Research on the Interaction of New Media Installation Art：Focused on the Work 〈Orbits〉

2021 ◽  
Vol 8 (2) ◽  
pp. 34-38
Author(s):  
Zhile Xu ◽  
Junghyen Kim ◽  
Surng Gahb Jahng
Keyword(s):  
New Media ◽  
Media Installation

New media installation art in the music field

2020 ◽  
Vol 7 (1) ◽  
pp. 21-25
Author(s):  
Jing Yu Cao ◽  
Jin Wan Park
Keyword(s):  
New Media ◽  
Installation Art ◽  
Media Installation

Technology, Nature, Software and Networks: Materializing the Post-Romantic Landscape

Leonardo ◽  
2011 ◽  
Vol 44 (2) ◽  
pp. 101-106 ◽  
Author(s):  
Chris Welsby
Keyword(s):  
New Media ◽  
Real Time ◽  
Large Scale ◽  
Natural World ◽  
Time Data ◽  
Real Time Data ◽  
Weather Stations ◽  
Selection Of ◽  
Made In ◽  
Media Installation

The author began making films and installations in the early 1970s. Although he has worked across a range of media, he has always concentrated on one particular theme that he conceptualizes as a two-sided question: How do we see ourselves in relation to the natural world, and how should we position our selves and our technologies within it? This essay traces some of the threads of these seminal ideas through a selection of works made in the years between 1974 and 2009. The author concludes with a detailed description of Tree Studies, a large-scale new media installation powered by real-time data from weather stations around the planet.

Visual Illusion in New Media Installation Art

2019 ◽  
Vol 6 (1) ◽  
pp. 37-41
Author(s):  
Lu Yuan ◽  
Surng Gahb Jahng
Keyword(s):  
New Media ◽  
Visual Illusion ◽  
Installation Art ◽  
Media Installation

scholarly journals INSTALLATION ART IN INDIA: CONCEPTS AND ROOTS

2016 ◽  
Vol 4 (10) ◽  
pp. 16-20
Author(s):  
Mohsina Aaftab
Keyword(s):  
New Media ◽  
Installation Art ◽  
Modern Art ◽  
Conceptual Art ◽  
Work Of Art ◽  
Private Spaces ◽  
Traditional Work ◽  
Selection Of ◽  
Media Installation

Present study focuses on the new media Installation Art in India, its present scenario, and backgrounds. Essentially installation art has taken its heritage from conceptual art, which came into prominence in 1970s, when the concept or idea was prominent – when an artist uses a conceptual form of art which means that all of the arrangement and conclusion are made previously and the implementation is an obligatory concern. So, spontaneously idea became a machine that makes the art. An idea suddenly pops in his mind and he just implemented it, in his very own way. This kind of art does not narrow itself to gallery spaces and can refer to any materials intervention in everyday public or private spaces. After India became independent, art began to change here. considerately several movements and group bounced up all over the country headed by ambitious young artists with vision of bringing modern art to India. Now the art of India is totally changed. Contemporaries are not bound to use paper and canvas, wall or any other art surfaces. They are not bound to make mythological paintings or sculptures but they are free to do anything, they are free to use any medium, material and space they want. After a European artist Marcel Duchamp’s “ready-mades artist” started exploring the margin of art, trying to eliminate the contrast between art and life. For conceptual artists art need not look like a traditional work of art. Presented study focuses on the installation work of Indian artists. Four artists were selected by the researcher viz. Subodh Gupta, Shilpa Gupta, Bharti Kher and ChintanUpadhaya. Researcher investigates the concepts behind the art work of selected artists, their methods and materials they have used in their art work. The selection of artist in current study is on the bases of their fame and popularity. Method of the current study is analytical.

Special Issue on “New Media and Social Psychology”

2006 ◽  
Vol 37 (2) ◽  
pp. 57-57
Author(s):  
Bernad Batinic ◽  
Anja Goeritz
Keyword(s):  
Social Psychology ◽  
New Media ◽  
Special Issue

Review of The New Media and Education: Their Impact on Society.

1967 ◽  
Vol 12 (10) ◽  
pp. 525-525
Author(s):  
MORTON DEUTSCH
Keyword(s):  
New Media
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