Envisioning Black Girl Futures

2017 ◽  
Vol 6 (3) ◽  
pp. 65-77 ◽  
Author(s):  
Aria S. Halliday
Keyword(s):  
Hip Hop ◽  
Sexual Politics ◽  
Black Girls ◽  
Sexual Pleasure ◽  
Self Determination ◽  
Black Feminist ◽  
Black Girl ◽  
Black Vernacular ◽  
Black Girlhood ◽  
Fertile Ground

Black girlhood exists in a world that is constantly trying to negate it. Black vernacular traditions, too, allow girls to be considered “fast” or “womanish” based on their perceived desire or sexuality. However, Black girlhood studies presents a space where Black girls can claim their own experiences and futures. This essay engages how Nicki Minaj's “Anaconda” is fertile ground to help demystify Black girls’ possibilities for finding sexual pleasure and self-determination. Using hip-hop feminism, I argue that “Anaconda” presents a Black feminist sexual politics that encourages agency for Black girls, providing a “pinkprint” for finding pleasure in their bodies.

More than Sass or Silence

2017 ◽  
Author(s):  
Ruth Nicole Brown
Keyword(s):  
Women Of Color ◽  
Hip Hop ◽  
White Supremacy ◽  
Black Girls ◽  
Creative Potential ◽  
Expressive Culture ◽  
Black Girl ◽  
Critical Thought ◽  
Black Girlhood ◽  
Girls Studies

This chapter presents a soundtrack of Black girls' expressive culture as ethnographically documented in SOLHOT in the form of original music. To think through the more dominant categorizations of how Black girls are heard, as both sassy and silent, this chapter samples Andrea Smith's (2006) “Heteropatriarchy and the Three Pillars of White Supremacy: Rethinking Women of Color Organizing” to offer a new frame called “The Creative Potential of Black Girlhood.” Music made from conversations in SOLHOT is used to emphasize how three logics of the creative potential framework, including volume/oppression, swagg/surveillance, and booty/capitalism, amplifies Black girls' critical thought to document the often overlooked creative process of Black girl music making, demonstrate how hip-hop feminist sensibilities inform girls' studies, and, most importantly, move those who do Black girl organizing toward a wider repertoire of actions and conversations that affirm differences among Black girls and differently sounding Black girl knowledge.

And Who Will Revere the Black Girl

2021 ◽  
pp. 089124322110293
Author(s):  
Dominique C. Hill
Keyword(s):  
Feminist Theory ◽  
Black Girls ◽  
State Violence ◽  
Black Feminist Theory ◽  
Court Cases ◽  
Dress Code ◽  
Black Feminist ◽  
Black Girl ◽  
Mainstream Media ◽  
Black Girlhood

While the mainstream media continues to narrowly define justice and reduce the site of its presence or absence to murder scenes and court cases, justice is often foreclosed long before someone is murdered and we must #SayHerName. To expand the project of Black mattering beyond race and physical death, this essay animates how body policing through school dress code policy sanctions racial-sexual violence and provide girls with an ultimatum: either abandon body sovereignty and self-expression, or accept the consequences of being read as a distraction, a problem. (Re)membering classic Black feminist theory and the 2013 case of Vanessa Van Dyke, this essay locates these underrecognized facets of state violence as an extension of the #SayHerName project. Through a Black girlhood studies framework, the author underscores embodiment as an essential measure of justice and reframes mattering through the importance of Black girls’ crowns.

Witnessing Wonderland: Research with Black girls imagining freer futures

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Alexis Morgan Young
Keyword(s):  
Design Methodology ◽  
Black Girls ◽  
Black Feminist ◽  
Black Girl ◽  
Content Type ◽  
Black Liberation ◽  
Gender And Age ◽  
Black Girlhood ◽  
The Future ◽  
Oriented Research

