Towards an Interdisciplinary Field of Black Girlhood Studies

2017 ◽  
Vol 6 (3) ◽  
pp. 116-132 ◽  
Author(s):  
Tammy C. Owens ◽  
Durell M. Callier ◽  
Jessica L. Robinson ◽  
Porshé R. Garner
Keyword(s):  
Black Girls ◽  
Annotated Bibliography ◽  
Interdisciplinary Field ◽  
Recent Scholarship ◽  
Black Girlhood ◽  
Girlhood Studies

Scholarly interest in the experiences of Black girls has grown significantly. Although many scholars, activists, and artists have completed substantial scholarship and creative works that constitute the foundation of Black girlhood studies, their body of work and names are oftentimes omitted from recent scholarship on Black girlhood. In this collectively authored essay, scholars, artists, and activists present an annotated bibliography of historical and contemporary texts, as well as cultural works, that center the voices and experiences of Black girls. This annotated bibliography serves as a resource for activists and scholars alike who are interested in Black girlhood.

Black Girl Cartography: Black Girlhood and Place-Making in Education Research

2018 ◽  
Vol 42 (1) ◽  
pp. 28-45 ◽  
Author(s):  
Tamara T. Butler
Keyword(s):  
Education Research ◽  
Black Girls ◽  
Place Making ◽  
Black Girl ◽  
Black Girlhood ◽  
Girlhood Studies ◽  
Research In Education

Drawing on research in education, Black Girlhood studies, and conversations connected to girlhood and cartography, this chapter calls for transdisciplinary analyses of Black girls’ sociocultural and geopolitical locations in education research. In reviewing education research documenting the practices and interrogating the experiences of Black girls, I propose the framework of Black Girl Cartography. In addition to an analysis of education research, I offer a series of theoretical and methodological openings for transformative and liberatory work grounded in Black Girl knowledge and practices.

crushed little stars

2021 ◽  
Vol 14 (2) ◽  
pp. 16-28
Author(s):  
Jordan Ealey
Keyword(s):  
Black Girls ◽  
Vantage Point ◽  
Theory And Practice ◽  
Black Girl ◽  
Creative Practice ◽  
Black Girlhood ◽  
Girlhood Studies ◽  
A Site

This is a performative engagement with the theory and practice of Black girlhood. I begin with an excerpt from my play-in-process, crushed little stars, which is itself a meditation on the sad Black girl. I share this process of play not only to present play making as a powerful epistemological tool, but also to blur the boundaries between what constitutes theory as opposed to practice. I (re)imagine Black girl sociality as a site of restoration and healing against the racist, sexist, and ageist world with which Black girls are forced to contend. Accordingly, this project contributes to the diversification of girlhood studies, challenging the disciplinarity of the field by extending ethnographic and sociological perspectives to include the vantage point of performance and creative practice.

Centering “Grace”: Challenging Anti-Blackness in Schooling Through Motherwork

2021 ◽  
Vol 31 (1-2) ◽  
pp. 142-157
Author(s):  
Terri N. Watson ◽  
Gwendolyn S. Baxley
Keyword(s):  
Black Women ◽  
School Leadership ◽  
School Leaders ◽  
Black Children ◽  
The United States ◽  
Black Girls ◽  
Racial Biases ◽  
Black Girlhood ◽  
Patricia Hill Collins ◽  
Educational Advocacy

Anti-Blackness is global and present in every facet of society, including education. In this article, we examine the challenges Black girls encounter in schools throughout the United States. Guided by select research centered on Black women in their roles as mothers, activists and school leaders, we assert that sociologist Patricia Hill Collins’ concept of Motherwork should be an essential component in reframing the praxis of school leadership and in helping school leaders to rethink policies, practices, and ideologies that are anti-Black and antithetical to Blackness and Black girlhood. While most research aimed to improve the schooling experiences of Black children focuses on teacher and school leader (mis)perceptions and systemic racial biases, few studies build on the care and efficacy personified by Black women school leaders. We argue that the educational advocacy of Black women on behalf of Black children is vital to culturally responsive school leadership that combats anti-Blackness and honors Black girlhood. We conclude with implications for school leaders and those concerned with the educational experiences of Black children, namely Black girls.

Black Girl Refusals and Reimaginings

2021 ◽  
Vol 14 (2) ◽  
pp. 141-145
Author(s):  
Desirée de Jesus
Keyword(s):  
Black Girl ◽  
Women's Press ◽  
Black Girlhood ◽  
Girlhood Studies

Aria S. Halliday (ed.). 2019. The Black Girlhood Studies Collection. Toronto: Women’s Press.

