35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964)

2019 ◽  
pp. 321-322
Keyword(s):  
Film Scores ◽  
Tone Deaf

Silence and Sound in Black Girl Utopia

2017 ◽  
Vol 6 (3) ◽  
pp. 90-97
Author(s):  
Alexis Pauline Gumbs
Keyword(s):  
Social Structure ◽  
Black Girl ◽  
The Social ◽  
Mind And Body ◽  
Definition Of ◽  
Tone Deaf ◽  
At Home

Ladeedah is an audio novella that takes place in a Black utopic space after “the improvised revolution.” Ladeedah is a tone-deaf, rhythm-lacking Black girl in a world where everyone dances and sings at all times. What is Ladeedah's destiny as a quiet, clumsy genius in a society where movement and sound are the basis of the social structure and the definition of freedom? This excerpt from Ladeedah focuses on Ladeedah's attempts to understand the meaning of revolution from her own perspectives—at home, at school, and in her own mind and body.

Music Cue Archetypes in the Film Scores of Elmer Bernstein

2013 ◽  
Vol 5 (1-2) ◽  
Author(s):  
Donald C Meyer
Keyword(s):  
Film Scores

Korngold and His World

2019 ◽  
Keyword(s):  
Chamber Music ◽  
Musical Theater ◽  
Musical Language ◽  
American Film ◽  
Popular Song ◽  
Film Scores ◽  
Hollywood Film ◽  
English Translations ◽  
Erich Wolfgang Korngold ◽  
American Popular Song

Erich Wolfgang Korngold (1897–1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947. From his prewar operas in Vienna to his pathbreaking contributions to American film, this book provides a substantial reassessment of Korngold's life and accomplishments. Korngold struggled to reconcile the musical language of his Viennese upbringing with American popular song and cinema, and was forced to adapt to a new life after wartime emigration to Hollywood. The book examines Korngold's operas and film scores, the critical reception of his music, and his place in the milieus of both the Old and New Worlds. It also features numerous historical documents—many previously unpublished and in first-ever English translations—including essays by the composer as well as memoirs by his wife, Luzi Korngold, and his father, the renowned music critic Julius Korngold.

Hearing Film Music Topics outside the Movie Theatre

2021 ◽  
pp. 548-574
Author(s):  
Janet Bourne
Keyword(s):  
Statistical Analysis ◽  
Extraction Method ◽  
Film Music ◽  
Art Music ◽  
Film Scores ◽  
Western Art ◽  
Western Art Music ◽  
Movie Theatre

This chapter describes a cognitively informed framework based on analogy for theorizing cinematic listening; in this case, it tests the hypothesis that contemporary listeners might use associations learned from film music topics to make sense of western art music (WAM). Using the pastoral topic as a case study, a corpus of film scores from 1980–2014 determines common associations for this topic based on imagery, emotion, and narrative contexts. Then, the chapter outlines potential narratives a modern moviegoer might make by listening “cinematically” to a Sibelius movement. The hypothesis is empirically tested through an experiment where participants record their imagined narratives and images while listening to WAM and film music. The meaning extraction method, a statistical analysis for identifying associational themes, is used to analyze people’s responses.

scholarly journals Tagging film music: A corpus study of Max Steiner's film scores

2021 ◽  
Author(s):  
Jeff Lyon ◽  
Brent Yorgason
Keyword(s):  
Film Music ◽  
Film Scores ◽  
Corpus Study

Transforming Patient Compliance Research in an Era of Biomedicalization

2018 ◽  
Vol 59 (2) ◽  
pp. 170-184 ◽  
Author(s):  
Karen Lutfey Spencer
Keyword(s):  
Patient Compliance ◽  
Qualitative Interviews ◽  
Terminally Ill ◽  
Pathways To Care ◽  
Terminally Ill Patients ◽  
Health Related ◽  
Treatment Plans ◽  
Patient Noncompliance ◽  
Medical Directives ◽  
Tone Deaf

The term patient noncompliance emerged in the 1970s as a tool for analyzing why people do not follow medical directives. Despite its early popularity, the term has languished in sociology while flourishing in biomedical arenas. It seems flaccid in a contemporary healthcare context as it overestimates physician authority and is tone-deaf to biomedicalization. I draw from sociological and anthropological traditions, as well as qualitative interviews with terminally ill patients ( N = 26) and their caregivers ( N = 16), to consider facets of a biomedicalized health experience and implications for an updated vision of compliance. First, pathways to care have proliferated under biomedicalization. With increased pathways comes increased need for understanding how treatment plans are socially constituted and assessed. Finally, increased complexity demands a more diverse vocabulary for understanding health related decisions. This paper is a call to sociologists to take the lead in transforming and updating this consequential concept.

Cataloging Max Steiner

2021 ◽  
Author(s):  
Jeff Lyon ◽  
Brent Yorgason
Keyword(s):  
Analytical Data ◽  
Film Scores ◽  
Research Project ◽  
Corpus Study ◽  
Main Research ◽  
Brigham Young University ◽  
Future Outcomes ◽  
Character Types

The Max Steiner corpus study is a long-term research project, drawing on the Max Steiner Collection at Brigham Young University, to catalog and analyze the music from all of Steiner’s film scores. This paper outlines the goals, processes, and potential future outcomes of this research. One of the main research goals of this project is to discover what kinds of melodies, harmonies, rhythms, and instruments Steiner used to represent different emotions and character types. Because of the amount of data needed to understand each of these elements thoroughly, this type of analysis can best be done through a corpus study. This data will be published as an interactive database that will allow the user to explore themes as they develop throughout a film as well as discover related themes in other film scores by Steiner. Transcriptions of themes will be displayed with Steiner’s annotations, film stills, and analytical data. This paper presents our findings to date and our plan to analyze, transcribe, and catalog the remaining films.

As Heard on…

2021 ◽  
pp. 603-624
Author(s):  
Justin Patch
Keyword(s):  
Online Advertising ◽  
Political Advertising ◽  
Emotional Content ◽  
The Other ◽  
Nuclear War ◽  
Film Scores ◽  
The Public ◽  
The Media ◽  
The Times ◽  
Musical Elements

The musical elements of political advertising change with the times. From songsters, contrafactum songs with lyrics that extoll one candidate or party and denigrate the other, to television and radio jingles and online ads, the aesthetics of the campaign mirror the media diet of the public. Early television ads imitated jingles of the day: They were simple, catchy, and repetitive. Both Eisenhower’s “Ike for President” and Kennedy’s “Kennedy” follow this mold. Johnson’s 1964 campaign breaks this mold with “Daisy,” an anti-Goldwater ad known for deploying the eerie sounds of nuclear war. Successive campaigns sought to use a similar recipe, employing cues from film scores and trailers to dictate the emotional content of the ad. Recently, online advertising has bloomed, including tribute videos and promotional spots made by citizens and submitted to the campaign, adding grassroots allure and authenticity.

Loss of postvocalic r: Were the orthoepists really tone-deaf?

2011 ◽  
Author(s):  
Michael Windross
Keyword(s):  
Tone Deaf
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