Purpose This paper aims to contribute to a growing body of work (re)imagining the future for Black girls by calling Western notions of time into question. At its core, this paper argues that all Black girls are imaginative beings and that it is essential that Black girlhood imagination as a mode of future-making praxis be considered an integral component in the pursuit of Black liberation. To do such the author engages Black feminist futurity Campt (2017) and Black Quantum Futurity Phillips (2015) to illuminate ways a reconceptualization of time provides us with an analytical tool to amplify Black girls’ liberatory fantasies. Design/methodology/approach A literature review was conducted to synthesize Black girls’ freedom dreams (Kelley, 2002) across time in an effort to demonstrate that Black girls, despite their conditions, are experts in self-defining their dreams of the future. It also highlights methods that researchers use to elucidate the freedom dreams of Black girls years past. Findings This paper underscores the urgency in applying future-oriented research practices in the attempt to create a new world for Black girls. It also demonstrates that Black girls have always been and always be, imaginative beings that engaged in future-making dreaming. Research limitations/implications The author offers a conceptual framework for researchers committed to witnessing Black girl imaginations and in an effort to work in concert with Black girls to get them freer, faster. Originality/value This paper makes the argument that studying the imaginations and freedom dreams of Black girls requires the employment of future-oriented theories that have a racial, gender and age-based analysis.

Black Girl Cartography: Black Girlhood and Place-Making in Education Research

2018 ◽  
Vol 42 (1) ◽  
pp. 28-45 ◽  
Author(s):  
Tamara T. Butler
Keyword(s):  
Education Research ◽  
Black Girls ◽  
Place Making ◽  
Black Girl ◽  
Black Girlhood ◽  
Girlhood Studies ◽  
Research In Education

Drawing on research in education, Black Girlhood studies, and conversations connected to girlhood and cartography, this chapter calls for transdisciplinary analyses of Black girls’ sociocultural and geopolitical locations in education research. In reviewing education research documenting the practices and interrogating the experiences of Black girls, I propose the framework of Black Girl Cartography. In addition to an analysis of education research, I offer a series of theoretical and methodological openings for transformative and liberatory work grounded in Black Girl knowledge and practices.

Black Girl Thought in the Work of Ntozake Shange

2019 ◽  
Vol 12 (2) ◽  
pp. 32-47
Author(s):  
Naila Keleta-Mae
Keyword(s):  
Civil Rights ◽  
The United States ◽  
Black Girls ◽  
The Novel ◽  
Ntozake Shange ◽  
Black Girl ◽  
Civil Rights Era ◽  
Spheres Of Influence ◽  
Gender And Age ◽  
Black Girlhood

In this article I examine the performances of black girlhood in two texts by Ntozake Shange—the choreopoem “for colored girls who have considered suicide when the rainbow is enuf” (1977) and the novel Sassafras, Cypress and Indigo (1982). The black girls whom Shange portrays navigate anti-black racism in their communities, domestic violence in their homes, and explore their connections with spirit worlds. In both these works, Shange stages black girls who make decisions based on their understanding of the spheres of influence that their race, gender, and age afford them in an anti-black patriarchal world dominated by adults. I draw, too, from Patricia Hill Collins’s work on feminist standpoint theory and black feminist thought to introduce the term black girl thought as a theoretical framework to offer insights into the complex lives of black girls who live in the post-civil rights era in the United States.

crushed little stars

2021 ◽  
Vol 14 (2) ◽  
pp. 16-28
Author(s):  
Jordan Ealey
Keyword(s):  
Black Girls ◽  
Vantage Point ◽  
Theory And Practice ◽  
Black Girl ◽  
Creative Practice ◽  
Black Girlhood ◽  
Girlhood Studies ◽  
A Site

This is a performative engagement with the theory and practice of Black girlhood. I begin with an excerpt from my play-in-process, crushed little stars, which is itself a meditation on the sad Black girl. I share this process of play not only to present play making as a powerful epistemological tool, but also to blur the boundaries between what constitutes theory as opposed to practice. I (re)imagine Black girl sociality as a site of restoration and healing against the racist, sexist, and ageist world with which Black girls are forced to contend. Accordingly, this project contributes to the diversification of girlhood studies, challenging the disciplinarity of the field by extending ethnographic and sociological perspectives to include the vantage point of performance and creative practice.

