 ◽  
Vol 133 (3) ◽  
pp. 594-609
Author(s):  
Wolfgang Emmerich ◽  
Nicole G. Burgoyne ◽  
Andrew B. B. Hamilton

East german literary history is a case study of how political and cultural institutions interact. the state's cultural regime mo-nopolized the right to publish within its borders and demanded that the nation's new art describe contemporary life or its precedents. Even authors seen in the West as dissidents understood themselves, more often than not, as pursuing that goal and the broader aims of socialism with their work. During the lifespan of the German Democratic Republic, this political albatross weighed on all literary scholarship. Even now, whatever their feelings toward the socialist state, scholars, critics, and readers are bound to approach a text from East Germany as an artifact of its political culture—and rightly, because the political sphere encroached heavily on the artistic. But since German unification, the rise and fall in the stock of so many East German authors has directly resulted from political revelations, raising a number of troubling questions. Though historical distance seemed to have sprung up as abruptly as the Berlin Wall had come down, to what extent does scholarship from the German Democratic Republic represent only a heightened case of what is always true of literary history— namely, that political motivation colors critical evaluation? Is it possible to consider a work of literature with no recourse to the social and political circumstances under which it was written? And would it even be desirable to do so?


This chapter considers the development of models for news broadcasting at both RIAS and the stations of the German Democratic Republic (GDR). By this time the station had aimed to establish itself as a rival fourth estate in East Germany in order to compete with the official news organs of the Socialist Unity Party. Yet in performing this task, the station's staff confronted a range of apparent contradictions; in attempting to resolve these, RIAS crafted a style of journalism that drew on principles it had forged during the Berlin Airlift: it eschewed neutrality in favor of engagement, but worked to insure the news it broadcast was accurate. It also built a professional staff of reporters who, for a variety of reasons, felt a strong personal investment in seeing the collapse of the East German Communist regime and the reunification of Germany.


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