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2021 ◽  
Vol 3 ◽  
Author(s):  
Camilo Ordóñez Barona ◽  
Tenley M. Conway ◽  
Lara A. Roman

Green infrastructure (GI) features in private residential outdoor space play a key role in expanding GI networks in cities and provide multiple co-benefits to people. However, little is known about residents' intended behavior concerning GI in private spaces. Resident homeowners in Toronto (Ontario, Canada) voluntarily participated in an anonymous postal survey (n = 533) containing questions related to likelihood to install additional GI features in their private outdoor space; experiences with this space, such as types of uses; and environmental concerns and knowledge. We describe the association between these factors and people's intention to install GI in private residential outdoor space. Factors such as environmental concerns and knowledge did not influence likelihood to install GI. However, experiences with private residential outdoor space, such as nature uses of this space, level of self-maintenance of this space, and previously installed GI features, were significant influences on the likelihood to install GI. These findings have important implications for managing GI initiatives and the adoption of GI in private residential spaces, such as orienting communication materials around uses of and experiences with outdoor space, having programs that generate direct experiences with GI features, and considering environmental equity in such programs.


Obiter ◽  
2021 ◽  
Vol 42 (3) ◽  
Author(s):  
Delano Cole van der Linde

The law of criminal procedure is “double functional” in that it not only dictates the proper procedure for the execution of police functions but also serves as a ground of justification in substantive law against otherwise unlawful conduct. Nevertheless, personal liberties, even in the pursuit of justice in a country overrun by crime, cannot be sacrificed indiscriminately simply to further the diligent investigation of crime.An example of personal liberties being sacrificed in favour of the pursuit of justice is the search and seizure of private spaces of individuals. Search and seizure may be effected both with and without a warrant and is regulated by the Criminal Procedure Act 51 of 1977 (CPA). However, where a police official acts outside of this legislative matrix, his or her conduct is not regarded as lawful; he or she may not rely on official capacity as a ground of justification against an (unlawful) search. In such instances, the Minister of Police may be vicariously liable in delict owing to the unlawful conduct of police officials. Such cases are relatively rare.This contribution will focus on two specific aspects – namely, search and seizure conducted without a warrant, and subsequent awards for damages based on unlawful, warrantless searches. The recent judgment in Shashape v The Minister of Police (WHC (unreported) 2020-04-30 Case no 1566/2018 (Shashape)) is discussed against this backdrop.


Public ◽  
2021 ◽  
Vol 32 (64) ◽  
pp. 198-209
Author(s):  
Julie Hollenbach

Many scholars and institutional critique artists have made the role of the museum in the formation of national/state ideologies clear. However, interventions that extend this critique to the private space of the home and its domestic cultures and practices remain few and far between. This article considers the decolonial and queer feminist curatorial methodologies that framed the creation and development of the exhibition Unpacking the Living Room (MSVU University, Kjipuktuk/Halifax, Nova Scotia, 2018). This exhibition was posited as not only an intervention into the settler colonial taxonomies and display practices of Western museum systems and modernist white cube galleries, but also an invitation for guests visiting the Living Room to reflect on their own living room as sites where power and meaning and identity are constantly negotiated. This article outlines the process of curating Unpacking the Living Room and shares it methodological growth and research outcomes.


2021 ◽  
Vol 4 ◽  
pp. 175-198
Author(s):  
Rasa Paukštytė-Šaknienė ◽  

The article is based on data from ethnographic field research that was conducted in Vilnius and the Vilnius are in 2017–2020 and in Sofia in 2019. To meet the aims of this research comparing interactions between neighbours in the cities of Sofia and Vilnius respectively, I analysed two types of neighbourhood: the formal, which is determined by territorial proximity and the necessity of mutual assistance; and the informal, which is based on friendly feelings and the desire to spend leisure time and celebrate together. However, the specific features of field research in these cities highlighted another aspect of the neighbourhood, namely, how it functions in public and private spaces. A majority of respondents associated friendship with visiting one another at home, while birthdays were the most common celebration for spending time together. Older respondents, mostly those who were from villages, remember how neighbours would interact in the village environment and how they brought this concept of neighbourhood to the city, naturally comparing it with the situation there and pointing out generational differences. However, in the opinion of the majority, the city environment changed the nature of interactions between neighbours and created a unique concept of neighbourhood that was based on close social links, which sometimes developed into friendship.


