Chen Bo’er and the Feminist Paradigm of Socialist Film
This chapter presents a life story of a feminist revolutionary founder of socialist film industry, Chen Bo’er, and debunks a fast held assumption that patriarchal authority dominated the cultural production that propagandized masculinized women. Tracing the life course in which Chen evolved from a left oriented feminist movie star of the 1930s to a leaderwho created a feminist paradigm of socialist films, this chapter identifies heritages as well as transformation of May Fourth feminism in the cultural realm of the PRC. Revolutionary heroines emerged as a dominant symbol that challenged male supremacy and promoted women’s empowerment as a result of feminists’ conscious efforts in cultural production. Chen’s life story also offers evidence for re-interpretation of Mao’s Yan’an Talks. The politics of erasure of feminist endeavors is also examined.