“A Winged but Grounded Bird”: Morrison’s Mixed Treatment of Animality in The Bluest Eye

2021 ◽  
pp. 1-16
Author(s):  
Rachel Warner
Keyword(s):  
Animal Studies ◽  
Literary Analysis ◽  
Bluest Eye ◽  
Language History ◽  
Interdisciplinary Field ◽  
Mixed Treatment ◽  
Black Girlhood ◽  
New Models ◽  
History Of ◽  
Human Animal

Abstract This literary analysis of Toni Morrison’s first novel, The Bluest Eye (1970), answers the call issued by scholars in the growing interdisciplinary field of animal studies to privilege nonhuman animal others as its central analytical focus. It thus examines the productive and harmful overlaps between Black subjects and animality and determines how Morrison speaks to both a history of racist dehumanization as well as manners of ameliorating such oppression. In prioritizing the intersection of human subjectivity and nonhuman others, the article explores new models for human-animal relationships, including animals as sensual partners and animals as looking subjects. Ultimately, this article looks to Morrison’s canonical novel portraying the scapegoating practices that can destroy Black girlhood to unearth the profound significance of nonhuman others to language, history, and communities.

Black Girl Thought in the Work of Ntozake Shange

2019 ◽  
Vol 12 (2) ◽  
pp. 32-47
Author(s):  
Naila Keleta-Mae
Keyword(s):  
Civil Rights ◽  
The United States ◽  
Black Girls ◽  
The Novel ◽  
Ntozake Shange ◽  
Black Girl ◽  
Civil Rights Era ◽  
Spheres Of Influence ◽  
Gender And Age ◽  
Black Girlhood

In this article I examine the performances of black girlhood in two texts by Ntozake Shange—the choreopoem “for colored girls who have considered suicide when the rainbow is enuf” (1977) and the novel Sassafras, Cypress and Indigo (1982). The black girls whom Shange portrays navigate anti-black racism in their communities, domestic violence in their homes, and explore their connections with spirit worlds. In both these works, Shange stages black girls who make decisions based on their understanding of the spheres of influence that their race, gender, and age afford them in an anti-black patriarchal world dominated by adults. I draw, too, from Patricia Hill Collins’s work on feminist standpoint theory and black feminist thought to introduce the term black girl thought as a theoretical framework to offer insights into the complex lives of black girls who live in the post-civil rights era in the United States.

Envisioning Black Girl Futures

2017 ◽  
Vol 6 (3) ◽  
pp. 65-77 ◽  
Author(s):  
Aria S. Halliday
Keyword(s):  
Hip Hop ◽  
Sexual Politics ◽  
Black Girls ◽  
Sexual Pleasure ◽  
Self Determination ◽  
Black Feminist ◽  
Black Girl ◽  
Black Vernacular ◽  
Black Girlhood ◽  
Fertile Ground

Black girlhood exists in a world that is constantly trying to negate it. Black vernacular traditions, too, allow girls to be considered “fast” or “womanish” based on their perceived desire or sexuality. However, Black girlhood studies presents a space where Black girls can claim their own experiences and futures. This essay engages how Nicki Minaj's “Anaconda” is fertile ground to help demystify Black girls’ possibilities for finding sexual pleasure and self-determination. Using hip-hop feminism, I argue that “Anaconda” presents a Black feminist sexual politics that encourages agency for Black girls, providing a “pinkprint” for finding pleasure in their bodies.

No Disrespect: A Womanist Critique of Respectability Discourses in Extracurricular Programming for Black Girls

2019 ◽  
pp. 004208591989373 ◽  
Author(s):  
Tiffany M. Nyachae ◽  
Esther O. Ohito
Keyword(s):  
Middle Class ◽  
Black Girls ◽  
Theoretical Framework ◽  
Exclusionary Discipline ◽  
Discipline Practices ◽  
Black Girlhood ◽  
Extracurricular Programs

This article explores how extracurricular programs designed as interventions in the criminalization of Black girls may constrict their identities. Through a womanist theoretical framework, authors investigate the discourses about Black girlhood that permeate one extracurricular initiative which aims to counter the effects of exclusionary discipline practices on Black girls. The authors find that these discourses advance respectability politics, thus reinforcing an exclusive model of ideal Black girlhood as one aligned with White, Western, Judeo-Christian, patriarchal, heterosexist, and middle-class values. Authors conclude with suggestions for how extracurricular initiatives may develop programming and curricula that are inclusive of pluralized Black girlhoods.

The Women of the Foundation

2017 ◽  
Vol 6 (3) ◽  
pp. 50-64
Author(s):  
Kellie D. Hay ◽  
Rebekah Farrugia
Keyword(s):  
Cultural Production ◽  
Hip Hop ◽  
Political Action ◽  
Cultural Practices ◽  
Black Girlhood ◽  
Girlhood Studies

The authors examine the spaces, cultural practices, and relational possibilities that exist in one particular context of community hip-hop, the Foundation. Arguing that it offers Black girlhood studies forms of political action through cultural production, the authors draw on four years of ethnographic work. After explicating key connections that the Foundation shares with Black girlhood studies, the authors showcase a sample of the cultural production that Foundation artists create. In performance and reflection, the authors reveal how Foundation artists theorize the perilous pressures and uplifting pleasures of Black girlhood.

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