2021 ◽  
Author(s):  
◽  
Emily Batchelor

<p>Stepped-ness in Medium Density Housing investigates a new form of design, where the site is organised according to different conditions of public, common, shared and private spaces. Stepped-ness is used as a technique for controlling relations at a range of scales and intimacies —from urban to interior— and as a tool for creating continuity of public to private, inside to outside and building to landscape. As a result, circulation and dwelling become integrated as part of a stepped morphology in which higher density living is able to accommodate both a desire for privacy, and a connection with neighbours.  The typical detached New Zealand house reinforces the nuclear family as unit and precludes the extended family. Local models of medium density housing replicate these conventions and continue to deliver autonomous and identifiably singular buildings defined by lot and footprint size. Challenging these conventions, the architectural hardware of this proposal allows boundaries to be redefined according to the preferred size and configuration of a variety of household types. The identity of ‘home’ is less determined by size, and more by relations – within the household and between dwelling and public realm.  Insistently organisational, mat-building explores relational distances. The stepped-mat is examined in terms of the design of mediatory devices and ancillary spaces as the primary element of space planning. This was inspired by Atelier Bow Wow, who is known for creating, “not an architecture of spaces, but an architecture of relationships,” (Fujimori, 2010, p. 128). Initially concerned with the step as a tool for design, this thesis developed to consider the stepped-mat as a way of both controlling and designing space at a range of scales. How then, could the kinds of interstitial and circulation spaces between dwellings be exploited for incidental meetings between neighbours, to sit outside and read a book, or bring some daylight into a corridor (Barker & Simons, 2012, p.155). Designed to both transport and accommodate us, the stairs’ behaviour in the breakdown of vertical and horizontal space drives this design, and forms new relations between households.</p>


2021 ◽  
Author(s):  
◽  
Emily Batchelor

<p>Stepped-ness in Medium Density Housing investigates a new form of design, where the site is organised according to different conditions of public, common, shared and private spaces. Stepped-ness is used as a technique for controlling relations at a range of scales and intimacies —from urban to interior— and as a tool for creating continuity of public to private, inside to outside and building to landscape. As a result, circulation and dwelling become integrated as part of a stepped morphology in which higher density living is able to accommodate both a desire for privacy, and a connection with neighbours.  The typical detached New Zealand house reinforces the nuclear family as unit and precludes the extended family. Local models of medium density housing replicate these conventions and continue to deliver autonomous and identifiably singular buildings defined by lot and footprint size. Challenging these conventions, the architectural hardware of this proposal allows boundaries to be redefined according to the preferred size and configuration of a variety of household types. The identity of ‘home’ is less determined by size, and more by relations – within the household and between dwelling and public realm.  Insistently organisational, mat-building explores relational distances. The stepped-mat is examined in terms of the design of mediatory devices and ancillary spaces as the primary element of space planning. This was inspired by Atelier Bow Wow, who is known for creating, “not an architecture of spaces, but an architecture of relationships,” (Fujimori, 2010, p. 128). Initially concerned with the step as a tool for design, this thesis developed to consider the stepped-mat as a way of both controlling and designing space at a range of scales. How then, could the kinds of interstitial and circulation spaces between dwellings be exploited for incidental meetings between neighbours, to sit outside and read a book, or bring some daylight into a corridor (Barker & Simons, 2012, p.155). Designed to both transport and accommodate us, the stairs’ behaviour in the breakdown of vertical and horizontal space drives this design, and forms new relations between households.</p>


2021 ◽  
pp. 1-16
Author(s):  
Rafaela Carolina da Silva ◽  
Charles Oppenheim ◽  
Rosângela Formentini Caldas

The term “hybrid” has been used in many ways relating to hybrid library professionals; libraries that combine an academic and corporate purpose or a library and museum’s purpose; the use of hybrid instruction methods; a library that combines public and private spaces; reactions of libraries to hybrid open access; and hybrid professionals.


Antipode ◽  
2021 ◽  
Author(s):  
Philippa Williams ◽  
Lipika Kamra ◽  
Pushpendra Johar ◽  
Fatma Matin Khan ◽  
Mukesh Kumar ◽  
...  
Keyword(s):  

2021 ◽  
pp. 153270862110497
Author(s):  
Jennifer A. Sandlin ◽  
Jason James Wallin

Born largely from discourses on environmental sustainability, the contemporary minimalist movement has produced a new relationship to consumer objects. Where the accumulation of objects once conferred the status of wealth and prosperity under capitalism, minimalism aims to rethink the object as a spiritual extension of our inner lives. This is nowhere as evident than in the writing of Marie Kondo, whose teachings on “joyous” decluttering has enraptured a new class of consumers. Yet, for as much as contemporary thinking on minimalism figures in the image of eco-conscious neo-spirituality, this essay aims to demonstrate the relationship of minimalism to waste. For as much as the decluttering of our private spaces signals to the values of self-control and discipline, it also inadvertently intensifies a relationship to objects in which things that fail to “spark joy” become consigned to the garbage dumps and landfills that today swell with the abject accumulation of consumer society. For as much as the fashion of minimalism gestures to the aspirations of anti-consumerism, it is concomitantly the positive condition upon which the overflowing possessions of a Western consumer class are fated to become trash.


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