6. The Prince Hall Masons and the African American Church: The Labors of Grand Master and Bishop James Walker Hood, 1864–1918

2019 ◽  
pp. 149-174
2020 ◽  
Author(s):  
Christina Simko ◽  
David Cunningham ◽  
Nicole Fox

Abstract Following the racially motivated shootings at an African American church in Charleston, South Carolina, in 2015, a wave of contentious campaigns around Confederate statuary emerged, or at least intensified, in communities across the country. Yet local struggles have culminated in vastly different alterations to the built environment. This paper develops a framework for differentiating distinct “modes of recontextualization” rooted in the relocation and/or modification of commemorative objects. Building on models of memory as an iterative, path-dependent process, we track recontextualization efforts in three communities—St. Louis, Missouri; Oxford, Mississippi; and Austin, Texas—documenting how each mode alters the meaning of contested symbols. An analysis of local news sources in the year following recontextualization shows how each mode exerts identifiable proximate effects on broader political debates and, through that process, structures the horizon of possibility for longer-range outcomes. 


Author(s):  
Bernard L. Herman

The closing chapter pulls together the many strands of foodways that continue to define the Eastern Shore of Virginia as a distinct and distinctive terroir. The chapter begins with an African American church menu and turns to a group of award-winning contemporary chefs for their reactions to the listed fare. Every menu is much more than the itemized listing it provides. Menus are invitations to invention through pairings and juxtapositions. They are a literature where individual items speak to the expertise of the cook and the expectations of the diner. Menus are the most optimistic of all literary forms. They are about art and gratification.


Author(s):  
Jennifer Bloomquist ◽  
Lisa J. Green ◽  
Sonja L. Lanehart ◽  
Charles E. DeBose

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