Black Women Remember Black Girls

2017 ◽  
Author(s):  
Ruth Nicole Brown
Keyword(s):  
Black Women ◽  
Collective Memory ◽  
Sexual Politics ◽  
Black Girls ◽  
Black Girlhood ◽  
Material Conditions ◽  
Made In

This chapter shows how Black girlhood must be made—in SOLHOT the space of Black girlhood is made through time, a timing that is infused with the sacred and spirit. In SOLHOT, to “homegirl” means engaging Black girls in the name of Black girlhood as sacred work that implicates time. Sacred work acknowledges the ways spirit moves one to act, often beyond the material conditions of one's immediate circumstance. The chapter considers how homegirls remember SOLHOT as a sacred experience that makes Black girlhood possible. It then features a creative and collective memory constructed from the interview transcripts of eight SOLHOT homegirls and M. Jacqui Alexander's (2005) Pedagogies of Crossing: Mediations on Feminism, Sexual Politics, Memory, and the Sacred. The memory shows how homegirls' labor constructs SOLHOT as a methodology and cosmology that makes Black girlhood possible, affirms Black girls' lives, and enables personal and collective transformation.

Can I Get a Witness? Speculative Fiction as Testimony and Counterstory

2020 ◽  
Vol 52 (4) ◽  
pp. 507-529
Author(s):  
S. R. Toliver
Keyword(s):  
Three Dimensional ◽  
The United States ◽  
Black Girls ◽  
Speculative Fiction ◽  
Black Feminist ◽  
Black Girl ◽  
Negative Experiences ◽  
Sources Of Knowledge ◽  
Dominant Narratives ◽  
Bear Witness

Drawing on Black feminist/womanist storytelling and the three-dimensional narrative inquiry space, this article showcases how one Black girl uses speculative fiction as testimony and counterstory, calling for readers to bear witness to her experiences and inviting witnesses to respond to the negative experiences she faces as a Black girl in the United States. I argue that situating speculative fiction as counterstory creates space for Black girls to challenge dominant narratives and create new realities. Furthermore, I argue that considering speculative fiction as testimony provides another way for readers to engage in a dialogic process with Black girls, affirming their words as legitimate sources of knowledge. Witnessing Black girls’ stories is an essential component to literacy and social justice contexts that tout a humanizing approach to research. They are also vital for dismantling a system bent on the castigation and obliteration of Black girls’ pasts, presents, and futures.

Black Girls Swim

2021 ◽  
Vol 14 (2) ◽  
pp. 63-79
Author(s):  
Samantha White
Keyword(s):  
Physical Activity ◽  
United States ◽  
The United States ◽  
Black Girls ◽  
Black Girl ◽  
Black Girlhood ◽  
Beauty Ideals ◽  
Sports And Physical Activity

During the early part of the twentieth century, Black girls in the United States attended Young Women’s Christian Associations (YWCAs) where they received instruction in sports and physical activity. Using archival research, in this article I examine the role of swimming in Black girls’ sports and physical activity practices in Northern YWCAs. With a focus on the construction of Black girlhood, health, and embodiment, I trace how girls navigated spatial segregation, beauty ideals, and athleticism. I highlight the experiences of Black girl swimmers—subjects who have often been rendered invisible in the historical and contemporary sporting landscape.

Urban Teaching and Black Girls’ Pedagogies

2020 ◽  
Author(s):  
Menah Pratt-Clarke ◽  
Andrea N. Baldwin ◽  
Letisha Engracia Cardoso Brown
Keyword(s):  
Black Women ◽  
Women Educators ◽  
Hip Hop ◽  
Black Girls ◽  
Urban Teaching ◽  
Self Identity ◽  
Black Girlhood ◽  
Gender Status ◽  
And Gender ◽  
Black Women Educators

To discuss and understand urban teaching and Black girls’ pedagogies, the fundamental premise is that Black girls are not monolithic, but complex and nonhomogenous. Black girlhood studies recognize that, because of their intersectional race, class, and gender status, Black girls have different experiences than Black boys and White girls. Core themes in Black girlhood include self-identity and socialization; beauty and self-expression; popular culture, hip hop, and stereotypes; violence; systemic discipline in schools; and resiliency and survival. Responding to the unique experiences of Black girls, Black women educators developed and adopted a pedagogy that focuses on and centers Black girls and Black girlhood in all their complexity. Using a strengths-based approach, Black girls’ pedagogy is built on a Black feminist and womanist framework that recognizes the need for culturally informed curriculum and classroom experiences, more Black women educators, and a commitment to an ethics of care.

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